Most people will frown on a relationship between Dutch Owen and Marla Marie. Unless they were there from the beginning...Dutch stole Marla Marie Smith when she was ten years old. She wouldn't say kidnapped because she willingly left town with him. She'd even swear on her mother's life that she gave him no choice but to keep her.Thrust into a new lifestyle with Rachel and Skull, Marla fails to adapt to her new family, longing to go back home. Always on the outside, never belonging, she connects and relies on Dutch in a way that escapes her. With him, they have no secrets. She grows up trusting that he'll never leave her.Some will say he forced Marla Marie to love him. Maybe he had.But he needs her as much as she needs him.Riding for WAKOM Motorcycle Club, the open road is his home as he rides between the three chapters. The fallback of wearing the patch brings added risks to his life. But the biggest danger to his freedom comes in the form of a young girl. While he protects Marla Marie throughout the years from the world, his MC family, and himself, an unbreakable bond grows between them.Until he finds himself in a situation where he must set her free and chance destroying them both.-This is a saga romance novel that'll take you through growing pains, stubborn rebellion, crippling heartache, and uninhibited passion.

By the acclaimed Dutch author of Beyond Sleep: a thriller set in Nazi occupied Holland: “fast-moving, frighteningly real yet verging on the incredible” (Milan Kundera, author of The Unbearable Lightness of Being). During the German occupation of Holland, tobacconist Henri Osewoudt is visited by a mysterious man named Dorbeck—a man who bears a strangely striking resemblance to Osewoudt himself. Dorbeck recruits him to perform simple, but top-secret missions on orders from London. But as the assignments keep coming, they get increasingly dangerous. Soon Osewoudt is being asked to commit murder in the name of Gestapo resistance. After the war, Osewoudt is taken for a traitor and captured. To prove his sacrifices for the Resistance, he must find the untraceable doppelgänger in an existential thriller “crackling with tension . . . bringing to mind Camus and the Sartre of Les Chemins de la Liberté” (The Telegraph). “Striking, suspenseful . . . Brilliant.” —The Observer

For centuries, London theatre has celebrated a rich and influential history, and in 1976, the first volume of J. P. Wearing’s reference series provided scholars and other researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The London Stage 1900-1909 A Calendar of Productions, Performers, and Personnel, Second Edition provides a chronological calendar of London shows from January 1900 through December 1909. The volume chronicles more than 3,000 productions at 35 selected, major central London theatres during this period. For each entry the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and references to reviews. A comment section includes other interesting information, such as a plot description, the first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were Candida, His House in Order, The Only Way, The Playboy of the Western World, Raffles (The Amateur Cracksman), and The Scarlet Pimpernel, as well as numerous musical comedies (British and American), foreign works, operas, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original, well-received calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are indexed fully by title, genre, and theatre. A general index also includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, ticket prices, or other relevant subjects. An authoritative reference providing essential details, this work will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

Love Walk is ... the unlikely story of what happens when a Flower Child marries a Marine! In Book One, Love Song of a Flower Child, Mary chronicles her journey as a rebel from New York to Berkeley and then to Big Sur, California in a desperate search to find purpose and meaning. She has a dramatic encounter with God that forever changes the trajectory of her life and the lives of her children.

Theatre in London has celebrated a rich and influential history, and in 1976 the first volume of J. P. Wearing’s reference series provided researchers with an indispensable resource of these productions. In the decades since the original calendars were produced, several research aids have become available, notably various reference works and the digitization of important newspapers and relevant periodicals. The second edition of The London Stage 1930–1939: A Calendar of Productions, Performers, and Personnel provides a chronological calendar of London shows from January 1930 through December 1939. The volume chronicles more than 4,250 productions at 61 major central London theatres during this period. For each production the following information is provided: Title Author Theatre Performers Personnel Opening and Closing Dates Number of Performances Other details include genre of the production, number of acts, and a list of reviews. A comment section includes other interesting information, such as plot description, first-night reception by the audience, noteworthy performances, staging elements, and details of performances in New York either prior to or after the London production. Among the plays staged in London during this decade were The Barretts of Wimpole Street, French without Tears, George and Margaret, The Greeks Had a Word for It, Laburnum Grove, Lady Precious Stream, The Late Christopher Bean, Love on the Dole, Me and My Girl, Private Lives, and 1066 and All That, as well as numerous musical comedies (British and American), foreign works, operas, ballets, and revivals of English classics. A definitive resource, this edition revises, corrects, and expands the original calendar. In addition, approximately 20 percent of the material—in particular, information of adaptations and translations, plot sources, and comment information—is new. Arranged chronologically, the shows are fully indexed by title, genre, and theatre. A general index includes numerous subject entries on such topics as acting, audiences, censorship, costumes, managers, performers, prompters, staging, and ticket prices. The London Stage 1930-1939 will be of value to scholars, theatrical personnel, librarians, writers, journalists, and historians.

At long last, Sarah Britton, called the “queen bee of the health blogs” by Bon Appétit, reveals 100 gorgeous, all-new plant-based recipes in her debut cookbook, inspired by her wildly popular blog. Every month, half a million readers—vegetarians, vegans, paleo followers, and gluten-free gourmets alike—flock to Sarah’s adaptable and accessible recipes that make powerfully healthy ingredients simply irresistible. My New Roots is the ultimate guide to revitalizing one’s health and palate, one delicious recipe at a time: no fad diets or gimmicks here. Whether readers are newcomers to natural foods or are already devotees, they will discover how easy it is to eat healthfully and happily when whole foods and plants are at the center of every plate.

No good deed goes unpunished.Armed and ready to roll at a moment's notice, Curley thrives as Vice President of Tarkio Motorcycle Club. The routine and responsibilities of his position within Tarkio keep him from focusing on his past. And like clockwork, every few months, all hell breaks loose when his biggest mistake storms into his life, reminding him that he has an old lady.In a world filled with crime and hidden truths, he's a breath away from losing the one person he loves more than his freedom.Born under a bad moon, Abandoned is her middle name.From the time she could talk, Faye Walker called every Tarkio member UNCLE. They were her family after her mom ran away and handed her to Uncle Walker-until he goes to prison. Then, Great-Grandma June raised her- but died before Faye was ready to be on her own.Throughout the years, Curley remains the only constant in her life. Her favorite UNCLE. She loves him with a desperation that paralyzes her.At seventeen years old, one brave, immature decision changed her life.Curley made her a promise.She's going to make sure he keeps it.

Dr. Race Conner is a well-respected psychologist in Astoria, Oregon, who has put his wild days behind him. Dedicated to leaving the limitations of the clinic to open his own private practice, he's willing to take on cases that will propel him forward in his career. Abiding a strict code of ethics, Race guides others to a healthier, happier life.Until he meets Katie.As her psychologist, there are lines he can't cross. He crosses them all.At twelve years old, Katie Meihoff has lived through the death of a parent, emotional abuse, and neglect. The only constant presence in her life is Dr. Conner. Through adolescent adoration, teenage curiosity, and adult fantasies, she becomes more and more dependent on the man who promises never to leave her.A passionate, captivating saga of exploration, forbidden love, and healing as Race and Katie fight for the love they both desperately need.