A biography of the charismatic world traveler whose daredevil exploits thrilled millions in the early twentieth century. Born in 1900, Richard Halliburton ran away from his hometown of Memphis, Tennessee, at the age of nineteen to lead an extraordinary and dramatic life of adventure. Against the backdrop of the Roaring Twenties and the Great Depression, Halliburton’s exploits around the globe made him an internationally known celebrity and the most famous travel writer of his time. From climbing Mount Olympus in Greece to swimming the Panama Canal and flying all the way to Timbuktu, Halliburton experienced and wrote about adventures that others never even believed possible. His youthful spirit and bohemian lifestyle won the hearts of millions, and this absorbing biography tells his story. “He was Marco Polo and Indiana Jones wrapped up in one, with P.T. Barnum’s flippancy and James Bond’s bravado, capped off by F. Scott Fitzgerald’s aristocratic good looks and manners.” —Smithsonian “A concise new biography [that] covers the life of a man of marvels.” —Memphis Magazine

Author R. Scott Williams details the spectacular exploits of a true adventurer. Richard Halliburton ran away from his hometown in Memphis at the age of nineteen to lead an extraordinary and dramatic life of adventure. Against the backdrop of the Golden Age, the Roaring Twenties and the Great Depression, Halliburton's exploits around the globe made him an internationally known celebrity and the most famous travel writer of his time. From climbing Mount Olympus in Greece to swimming the Panama Canal and literally flying all the way to Timbuktu, Halliburton experienced and wrote about adventures that others never even believed possible. His youthful spirit and bohemian lifestyle won the hearts of millions.

Richard Halliburton (1900-1939), considered the world's first celebrity travel writer, swam the length of the Panama Canal, recreated Ulysses' voyages in the Mediterranean, crossed the Alps on an elephant, flew around the world in a biplane, and descended into the Mayan Well of Death, all the while chronicling his own adventures. Several books treat his life and travels, yet no book has addressed in detail Halliburton's most ambitious expedition: an attempt to sail across the Pacific Ocean in a Chinese junk. Set against the backdrop of a China devastated by invading Japanese armies and the storm clouds of world war gathering in Europe, Halliburton and a crew of fourteen set out to build and sail the Sea Dragon--a junk or ancient sailing ship--from Hong Kong to San Francisco for the Golden Gate International Exposition. After battling through crew conflicts and frequent delays, the Sea Dragon set sail on March 4, 1939. Three weeks after embarking, the ship encountered a typhoon and disappeared without a trace. Richly enhanced with historic photographs, Richard Halliburton and the Voyage of the Sea Dragon follows the dramatic arc of this ill-fated expedition in fine detail. Gerry Max artfully unpacks the tensions between Halliburton and his captain, John Wenlock Welch (owing much to Welch's homophobia and Halliburton's unconcealed homosexuality). And while Max naturally explores the trials and tribulations of preparing, constructing, and finally launching the Sea Dragon, he also punctuates the story with the invasion of China by the Japanese, as Halliburton and his letters home reveal an excellent wartime reporter. Max mines these documents, many of which have only recently come to light, as well as additional letters from Halliburton and his crew to family and friends, photographs, films, and tape recordings, to paint an intricate portrait of Halliburton's final expedition from inception to tragic end.

THEY FLEW THROUGH THE AIR WITH GREATEST OF EASE Richard Halliburton can be counted on to lead his readers into strange places, into hilarious difficulties, into new appreciations of history and romance—and never to qualify his outrageous philosophy of reckless living with a single sober moral. The Flying Carpet is his latest, his most modern book—in which he takes us around the world by airplane. Timbuctoo, because it was far away and mysterious, was his first destination. From there, the author and his pilot-companion, Moye Stephens, follow a “royal road to romance” through the sky, dropping down on Fez, Morocco and the French Foreign Legion, The Holy Land, Galilee, Baghdad in mysterious Arabia, Persia, and India; flying over the world’s highest mountain, Mt. Everest, investigating Singapore, speeding to Borneo to visit the white Ranee whose husband rules half a million head hunters, and ending in Manila, making airplane records, enjoying unprecedented thrilling experiences, flying into remote places where airplanes had never been heard of before. These enviable adventures are told gaily and dramatically. Their footloose spirit, as free as the air through which the Flying Carpet sailed, will prove fatal to the contentment of those readers who have not yet achieved the realization of their own travel dreams.

When Richard Halliburton graduated from college, he chose adventure over a career, traveling the world with almost no money. The Royal Road to Romance chronicles what happened as a result, from a breakthrough Matterhorn ascent to being jailed for taking forbidden pictures on Gibraltar. Halliburton's literary career developed out of his meticulous logging of events that occurred on his own adventures. This book, his first, an account of his travels in 1921-23, was a best-seller for three years and was translated into 15 languages.

In all of journalism, nowhere are the stakes higher than in foreign news-gathering. For media owners, it is the most difficult type of reporting to finance; for editors, the hardest to oversee. Correspondents, roaming large swaths of the planet, must acquire expertise that home-based reporters take for granted—facility with the local language, for instance, or an understanding of local cultures. Adding further to the challenges, they must put news of the world in context for an audience with little experience and often limited interest in foreign affairs—a task made all the more daunting because of the consequence to national security. In Journalism’s Roving Eye, John Maxwell Hamilton—a historian and former foreign correspondent—provides a sweeping and definitive history of American foreign news reporting from its inception to the present day and chronicles the economic and technological advances that have influenced overseas coverage, as well as the cavalcade of colorful personalities who shaped readers’ perceptions of the world across two centuries. From the colonial era—when newspaper printers hustled down to wharfs to collect mail and periodicals from incoming ships—to the ongoing multimedia press coverage of the Iraq War, Hamilton explores journalism’s constant—and not always successful—efforts at “dishing the foreign news,” as James Gordon Bennett put it in the mid-nineteenth century to describe his approach in the New York Herald. He details the highly partisan coverage of the French Revolution, the early emergence of “special correspondents” and the challenges of organizing their efforts, the profound impact of the non-yellow press in the run-up to the Spanish-American War, the increasingly sophisticated machinery of propaganda and censorship that surfaced during World War I, and the “golden age” of foreign correspondence during the interwar period, when outlets for foreign news swelled and a large number of experienced, independent journalists circled the globe. From the Nazis’ intimidation of reporters to the ways in which American popular opinion shaped coverage of Communist revolution and the Vietnam War, Hamilton covers every aspect of delivering foreign news to American doorsteps. Along the way, Hamilton singles out a fascinating cast of characters, among them Victor Lawson, the overlooked proprietor of the Chicago Daily News, who pioneered the concept of a foreign news service geared to American interests; Henry Morton Stanley, one of the first reporters to generate news on his own with his 1871 expedition to East Africa to “find Livingstone”; and Jack Belden, a forgotten brooding figure who exemplified the best in combat reporting. Hamilton details the experiences of correspondents, editors, owners, publishers, and network executives, as well as the political leaders who made the news and the technicians who invented ways to transmit it. Their stories bring the narrative to life in arresting detail and make this an indispensable book for anyone wanting to understand the evolution of foreign news-gathering. Amid the steep drop in the number of correspondents stationed abroad and the recent decline of the newspaper industry, many fear that foreign reporting will soon no longer exist. But as Hamilton shows in this magisterial work, traditional correspondence survives alongside a new type of reporting. Journalism’s Roving Eye offers a keen understanding of the vicissitudes in foreign news, an understanding imperative to better seeing what lies ahead.

Perkins, a former chief economist at a Boston strategic-consulting firm, confesses he was an "economic hit man" for 10 years, helping U.S. intelligence agencies and multinationals cajole and blackmail foreign leaders into serving U.S. foreign policy and awarding lucrative contracts to American business.

By the early 1930s America had one literary treasure that risked his life to please its readers. Richard Halliburton had already become a best-selling travel author and could have retired comfortably on the immense wealth gained from the sale of his first two books. Yet some men are born to dare, and Halliburton was one these. NEW WORLDS TO CONQUER was Halliburton’s third book and contains a knapsack full of that adventurer’s gold—dreams brought to reality by the alchemy of his courage and daring. The book details how Halliburton set off for Latin America in search of adventure, and find it he did. He dived to the bottom of the Mayan Well of Death, from which hundreds of skeletons had been dredged, then swam fifty miles down the length of the Panama Canal. Not content, he climbed to the crest of Mexico’s lofty Mount Popocatepetl, twice, and roamed over the infamous Devil’s Island. Yet his most amazing adventure occurred when he had himself marooned on the same island which had once held Robinson Crusoe captive. “Somewhere a lizard stirred the leaves...Furtively I looked about me, realizing that in the darkness the boa-constrictors would be abroad creeping forth from the ancient tombs and slinking down the leafy avenues,” Halliburton wrote. This is Halliburton at is best—fatalistic about his own safety, poetic about his chances of survival, and determined to bring home a hair-raising tale of adventure from the Latin lands of legend.

"He knew many people who would not fit in the handy boxes society offered them. Paul Mooney sailed across the Pacific with him in a Chinese junk. Moye Stephens flew as a stunt pilot in Howard Hughes's silent movies. Elly Beinhorn was Germany's Amelia Earhart. Pancho Barnes founded the Happy Bottom Riding Club. He met history-makers like Lenin's widow and the man who shot the Czar and many others. Richard Halliburton was a maverick, a rebel, in an America coming of age in the world. He couldn't see himself fitting into that America, although he was very much its product with his can-do attitude and his things-will-get-better belief. For all that, he was a round peg with nothing but square holes awaiting him as he reached adulthood. He could not see things the way most people saw them. His parents wanted him to play by the rules, to live an even tenor, and he scorned the rules, especially the phrase "even tenor." He said no to their even tenor and in doing so he turned his back on an America that held those values. Despite having little respect for the rules, he became wildly successful because his life was wildly improbable as a travel-adventure writer. Because he dared, he became an icon of his era, more famous in his day than Amelia Earhart, with farmers' wives in Topeka, factory workers in Detroit, and newspaper boys in Cleveland buying his books." -- Book cover.

In Cory Doctorow's wildly successful Little Brother, young Marcus Yallow was arbitrarily detained and brutalized by the government in the wake of a terrorist attack on San Francisco—an experience that led him to become a leader of the whole movement of technologically clued-in teenagers, fighting back against the tyrannical security state. A few years later, California's economy collapses, but Marcus's hacktivist past lands him a job as webmaster for a crusading politician who promises reform. Soon his former nemesis Masha emerges from the political underground to gift him with a thumbdrive containing a Wikileaks-style cable-dump of hard evidence of corporate and governmental perfidy. It's incendiary stuff—and if Masha goes missing, Marcus is supposed to release it to the world. Then Marcus sees Masha being kidnapped by the same government agents who detained and tortured Marcus years earlier. Marcus can leak the archive Masha gave him—but he can't admit to being the leaker, because that will cost his employer the election. He's surrounded by friends who remember what he did a few years ago and regard him as a hacker hero. He can't even attend a demonstration without being dragged onstage and handed a mike. He's not at all sure that just dumping the archive onto the Internet, before he's gone through its millions of words, is the right thing to do. Meanwhile, people are beginning to shadow him, people who look like they're used to inflicting pain until they get the answers they want. Fast-moving, passionate, and as current as next week, Homeland is every bit the equal of Little Brother—a paean to activism, to courage, to the drive to make the world a better place. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.