"A novel about the beginning years of aviation"--

"This book is the work of a team who have for some sonsiderable time formed a study group to investigate Manfred Freiherr von Richthofen and his famous airfighting formation"--Foreword

This new version now contains answers to all the over 600 stimulating questions. Walker covers the entirety of naked-eye physics by exploring problems of the everyday world. He focuses on the flight of Frisbees, sounds of thunder, rainbows, sand dunes, soap bubbles, etc., and uses such familiar objects as rubber bands, eggs, tea pots, and Coke bottles. Many references to outside sources guide the way through the problems. Now the inclusion of answers provides immediate feedback, making this an extraordinary approach in applying all of physics to problems of the real world.· Hiding Under the Covers, Listening for the Monsters· The Walrus Speaks of Classical Mechanics· Heat Fantasies and Other Cheap Thrills of the Night· The Madness of Stirring Tea· She Comes in Colors Everywhere· The Electrician's Evil and the Ring's Magic· The Walrus Has His Last Say and Leaves Us Assorted Goodies

***ALMOST CERTAINLY NOMINATED FOR SOMETHING SOMEWHERE*** The complete scripts from the four Monty Python series, first shown on BBC television between 1969 and 1974, have been collected in two companion volumes. Characters' names, often not spoken, are given as in the original scripts, along with the names of the actual performer added on their first appearance in each sketch. This first volume contains twenty-three classic episodes, featuring some of the most entertaining writing to have gone into television anywhere. The minister of silly walks, the dead parrot, banter in a cheese shop - here is every silly, satirical skit, every snide insult, every saucy aside.

A comprehensive study examining the history, content, and context of the legendary comedy series Monty Python’s Flying Circus. One of the most innovative comedic programs to air on television, Monty Python’s Flying Circus was a mix of the carnivalesque and the critical. The show has become famous for eschewing many of the conventions of situation comedy, the fully formed and coherent script, narrative closure, predictable characters, and the decorum associated with presentation. Its curious transatlantic popularity defied the assumption that comedy is regional and exclusive, and the show’s cult status still lives on in the United States and United Kingdom through reruns, videos, DVDs, and continual reappearances by the show’s now iconic stars. Most written accounts of Monty Python’s Flying Circus focus solely on members of the Pythons, histories of the sketches, or the development of other Monty Python projects, leaving a dearth of scholarly and contextual analysis on the television show itself. Marcia Landy’s book is one of the rare studies available examining the Flying Circus within the context of its time, analyzing the show’s influence on 1960s and 1970s British television as well as British cultural influence on the show’s legendary material. Landy explores not only why the series’ complex form of comedy was important but also why it was so well received, citing the Pythons’ amalgam of comedic material: the unruly treatment of sexuality, the mockery of religion and class, and the critique of the medium of television. The Flying Circus parodied both the lowbrow and the highbrow, throwing many previously untouchable topics into the ring, and here Landy deconstructs the impact of the show’s risks and reception. As informative as it is engaging and entertaining, this book will appeal to film and media scholars, popular culture enthusiasts, and Monty Python fans alike.

Alexandra Pelosi, creator of the Emmy award-winning film Journeys with George and of Diary of a Political Tourist, makes her literary debut with an intimate look at the frenzied and grueling underbelly of presidential campaigning and the puppet role of the media. Pelosi went along on the campaign trail in order to, as she puts it, "document the absurd hazing rituals that our presidential candidates have to go through." With this savvy, well-connected, and fearless guide, it's a rollicking, breakneck journey unlike any other. Pelosi's one-on-one time with the 2004 presidential candidates affords an up-close perspective on the highs and lows of campaign life: the genuine thrill of seeing America, the unrelenting grind of endless campaign stops, the hope and heartache of poll results. While the candidates try to stick to tightly constructed scripts, Pelosi's nonnetwork angle makes for revealing portraits of the men who wanted to be president. But even more, Pelosi's approach reveals fundamental flaws in the media's election coverage. A former member of the campaign press corps, she turns her gimlet eye on the media, which are busy enacting their own election-time rituals: "Every election cycle journalists defy the theory of evolution, living sequestered on a bus, with no sleep, few showers, and tons of junk food, going town-to-town listening to the same speech over and over. You're stuck in this dysfunctional relationship between the news organization that has you there to do their bidding and the campaign that is trying to co-opt you." And herein lies Pelosi's driving point: politicians and journalists don't trust each other, and so, in election coverage and in politics in general, the press is utterly hamstrung. Since the candidates never say anything unscripted and the journalists have to make nice in order to maintain access, modern presidential campaigns have become little more than media events. Politicians and journalists alike are going through the motions, and the voters have no idea who the candidates really are. But Pelosi says the public are not fools: "Everyone knows that the media do not give them an accurate portrait of a person." No wonder people are apathetic. But whose fault is it? Are the candidates driving people away from the political process, or are the media keeping them out? Probing, insightful, and lively, Sneaking into the Flying Circus exposes the election process for what it is: a three-ring gala production that comes to town every four years. As a nation and an audience, we're often willing to suspend disbelief -- and we often can't resist when the clowns try to get us in on the act. It is, after all, the greatest show on earth.

Gann reviews a lifetime of adventure in the air, offering a kaleidoscope view of his favorite aircraft and the varied techniques for flying them. Beginning with his carrier and barnstorming days during the Depression, Gann traces the development in America of the commercial use of airplanes. Filled with little-known anecdotes about legendary fliers, including Charles A. Lindbergh. (Planes)

From an award-winning author comes a wise and tender coming-of-age story about a nine-year-old girl who runs away from her Mississippi home in 1963, befriends a lonely woman suffering loss and abuse, and embarks on a life-changing road trip. Whistling past the graveyard. That’s what Daddy called it when you did something to keep your mind off your most worstest fear... In the summer of 1963, nine-year-old Starla Claudelle runs away from her strict grandmother’s Mississippi home. Starla’s destination is Nashville, where her mother went to become a famous singer, abandoning Starla when she was three. Walking a lonely country road, Starla accepts a ride from Eula, a black woman traveling alone with a white baby. Now, on the road trip that will change her life forever, Starla sees for the first time life as it really is—as she reaches for a dream of how it could one day be.

Illustrated with 22 photos of the Author, his unit and his life. The top American Fighter Ace of World War Two recounts his experiences, combats and victories in the skies above the Pacific. His citation for the Congressional Medal of Honour gives the bare unadorned facts about the eagle-eyed flyer from Sioux Falls, South Dakota; “For outstanding heroism and courage above and beyond the call of duty as executive officer of Marine Fighting Squadron 121, 1st Marine Aircraft Wing, at Guadalcanal. Engaging in almost daily combat with the enemy from 9 October to 19 November 1942, Captain Foss personally shot down 23 Japanese planes and damaged others so severely that their destruction was extremely probable. In addition, during this period, he successfully led a large number of escort missions, skillfully covering reconnaissance, bombing, and photographic planes as well as surface craft. On 15 January 1943, he added 3 more enemy planes to his already brilliant successes for a record of aerial combat achievement unsurpassed in this war. Boldly searching out an approaching enemy force on 25 January, Captain Foss led his 8 F-4F Marine planes and 4 Army P-38’s into action and, undaunted by tremendously superior numbers, intercepted and struck with such force that 4 Japanese fighters were shot down and the bombers were turned back without releasing a single bomb. His remarkable flying skill, inspiring leadership, and indomitable fighting spirit were distinctive factors in the defense of strategic American positions on Guadalcanal.” One of the most thrilling combat memoirs written of World War Two. Highly recommended.