What happens when persons living in the womb are declared to be legal non-persons? What is transgenderism? And why are so many countries changing the meaning of words such as Female, Husband and Mother? The Flesh Made Word makes visible the invisible thread which connects a redefinition of legal marriage to transgenderism to abortion. In doing so it shows that when the physically impossible is made legally possible the effect is that the physically possible is made legally impossible. By examining the relationships between body, mind, language and law, we can come to see that behind the curtain of language our body has been ushered off the legal stage. For legal purposes we no longer have a sex. From here on in we have only a gender.

In the fourth century a new narrative genre captured the imagination of the faithful--the accounts of the lives of Christian saints. Kleinberg argues that these stories were more than edifying entertainment. By retelling the story of virtue and salvation, by expanding the religious imagination of the West, they were reshaping Christianity itself.

Most theologians believe that in the human life of Jesus of Nazareth, we encounter God. Yet how the divine and human come together in the life of Jesus still remains a question needing exploring. The Council of Chalcedon sought to answer the question by speaking of one and the same Son, our Lord Jesus Christ, the same perfect in divinity and also perfect in humanity, the same truly God and truly a human being. But ever since Chalcedon, the theological conversation on Christology has implicitly put Christs divinity and humanity in competition. While ancient (and not-so-ancient) Christologies from above focus on Christs divinity at the expense of his humanity, modern Christologies from below subsume his divinity into his humanity. What is needed, says Ian A. McFarland, is a Chalcedonianism without reserve, which not only affirms the humanity and divinity of Christ but also treats them as equal in theological significance. To do so, he draws on the ancient christological language that points to Christs nature, on the one hand, and his hypostasis, or personhood, on the other. And with this, McFarland begins one of the most creative and groundbreaking theological explorations into the mystery of the incarnation undertaken in recent memory.

Flesh Made Word is a fresh, inclusive theology of the incarnation.

Examining the works of such Victorian writers as the Brontes, Dickens, Eliot, and Hardy, this study discusses codes and taboos about the female body and explores how female sexuality was represented in Victorian literary and non-literary genres, such as painting, etiquette books and pornography.

This book explores the much debated relation of language and bodily experience (i.e. the 'flesh'), considering in particular how poetry functions as revelatory discourse and thus relates to the formal horizon of theological inquiry. The central thematic focus is around a 'phenomenology of the flesh' as that which connects us with the world, being the site of perception and feeling, joy and suffering, and of life itself in all its vulnerability. The voices represented in this collection reflect interdisciplinary methods of interpretation and broadly ecumenical sensibilities, focusing attention on such matters as the revelatory nature of language in general and poetic language in particular, the function of poetry in society, the question of Incarnation and its relation to language and the poetic arts, the kenosis of the Word, and human embodiment in relation to the word 'enfleshed' in poetry.

Calling attention to the visual materiality of the text, this book attempts to halt linear reading, trapping the eye in a field of letters which make a complex object on the page. The writing refers continually to the visceral character of language, literalizing metaphors of tongue, breath, and flesh. The work both embodies and discusses language as a physical form, one whose properties cannot be ignored by arriving at a disembodied content. The format of this work invokes a reference to the carmina figurata of the Renaissance -- works in which a sacred image was picked out in red letters against a field of black type so that a holy figure could be seen and meditated on in the process of reading. The technique is reversed here, with the red field of small type serving as a background in which large, black letters are arranged like figures on the red ground. This is a facsimile reprint of an original letterpress edition issued in 1989.

John 1:14 ... and the Word was made flesh ... In every religion and philosophy, word remains word - religion remains a theory and philosophy remains a guess. But in Jesus Christ, the Word is made flesh, reality is revealed - God's thought is concluded in human life. The ultimate destiny of the Word, was never a book or an institution, but the image and likeness of God displayed in human life! Both the content and the method in which the course is presented is aimed at this purpose: to inspire and ignite an understanding that will find expressing through our lives - the Word made flesh. This 25 week (6 month) course will explore the mystery that was hidden for ages and generation, but has now been revealed ... Christ in us, all we could ever have hoped for. See ginomai.org for more information.