In the tradition of Annie Dillard and Natalie Goldberg, this resource for writers and non-writers alike shows the act of writing to be a dynamic means of knowing, healing, and creating the body, mind, and spirit.

It is very dangerous when a wound is so common in a culture that hardly anyone knows there is a problem. Such is the case right now with our wounded feeling function- our inability to find joy, worth, and meaning in life. Robert A. Johnson, the celebra

Intro -- Title -- Chapter 1 -- Chapter 2 -- Chapter 3 -- Chapter 4 -- Chapter 5 -- Chapter 6 -- Chapter 7 -- Chapter 8 -- Chapter 9 -- Chapter 10 -- Chapter 11 -- Chapter 12 -- Chapter 13 -- Chapter 14 -- Chapter 15 -- Chapter 16 -- Chapter 17 -- Chapter 18 -- Chapter 19 -- Chapter 20 -- Chapter 21 -- Chapter 22 -- Chapter 23 -- Chapter 24 -- Chapter 25 -- Chapter 26 -- Chapter 27 -- Chapter 28 -- Chapter 29 -- Chapter 30 -- Chapter 31 -- Chapter 32 -- Chapter 33 -- Chapter 34 -- Chapter 35 -- Chapter 36 -- Chapter 37 -- Chapter 38 -- Chapter 39.

Every human being lives a fairy tale -- an unconscious myth that works on us, shapes us, and points to our truth. Often the story is filled with danger and foreboding. The good news is, for those who examine it closely, the story also carries with it balm and healing. 'Here All Dwell Free' is an in-depth exploration of two classic fairy tales that have particular significance for women. The Handless Maiden will resonate in a special way with women who feel powerless in the contemporary world. In a similar way, Briar Rose is about falling asleep and waking, of abandonment and allowing oneself to be discovered by love. While the stories recounted here may be ancient, they speak to us today in unmistakable symbolic language, inviting us to enter them, live them, and be made whole again.

As a fisherman/seaman touched by war zones and wastelands in Viet Nam and the Bowery, a poet/therapist who has worked with his own wounds, and those of others, author Paul Pines believes that the Fisher King’s wounding can be understood as a function that speaks to our post-internet condition on the border of survival and extinction. Bio: PAUL PINES opened The Tin Palace, his Bowery jazz club, in the ’70s. It became the setting for his novel The Tin Angel (Morrow, 1983). A second novel, Redemption, (Editions du Rocher, 1997), explores the Guatemalan Mayan genocide of the ’80s. My Brother’s Madness, (Curbstone Press, 2007) probes the nature of delusion. He has published 13 collections of poetry, most recently Divine Madness (Marsh Hawk, 2012), Fishing On The Pole Star (Dos Madres, 2014) Message From The Memoirist (Dos Madres, 2015) and Charlotte Songs (Marsh Hawk, 2016). He is the editor of Juan Gelman’s selected poems Dark Times/ Filled with Light (Open Letters Press, 2012) and has contributed translations to Small Hours of the Night, Selected Poems of Roque Dalton; and Nicanor Parra, Antipoems: New and Selected. Composer Daniel Asia’s settings of Pines’ poems appear on Songs from the Page of Swords, Breath in a Ram’s Horn and, Purer Than Purest Pure (BBC Singers) on the Summit label. Asia’s 5th Symphony, recorded by the Pilsen SO, features poems by Pines and Israeli poet Yehuda Amichai. The Tin Angel Opera, was performed by the Center for Contemporary Opera in NYC. Pines has conducted workshops for the National Writers Voice and lectured for the National Endowment for the Humanities. He has been a fellow at the MacDowell Colony, Ossabaw Foundation, and Virginia Center, as well as a recipient of an Artists' Fellowship, N.Y.S. Foundation for the Arts. He lives in Glens Falls, New York, where he is a psychotherapist in private practice and hosts the Lake George Jazz Weekend. paulpines.com

This book analyzes popular American films that point to the need for father atonement, ego-decentering, and the resurrection of the lost feminine to heal gendered cultural wounds, while affirming the role of meaningful suffering, compassion, self-sacrifice and transcendence as an antidote to the inevitable woundedness of the human condition.

The editors innovatively combine two essays by different authors in each chapter thereby giving different perspectives on important topics

From Robert Bly, author of the groundbreaking bestseller Iron John, and famed Jungian analyst Marion Woodman comes an interpretation of a primordial folktale that takes the message behind Iron John to its next phase: the reunion of masculine and feminine. Bly and Woodman interpret the archetypal symbols embedded in an ancient Russian story, The Maiden King, a tale woven of an absent father, a possessive stepmother, a false tutor, and a young man over-whelmed by a beautiful maiden. When the young man's weak response to the maiden ss her retreating in anger, he must go on a quest for self-discovery that leads to Baba Yaga, the fierce yet empowering old woman of Russian folk tradition. The male tency toward impotence in the face of feminine magnificence, the female fear of power and abandonment that leads to rage, the need to get beyond oppositional thinking en route to the Divine, these are issues the book addresses with wisdom and lyricism. The true heir to Iron John, The Maiden King may be the intellectual answer to Men Are from Mars, Women Are from Venus.

Discover words to surprise, delight, and enamor. Learn terms for the sunlight that filters through the leaves of trees, for dancing awkwardly but with relish, and for the look shared by two people who each wish the other would speak first. Other-Wordly is an irresistible ebook for lovers of words and those lost for words alike.