Surveys the ecological impacts of World War I, showing how the war had a global impact on the environment.

The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.

Volume 2 of The Cambridge History of the First World War offers a history of the war from a predominantly political angle and concerns itself with the story of the state. It explores the multifaceted history of state power and highlights the ways in which different political systems responded to, and were deformed by, the near-unbearable pressures of war. Every state involved faced issues of military-civilian relations, parliamentary reviews of military policy, and the growth of war economies; and yet their particular form and significance varied in every national case. Written by a global team of historical experts, this volume sets new standards in the political history of the waging of war in an authoritative new narrative which addresses problems of logistics, morale, innovation in tactics and weapons systems, the use and abuse of science; all of which were ubiquitous during the conflict.

This volume is the result of an international conference held at Sapienza University of Rome in June 2014, which brought together scholars from different countries to re-analyse and re-interpret the events of the First World War, one hundred years after a young Bosnian Serb student from the “Mlada Bosna,” Gavrilo Princip, “lit the fuse” and ignited the conflict which was to forever change the world. The Great War – initially on a European and then on a world scale – demonstrated the fragility of the international system of the European balance of powers, and determined the dissolution of the great multinational empires and the need to redraw the map of Europe according to the principles of national sovereignty. This book provides new insights into theories of this conflict, and is characterized by internationality, interdisciplinarity and a combination of different research methods. The contributions, based on archival documents from various different countries, international and local historiography, and on the analysis of newspaper articles, postcards, propaganda material, memorials and school books, examine ideological and historiographical debates, the memory of the war and its most important contemporary and popular narratives, and the use of propaganda for the mobilization of public opinion, in addition to military, social, political, economic and psychological aspects of the conflict.

This transnational, interdisciplinary study of traumatic neurosis moves beyond the existing histories of medical theory, welfare, and symptomatology. The essays explore the personal traumas of soldiers and civilians in the wake of the First World War; they also discuss how memory and representations of trauma are transmitted between patients, doctors and families across generations. The book argues that so far the traumatic effects of the war have been substantially underestimated. Trauma was shaped by gender, politics, and personality. To uncover the varied forms of trauma ignored by medical and political authorities, this volume draws on diverse sources, such as family archives and narratives by children of traumatized men, documents from film and photography, memoirs by soldiers and civilians. This innovative study challenges us to re-examine our approach to the complex psychological effects of the First World War.

Volume 3 of The Cambridge History of the First World War explores the social and cultural history of the war and considers the role of civil society throughout the conflict; that is to say those institutions and practices outside the state through which the war effort was waged. Drawing on 25 years of historical scholarship, it sheds new light on culturally significant issues such as how families and medical authorities adapted to the challenges of war and the shift that occurred in gender roles and behaviour that would subsequently reshape society. Adopting a transnational approach, this volume surveys the war's treatment of populations at risk, including refugees, minorities and internees, to show the full extent of the disaster of war and, with it, the stubborn survival of irrational kindness and the generosity of spirit that persisted amidst the bitterness at the heart of warfare, with all its contradictions and enduring legacies.

The First World War began in the Balkans, and it was fought as fiercely in the East as it was in the West. Fighting persisted in the East for almost a decade, radically transforming the political and social order of the entire continent. The specifics of the Eastern war such as mass deportations, ethnic cleansing, and the radicalization of military, paramilitary and revolutionary violence have only recently become the focus of historical research. This volume situates the ‘Long First World War’ on the Eastern Front (1912–1923) in the hundred years from the mid-19th to the mid-20th century and explores the legacies of violence within this context. Content Jochen Böhler/Włodzimierz Borodziej/Joachim von Puttkamer: Introduction I. A World in Transition Joachim von Puttkamer: Collapse and Restoration. Politics and the Strains of War in Eastern Europe Mark Biondich: Eastern Borderlands and Prospective Shatter Zones. Identity and Conflict in East Central and Southeastern Europe on the Eve of the First World War Jochen Böhler: Generals and Warlords, Revolutionaries and Nation-State Builders. The First World War and its Aftermath in Central and Eastern Europe II. Occupation Jonathan E. Gumz: Losing Control. The Norm of Occupation in Eastern Europe during the First World War Stephan Lehnstaedt: Fluctuating between ‘Utilisation’ and Exploitation. Occupied East Central Europe during the First World War Robert L. Nelson: Utopias of Open Space. Forced Population Transfer Fantasies during the First World War III. Radicalization Maciej Górny: War on Paper? Physical Anthropology in the Service of States and Nations Piotr J. Wróbel: Foreshadowing the Holocaust. The Wars of 1914–1921 and Anti-Jewish Violence in Central and Eastern Europe Robert Gerwarth: Fighting the Red Beast. Counter-Revolutionary Violence in the Defeated States of Central Europe IV. Aftermath Julia Eichenberg: Consent, Coercion and Endurance in Eastern Europe. Poland and the Fluidity of War Experiences Philipp Ther: Pre-negotiated Violence. Ethnic Cleansing in the ‘Long’ First World War Dietrich Beyrau: The Long Shadow of the Revolution. Violence in War and Peace in the Soviet Union Commentary Jörn Leonhard: Legacies of Violence: Eastern Europe’s First World War – A Commentary from a Comparative Perspective

Essays examining the complex intertwining and effect of medievalism on modernity - and vice versa

Why does the Great War seem part of modern memory when its rituals of mourning and remembrance were traditional, romantic, even classical? In this highly original history of memory, David Williams shows how classic Great War literature, including work by

In My Pilgrim's Progress, George W. S. Trow gives us a brilliantly original and provocative look at what's happened to America in our time -- a guided tour of the media, the politics, and the personalities of the last half-century by one of our most persuasive social critics. This new book by the author of Within the Context of No Context might be subtitled "A son of Roosevelt reads newspapers, goes to the movies, watches television, and tells us how 1950 got to be 1998." Trow takes 1950 as the year the Old World gave way to the New: Winston Churchill had just been named The Man of the Half-Century by Time magazine; George Bernard Shaw was still alive, and so was William Randolph Hearst. But before the next half-decade was out, the world represented by these powerful old men had disappeared. To illustrate his points, Trow takes the reader on a roller-coaster ride through the New York Times of February 1950, from the thundering front pages where the terror of the H-bomb is making its first appearance to the early, sketchy, amateur television listings. He finds a piece of Television Personality Reportage in the paper -- a kind of proto-People magazine profile -- of the TV "hostess" and "guest" Faye Emerson, and notes: "As to World War II, the Germans lost, and Faye Emerson won." The son of a tabloid journalist from an old New York brownstone family, Trow was brought up in the Deepest Roosevelt Aesthetic -- half FDR and half Walter Winchell. But he soon succumbed to the spell of Dwight David Eisenhower and the extraordinary/ordinary qualities of Ike's era. It is the thrust of Trow's book that both the Roosevelt authority and the Ike decencies are completely gone -- and where are they now that we need them more than ever?