This book refutes 20th century claims that Plutarch was a feminist, arguing that he was a man of his time and that while he opted for persuasion rather than force in controlling women, his views nonetheless reflect the chauvinism of his culture.

A groundbreaking and wide-ranging presentation of Plutarch’s ethics based on the cosmological foundation of his ethical thought Plutarch of Chaeronea (c. 45-120 CE) is the most prolific and influential moral philosopher in the Platonic tradition. This book is a fundamental reappraisal of Plutarch’s ethical thought. It shows how Plutarch based his ethics on his particular interpretation of Plato’s cosmology: our quest for the good life should start by considering the good cosmos in which we live. The practical consequences of this cosmological foundation permeate various domains of Greco-Roman life: the musician, the organiser of a drinking party, and the politician should all be guided by cosmology. After exploring these domains, this book offers in-depth interpretations of two works which can only be fully understood by paying attention to cosmological aspects: Dialogue on Love and On Tranquillity of Mind.

Engaging introduction by leading scholars to the many aspects of Plutarch's numerous and varied works and their subsequent reception.

The volume puts into the spotlight overlaps and points of intersection between Plutarch and other writers of the imperial period. It contains twenty-eight contributions which adopt a comparative approach and put into sharper relief ongoing debates and shared concerns, revealing a complex topography of rearrangements and transfigurations of inherited topics, motifs, and ideas. Reading Plutarch alongside his contemporaries brings out distinctive features of his thought and uncovers peculiarities in his use of literary and rhetorical strategies, imagery, and philosophical concepts, thereby contributing to a better understanding of the empire’s culture in general, and Plutarch in particular.

The culmination of a lifetime's scholarly work, this study by Sister Prudence Allen traces the concept of woman in relation to man in Western thought from ancient times to the present. This volume is the second in her study, in which she explores claims about sex and gender identity in the works of over fifty philosophers (both men and women) in the late medieval and early Renaissance periods.

Plutarch's Cities is the first comprehensive attempt to assess the significance of the polis in Plutarch's works from several perspectives, namely the polis as a physical entity, a lived experience, and a source of inspiration, the polis as a historical and sociopolitical unit, the polis as a theoretical construct and paradigm to think with. The book's multifocal and multi-perspectival examination of Plutarch's cities - past and present, real and ideal-yields some remarkable corrections of his conventional image. Plutarch was neither an antiquarian nor a philosopher of the desk. He was not oblivious to his surroundings but had a keen interest in painting, sculpture, monuments, and inscriptions, about which he acquired impressive knowledge in order to help him understand and reconstruct the past. Cult and ritual proved equally fertile for Plutarch's visual imagination. Whereas historiography was the backbone of his reconstruction of the past and evaluation of the present, material culture, cult, and ritual were also sources of inspiration to enliven past and present alike. Plato's descriptions of Athenian houses and the Attic landscape were also a source of inspiration, but Plutarch clearly did his own research, based on autopsy and on oral and written sources. Plutarch, Plato's disciple and Apollo's priest, was on balance a pragmatist. He did not resist the temptation to contemplate the ideal city, but he wrote much more about real cities, as he experienced or imagined them.

In First Corinthians, Paul makes two conflicting statements about women's speech: He crafts a difficult argument about whether men and women should cover their heads while praying or prophesying (11:2-16) and instructs women to be silent in the assembly (14:34-35). These two statements bracket an extended discussion about inspired modes of speech - prophecy and prayer in tongues. From these exegetical observations, Jill E. Marshall argues that gender is a central issue throughout 1 Corinthians 11-14 and the religious speaking practices that prompted Paul's response. She situates Paul's arguments about prayer and prophecy within their ancient Mediterranean cultural context, using literary and archaeological evidence, and examines the differences in how ancient writers described prophetic speech when voiced by a man or a woman.

Plutarch's Lives were once treasured. Today they are studied by classicists, known vaguely, if at all, by the educated public, and are virtually unknown to students of ancient political thought. The central claim of this book is that Plutarch shows how the political form of the city can satisfy an individual's desire for honor, even under the horizon of empire. Plutarch's argument turns on the difference between Sparta and Rome. Both cities stimulated their citizens' desire for honor, but Sparta remained a city by linking honor to what could be seen first-hand, whereas Rome became an empire by liberating honor from the shackles of the visible. Even under the rule of a distant power, however, allegiances and political actions tied to the visible world of the city remained. By resurrecting statesmen who thrived in autonomous cities, Plutarch hoped to rekindle some sense of the city's enduring appeal.

Plutarch created a diverse range of works that have entertained generations of readers since the days of Imperial Rome. Plutarch's writings had an enormous influence on English and French literature. Plutarch was a Greek Middle Platonist philosopher, historian, biographer, essayist, and priest at the Temple of Apollo. He is known primarily for his Parallel Lives, a series of biographies of illustrious Greeks and Romans, and Moralia, a collection of essays and speeches.