Ignatius of Loyola (1491–1556) obtained papal approval in 1540 for a new international religious order called the Society of Jesus. Until the mid-1700s the 'Jesuits' were active in many parts of Europe and far beyond. Gaining both friends and enemies in response to their work as teachers, scholars, writers, preachers, missionaries and spiritual directors, the Jesuits were formally suppressed by Pope Clement XIV in 1773 and restored by Pope Pius VII in 1814. The Society of Jesus then grew until the 1960s; it has more recently experienced declining membership in Europe and North America, but expansion in other parts of the world. This Companion examines the religious and cultural significance of the Jesuits. The first four sections treat the period prior to the Suppression, while section five examines the Suppression and some of the challenges and opportunities of the restored Society of Jesus up to the present.

In early modern China, Jesuit missionaries associated with the male elite of Confucian literati in order to proselytize more freely, but they had limited contact with women, whose ritual spaces were less accessible. Historians of Catholic evangelism have similarly directed their attention to the devotional practices of men, neglecting the interior spaces in Chinese households where women worshipped and undertook the transmission of Catholicism to family members and friends. Nadine Amsler's investigation brings the domestic and devotional practices of women into sharp focus, uncovering a rich body of evidence that demonstrates how Chinese households functioned as sites of evangelization, religious conflict, and indigenization of Christianity. The resulting exploration of gendered realms in seventeenth-century China reveals networks of religious sociability and ritual communities among women as well as women's remarkable acts of private piety. Amsler's exhaustive archival research and attention to material culture reveals new insights about women's agency and domestic activities, illuminating areas of Chinese and Catholic history that have remained obscure, if not entirely invisible, for far too long. The open access publication of this book was made possible by grants from the Swiss National Science Foundation and the James P. Geiss and Margaret Y. Hsu Foundation.

Studying the various movements among women in the Catholic Church in Asia, the author argues that the preexisting male-dominated church rooted in the colonial era is now being challenged to recentralize itself and exercises an inclusive and participatory ecclesiology in which women should become fuller members of the church and participate in the decision-making processes of the church. For only when the church in Asia discovers and recognizes the richness of women’s potential, leadership, charisma, and vision, will it be able to witness to the Gospel values and fulfill its vision of mission in Asia. The author shows that Asian Catholic women have played and continue to play a crucial role in designing and carrying out multiple areas of the church’s ministries that men failed to do. Furthermore, the author shows that through the interactions and dialogue with Asian bishops in recent decades, Asian Catholic women have gradually influenced the Asian bishops’ consciousness of women’s issues and concerns.

Three related essays by experts on the diaconate that examine the concept of women deacons in the Catholic Church from Thistorical, contemporary, and future perspectives.

By the middle of the nineteenth century much clearly gendered, anti-Catholic literature was produced for the Protestant middle classes. Nineteenth Century Anti-Catholic Discourses explores how this writing generated a series of popular Catholic images and looks towards the cultural, social and historical foundation of these representations. Diana Peschier places the novels of Charlotte Brontë within the framework of Victorian social ideologies, in particular the climate created by rise of anti-Catholicism and thus provides an alternative reading of her work.

Accompanying DVD includes the opera Patientis Christi memoria by Johann Bernhard Staudt, performed in the chapel of St. Mary's Hall, Boston College.