An exploration of the dark side to Japanese literature and Japanese society. A wide range of fantasists form the basis for a ground breaking analysis of the fantastic.

An exploration of the dark side to Japanese literature and Japanese society. A wide range of fantasists form the basis for a ground breaking analysis of the fantastic.

In Satō Haruo and Modern Japanese Literature, Charles Exley offers the first comprehensive examination of Satō’s literary oeuvre from the 1910s through the 1930s. The study examines the ways in which selected novels and short stories interact with cultural discourses of the time, including the fantastic, the discourse on melancholy and mental illness, detective fiction and early film, colonial encounter and critique of civilization, and hysteria and psychoanalysis. Exley’s alignment of Satō’s fictional work with its cultural and historical context illustrates the complex ways in which Satō’s aesthetic projections derived from and comment on Japan’s experience with modernization during the twentieth century.

Into the Fantastical Spaces of Contemporary Japanese Literature examines selected contemporary Japanese writers and their use of fantastical spaces. Such spaces grant access to phenomena occluded from everyday life, including the geographically peripheral, the culturally marginalized, the psychologically liminal, and the physically intangible.

Magisterial in vision, sweeping in scope, this monumental work presents a seamless account of Japanese society during the modern era, from 1600 to the present. A distillation of more than fifty years’ engagement with Japan and its history, it is the crowning work of our leading interpreter of the modern Japanese experience. Since 1600 Japan has undergone three periods of wrenching social and institutional change, following the imposition of hegemonic order on feudal society by the Tokugawa shogun; the opening of Japan’s ports by Commodore Perry; and defeat in World War II. The Making of Modern Japan charts these changes: the social engineering begun with the founding of the shogunate in 1600, the emergence of village and castle towns with consumer populations, and the diffusion of samurai values in the culture. Marius Jansen covers the making of the modern state, the adaptation of Western models, growing international trade, the broadening opportunity in Japanese society with industrialization, and the postwar occupation reforms imposed by General MacArthur. Throughout, the book gives voice to the individuals and views that have shaped the actions and beliefs of the Japanese, with writers, artists, and thinkers, as well as political leaders given their due. The story this book tells, though marked by profound changes, is also one of remarkable consistency, in which continuities outweigh upheavals in the development of society, and successive waves of outside influence have only served to strengthen a sense of what is unique and native to Japanese experience. The Making of Modern Japan takes us to the core of this experience as it illuminates one of the contemporary world’s most compelling transformations.

Yasunari Kawabata, Yukio Mishima and Junichiro Tanizaki are all giants of world literature. It stands to reason that students of Japanese would long to read them in their original language. Exploring Japanese Literature enables them to do just that. Featuring one each of these writers’ most characteristic stories—plus linguistic support in the form of a built-in dictionary—the book picks up where the author’s previous bestselling text, Breaking into Japanese Literature, left off. The poignancy of romance between a wealthy Tokyoite and a provincial geisha in Yasunari Kawabata’s "Snow Country"; the ecstatic frenzy of a couple committing ritual suicide in Mishima’s "Patriotism"; the amoral antics of a playboy aesthete trying to fire up his flagging zest for life in Tanizaki’s "The Secret" — Exploring Japanese Literature is a reader’s entrée into the uniquely rich and exotic world of modern Japanese fiction. On each two-page spread, the original Japanese is printed in large type on the left-hand page, with the corresponding English translation on the right and the dictionary running along the bottoms of both. Everything the student needs to read the stories and understand them is right there. To enrich students’ experience even further, Exploring Japanese Literature also features biographies of the three novelists, mini-prefaces that set the scene for the individual stories, and evocative illustrations. In addition, there is a dedicated website at www.speaking-japanese.com where learners have the chance to put forward their own interpretations of the Japanese and engage in debate with the author, the editor and, of course, other readers of the book. Exploring Japanese Literature is recommended for upper-intermediate and advanced level students.

'Oh the cruelty of time, that destroys all things!' Beguiling, strange and hair-raising tales from early 20th century Japan: Nagai's Behind the Prison, Uno's Closet LLB and Akutagawa's deeply macabre General Kim. Penguin Modern: fifty new books celebrating the pioneering spirit of the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem and George Orwell to Shirley Jackson; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outer space.

Elegant representations of nature and the four seasons populate a wide range of Japanese genres and media—from poetry and screen painting to tea ceremonies, flower arrangements, and annual observances. In Japan and the Culture of the Four Seasons, Haruo Shirane shows how, when, and why this practice developed and explicates the richly encoded social, religious, and political meanings of this imagery. Refuting the belief that this tradition reflects Japan's agrarian origins and supposedly mild climate, Shirane traces the establishment of seasonal topics to the poetry composed by the urban nobility in the eighth century. After becoming highly codified and influencing visual arts in the tenth and eleventh centuries, the seasonal topics and their cultural associations evolved and spread to other genres, eventually settling in the popular culture of the early modern period. Contrasted with the elegant images of nature derived from court poetry was the agrarian view of nature based on rural life. The two landscapes began to intersect in the medieval period, creating a complex, layered web of competing associations. Shirane discusses a wide array of representations of nature and the four seasons in many genres, originating in both the urban and rural perspective: textual (poetry, chronicles, tales), cultivated (gardens, flower arrangement), material (kimonos, screens), performative (noh, festivals), and gastronomic (tea ceremony, food rituals). He reveals how this kind of "secondary nature," which flourished in Japan's urban architecture and gardens, fostered and idealized a sense of harmony with the natural world just at the moment it was disappearing. Illuminating the deeper meaning behind Japanese aesthetics and artifacts, Shirane clarifies the use of natural images and seasonal topics and the changes in their cultural associations and function across history, genre, and community over more than a millennium. In this fascinating book, the four seasons are revealed to be as much a cultural construction as a reflection of the physical world.

Discusses the representation/role of the supernatural or the "fantastic" in the construction of Japanese modernism in late 19th and early 20th century Japan.