In times past, the Occident enlightened the world when confusion reigned; the crepuscular reason of some righteous nations used to restore order, but this lighthouse is diseased: it seems that it is unable to show societies the ways to reality and goodness. Unfortunately, if the Statue of Liberty drowns in the port of New York, there will be no future, for the rest of the world is not able to exert a civilizing influence on mankind. Hence, the aim of this book is to understand why what was supposed to bring peace, civilization and goodness to the whole planet failed, which will someday enable us to make the world a better place. This is our moral duty, for the universe was not created to witness our downfall.

Spengler's work describes how we have entered into a centuries-long "world-historical" phase comparable to late antiquity, and his controversial ideas spark debate over the meaning of historiography.

In times past, the Occident enlightened the world when confusion reigned; the crepuscular reason of some righteous nations used to restore order, but this lighthouse is diseased: it seems that it is unable to show societies the ways to reality and goodness. Unfortunately, if the Statue of Liberty drowns in the port of New York, there will be no future, for the rest of the world is not able to exert a civilizing influence on mankind. Hence, the aim of this book is to understand why what was supposed to bring peace, civilization and goodness to the whole planet failed, which will someday enable us to make the world a better place. This is our moral duty, for the universe was not created to witness our downfall.

Civilizations «narrate themselves» in order to establish legitimacy, succeed against others, portray their own merits to their best advantage. The results express societal dynamics, yet also have a retroactive effect and decisively influence the self-conceptions of the «initiating societies». Political philosophies, interpretations of history and social perceptions of artistic achievements all contribute to these narratives. The dignified components, however, are by no means the sole or even the most important ones. Distinction in material culture (technological proficiency, popular art forms, etc.) or economic adroitness are even more consequential. The occidental narrative has been badly vacillating lately. Its severe crisis - due in part to a lack of collective self-confidence, but also to disagreements between its main strands - merits a meticulous analysis of a multitude of criteria. The resulting critique is embedded in reflections on a general theory of narrativity.

When faced with global instability and economic uncertainty, it is tempting for states to react by closing borders, hoarding wealth and solidifying power. We have seen it at various times in Japan, France and Italy and now it is infecting much of Europe and America, as the vote for Brexit in the UK has vividly shown. This insularity, together with increased inequality of income and wealth, threatens the future role of the West as a font of stability, prosperity and security. Part of the problem is that the principles of liberal democracy upon which the success of the West has been built have been suborned, with special interest groups such as bankers accruing too much power and too great a share of the economic cake. So how is this threat to be countered? States such as Sweden in the 1990s, California at different times or Britain under Thatcher all halted stagnation by clearing away the powers of interest groups and restoring their societies' ability to evolve. To survive, the West needs to be porous, open and flexible. From reinventing welfare systems to redefining the working age, from reimagining education to embracing automation, Emmott lays out the changes the West must make to revive itself in the moment and avoid a deathly rigid future.

A groundbreaking critique of the West's historical, cultural, and political perceptions of the East that is—three decades after its first publication—one of the most important books written about our divided world. "Intellectual history on a high order ... and very exciting." —The New York Times In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding.

The year is 2393, and the world is almost unrecognizable. Clear warnings of climate catastrophe went ignored for decades, leading to soaring temperatures, rising sea levels, widespread drought and—finally—the disaster now known as the Great Collapse of 2093, when the disintegration of the West Antarctica Ice Sheet led to mass migration and a complete reshuffling of the global order. Writing from the Second People's Republic of China on the 300th anniversary of the Great Collapse, a senior scholar presents a gripping and deeply disturbing account of how the children of the Enlightenment—the political and economic elites of the so-called advanced industrial societies—failed to act, and so brought about the collapse of Western civilization. In this haunting, provocative work of science-based fiction, Naomi Oreskes and Eric M. Conway imagine a world devastated by climate change. Dramatizing the science in ways traditional nonfiction cannot, the book reasserts the importance of scientists and the work they do and reveals the self-serving interests of the so called "carbon combustion complex" that have turned the practice of science into political fodder. Based on sound scholarship and yet unafraid to speak boldly, this book provides a welcome moment of clarity amid the cacophony of climate change literature.

Is the history of the modern world the history of Europe writ large? Or is it possible to situate the history of modernity as a world historical process apart from its origins in Western Europe? In this posthumous collection of essays, Marshall G. S. Hodgson challenges adherents of both Eurocentrism and multiculturalism to rethink the place of Europe in world history. He argues that the line that connects Ancient Greeks to the Renaissance to modern times is an optical illusion, and that a global and Asia-centred history can better locate the European experience in the shared histories of humanity. Hodgson then shifts the historical focus and in a parallel move seeks to locate the history of Islamic civilisation in a world historical framework. In so doing he concludes that there is but one history - global history - and that all partial or privileged accounts must necessarily be resituated in a world historical context. The book also includes an introduction by the editor, Edmund Burke, contextualising Hodgson's work in world history and Islamic history.

This book explains Italy s endless political instability and its historical, cultural and economic roots. It also illustrates why, even after the creation of the Italian state, Italy was never really unified. Piero Gobetti described fascism once as the "autobiography" of the Italian nation. This book explains why today it is possible to describe "berlusconism" - a cultural, political and social phenomenon in Italy- as the most recent version of this country s autobiography.