40th anniversary reprinting of a beloved fable-manifesto from the 1970s queer counterculture.

Thirty-nine-year-old Fred Lemish had always hoped that love would find him by the age of forty, and with four days to go, he begins a compulsive, yet humorous, search for that love and commitment, in a classic novel of gay life. Reprint.

A dark satire about an amusement park more deranged than anything Disney could imagine: a playland for gay men called Faggotland. Castle Faggot is Derek McCormack's darkest and most delicious book yet, a satire of sugary cereals and Saturday morning cartoons set in an amusement park more deranged than anything Disney dreamed up. At the heart of the park is Faggotland, a playland for gay men, and Castle Faggot, the darkest dark ride in the world. Home to a cartoon Dracula called Count Choc-o-log, the castle is decorated with the corpses of gays—some were killed, some killed themselves, all ended up as décor. The book includes a map of Faggotland, a photobook of the castle, the instructions for a castle-shaped dollhouse, and the novelization of a TV puppet show about Count Choc-o-log and his friends—reminiscent of the classic stop-motion special Rudolph the Red-Nosed Reindeer, but even gayer and more grotesque. As scatological as Sade but with a Hanna-Barbera vibe, Castle Faggot transmutes McCormack's love of the lurid and the childlike, of funhouses and sickhouses, into something furiously funny: as Edmund White says, “the mystery of objects, the lyricism of neglected lives, the menace and nostalgia of the past—these are all ingredients in this weird and beautiful parallel universe.”

"Every Monday in 2017 and 2019, comedic performance artist Morgan Bassichis created a to-do list. The Odd Years is a collection of those lists, which served both as a way to generate material for live performances and as a place to archive the logistical, emotional, and political business that just kept piling up throughout this two-year project. A record of routine and impossible tasks--some completed and others left unfinished--The Odd Years is one response to the oddness of times in which intensified crisis becomes ordinary"--Publisher's website.

An unconventional history of homosexuality We all remember Oscar Wilde, but who speaks for Bosie? What about those ‘bad gays’ whose unexemplary lives reveal more than we might expect? Many popular histories seek to establish homosexual heroes, pioneers, and martyrs but, as Huw Lemmey and Ben Miller argue, the past is filled with queer people whose sexualities and dastardly deeds have been overlooked despite their being informative and instructive. Based on the hugely popular podcast series of the same name, Bad Gays asks what we can learn about LGBTQ+ history, sexuality and identity through its villains, failures, and baddies. With characters such as the Emperor Hadrian, anthropologist Margaret Mead and notorious gangster Ronnie Kray, the authors tell the story of how the figure of the white gay man was born, and how he failed. They examine a cast of kings, fascist thugs, artists and debauched bon viveurs. Imperial-era figures Lawrence of Arabia and Roger Casement get a look-in, as do FBI boss J. Edgar Hoover, lawyer Roy Cohn, and architect Philip Johnson. Together these amazing life stories expand and challenge mainstream assumptions about sexual identity: showing that homosexuality itself was an idea that emerged in the nineteenth century, one central to major historical events. Bad Gays is a passionate argument for rethinking gay politics beyond questions of identity, compelling readers to search for solidarity across boundaries.

"Robertson proves hard to explain but easy to enjoy. . . . Dauntlessly and resourcefully intellectual, Robertson can also be playful or blunt. . . . She wields language expertly, even beautifully."—The New York Times What if the cinema of the present were a Möbius strip of language, a montage of statements and questions sutured together and gradually accumulating color? Would the seams afford a new sensibility around the pronoun "you"? Would the precise words of philosophy, fashion, books, architecture, and history animate a new vision, gestural and oblique? Is the kinetic pronoun cinema? These and other questions are answered in the new collection from acclaimed poet and essayist Lisa Robertson. The dazzling new collection will feature three different back covers (designed by artists Hadley + Maxwell). A quorum of crows will be your witness. And if you discover you were bought? You note the smell of rain, bread, and exhaust mixed with tiredness. And if you yourself are incompatible with your view of the world? And what is the subject but a stitching? Once again you are the one who promotes artifice. At 2 am on Friday, you burn with a maudlin premonition. And rankings and rankings and badges and repetitions. Lisa Robertson's book Lisa Robertson's Magenta Soul Whip was named one of the New York Times 100 Notable Books of 2010 and was longlisted for the 2011 Warwick Prize. Her other books include Debbie: An Epic, The Men, The Weather, and Occasional Work and Seven Walks from the Office for Soft Architecture. She is the 2014 Bain Swiggett Professor at Princeton University.

1968. The Vietnam War was raging. President Lyndon Johnson, facing a challenge in his own Democratic Party from the maverick antiwar candidate Eugene McCarthy, announced that he would not seek a second term. In April, Martin Luther King Jr. was assassinated and riots broke out in inner cities throughout America. Bobby Kennedy was killed after winning the California primary in June. In August, Republicans met in Miami, picking the little-loved Richard Nixon as their candidate, while in September, Democrats in Chicago backed the ineffectual vice president, Hubert Humphrey. TVs across the country showed antiwar protesters filling the streets of Chicago and the police running amok, beating and arresting demonstrators and delegates alike. In Miami and the Siege of Chicago, Norman Mailer, America’s most protean and provocative writer, brings a novelist’s eye to bear on the events of 1968, a decisive year in modern American politics, from which today’s bitterly divided country arose.

Many women do not understand why they cannot find a nice guy, a dependable guy, a guy they can trust. This book explores the reasons, offers a few answers and a lot of help.

Apathy! Perhaps the greatest challenge facing schools in America today. Teachers, counselors and caring adults are laboring to save students from failing, but despite all their efforts, many teenagers just don't seem to care about school. Though tugged in the right direction, some are determined to “crawl” themselves through the proverbial cracks. The symptoms of apathy are familiar and include things like chronic absenteeism, lack of motivation, being disorganized, inattentive, unprepared, abrasive, disrespectful, distracted and lethargic, to mention a few. Educators prod, lecture and admonish these teenagers to take school serious and to be responsible, but nothing seems to stir interest or kindle their desire to achieve academically. A lot of research has been done to address the problem and school districts have implemented a myriad of intervention programs to meet the need. Much of the focus however, is on outward symptoms and the obvious is often overlooked…apathy has roots! In this book we will look below the surface and into the subterranean world where struggling students think, feel and live. Original stories, written by students about their own lives, will help us learn how teenagers often lose their way in school. We will let "them" tell "us" how they slipped into the “I don't care” fog we call apathy. In Roots of Apathy we will explore the powerful impact of factors like divorce, violence at home, drug and alcohol abuse, neglect, poverty, the loss of a loved one, the lure of unhealthy friendships, insecurities, frequent moving, addictions, sexual abuse, shame and how these factors lead to debilitating emotions like depression, discouragement, anger, grief, bitterness, hopelessness and fear. These companions of apathy are often the real culprits hidden beneath the surface of the struggling student. Though hard to see at times, locked inside the apathetic teenager, is a beautiful young person with all the hopes, dreams and aspirations that we had when we were their age. But for many of them the road has been hard. The storms of life have turned their world upside down. What we see on the outside is often their desperate attempt to cope with what we don't see on the inside. For some, their problems feel so heavy they can't carry anything else, not even school. In Roots of Apathy we will rediscover what it's like to be a teenager living through difficult circumstances and then explore ways to connect with them. Some will need our help learning to persevere through adversity, rather than just hunkering down and simply enduring suffering. Others will need help learning to forgive the people who've hurt them and let them down. Nearly all struggling teenagers will need hope to believe that the horrible things that have happened to them can have meaning; that surviving storms can uniquely equip them to help other struggling souls one day. If you are looking for another book with lots of pedagogical jargon and references to research studies, you should pick up something else to read. This is not that kind of book. In Roots of Apathy, the stories of students themselves drive the narrative. Some parts may make you smile, while other parts make you cry. I hope when you finish reading you will be inspired to keep loving kids and to care relentlessly for the ones who so desperately need us to not give up on them.

An anthology of poems by trans writers that explores the relationship between explicitly political desires and the formal inventions possible to enact or imagine those desires.Who is writing formally exciting, explicitly political poetry right now? Editors, Andrea Abi-Karam and Kay Gabriel bring together contributions by an intergenerational constellation of radical trans writers to both answer this question and enable writing in these modes. Writing in dialogue with emancipatory political movements, against capital, racism, empire, borders, prisons, ecological devastation; the writers here imagine an altogether different, overturned world in poems that pursue the particular and multiple trans relationships to desire, embodiment, housing, sex, ecology, history, pop culture and the working day. The editors offer this anthology as an experiment: how far can literature written and/or collected from an identitarian standpoint go as a fellow traveler with social movements and revolutionary demands?