"This book is a cultural history on the role of icons in the development and dissemination of the worship of a Buddhist deity in Japan from the thirteenth century to the seventeenth." --author-supplied description

David Deamer establishes the first ever sustained encounter between Gilles Deleuze's Cinema books and post-war Japanese cinema, exploring how Japanese films responded to the atomic bombings of Hiroshima and Nagasaki. From the early days of occupation political censorship to the social and cultural freedoms of the 1960s and beyond, the book examines how images of the nuclear event appear in post-war Japanese cinema. Each chapter begins by focusing upon one or more of three key Deleuzian themes – image, history and thought – before going on to look at a selection of films from 1945 to the present day. These include movies by well-known directors Kurosawa Akira, Shindo Kaneto, Oshima Nagisa and Imamura Shohei; popular and cult classics – Godzilla (1954), Akira (1988) and Tetsuo (1989); contemporary genre flicks – Ring (1998), Dead or Alive (1999) and Casshern (2004); the avant-garde and rarely seen documentaries. The author provides a series of tables to clarify the conceptual components deployed within the text, establishing a unique addition to Deleuze and cinema studies.

Scholar and self-taught ethnographer Lafcadio Hearn spent much of his life documenting and interpreting Japanese culture for Western audiences. His observations and essays in Glimpses of an Unfamiliar Japan offer an exciting look into the daily lives of the Japanese in a bygone era.

DigiCat Publishing presents to you this special edition of "Glimpses of Unfamiliar Japan: First Series" by Lafcadio Hearn. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Why would a country strongly influenced by Buddhism's reverence for life allow legalized, widely used abortion? Equally puzzling to many Westerners is the Japanese practice of mizuko rites, in which the parents of aborted fetuses pray for the well-being of these rejected "lives." In this provocative investigation, William LaFleur examines abortion as a window on the culture and ethics of Japan. At the same time he contributes to the Western debate on abortion, exploring how the Japanese resolve their conflicting emotions privately and avoid the pro-life/pro-choice politics that sharply divide Americans on the issue.

First published in 2006. For over fifty years, the Japanese-born Western-trained author of this remarkable volume devoted himself to explaining Japanese traditions and customs to foreigners through his newspaper columns, talks and four short books. The comprehensive work presented here, drawn from all these sources deals with all aspects of Japanese life and material culture - apparel and utensils; cures and medicines; houses and buildings; fetes and festivals; fish, birds and animals; folk tales; food, sake and tobacco; living habits; marriage, funerals and memorials; natural phenomena; plants and flowers; popular beliefs and traditions; recreation and entertainment; religious rites and social customs. With over seven hundred and thirty separate entries, this unique volume is the definitive work on all Japanese things.