One of the most oft-quoted poets of the nineteenth century, Ghalib was an intellectual colossus, whose poetry is imbued with timelessness and universality. Born and brought up in North India, he wrote both in his mother tongue, Urdu, and in Persian, the established and privileged language of literature and officialdom. He wrote exquisite prose, but is better known for his poetry, particularly his Urdu ghazals. In The Evolution of Ghalib, the author, Hasan Abdullah, provides a detailed introduction that describes Ghalib's life history and brings out his persona, and situates his work in time and space. He briefly discusses the Urdu language and ghazal as a literary form and familiarizes the reader with the words, symbols and concepts crucial for understanding Ghalib's poetry. Based on a chronological reading of Ghalib's Urdu ghazals, the author identifies the different stages and phases of the poet's development and from each of these phases, selects and interprets verses, including those that differ from the dominant trend, in order to reveal Ghalib's intellectual evolution. The book aims to make reading and understanding of Ghalib's Urdu ghazals a pleasurable and enlightening experience.

This imaginative approach to the work of the Urdu poet Ghalib (1797-1869) presents highly original renderings, made by seven well-known American poets, of Ghalib's ghazals.

Amit Basole teaches Economics at Azim Premji University, Bangalore. Urdu poetry as well as history and architecture of the Indian subcontinent are his passions. Anjum Altaf is a South Asian living in Lahore. He is the author of Transgressions: Poems Inspired by Faiz Ahmed Faiz, Aakar Books Delhi 2019, Liberty Books Karachi 2020.

This selection of poetry and prose by Ghalib provides an accessible and wide-ranging introduction to the preeminent Urdu poet of the nineteenth century. Ghalib's poems, especially his ghazals, remain beloved throughout South Asia for their arresting intelligence and lively wit. His letters—informal, humorous, and deeply personal—reveal the vigor of his prose style and the warmth of his friendships. These careful translations allow readers with little or no knowledge of Urdu to appreciate the wide range of Ghalib's poetry, from his gift for extreme simplicity to his taste for unresolvable complexities of structure. Beginning with a critical introduction for nonspecialists and specialists alike, Frances Pritchett and Owen Cornwall present a selection of Ghalib's works, carefully annotating details of poetic form. Their translation maintains line-for-line accuracy and thereby preserves complex poetic devices that play upon the tension between the two lines of each verse. The book includes whole ghazals, selected individual verses from other ghazals, poems in other genres, and letters. The book also includes a glossary, the Urdu text of the original poetry, and an appendix containing Ghalib's comments on his own verses.

The Urdu Ghazal presents the unique flowering of the ghazal as a by-product of India’s composite culture. It explores a variety of influences on the ghazal, including Sufism, Bhakti movement, and infusion of Rekhta and Persian languages and culture. The book elucidates classical ghazal forms that blossomed from the seeds sown by Amir Khusrau in the fourteenth century to achieve great heights of literary excellence during the next 300 years, notably in the works of great poets like Mir and Ghalib. It also illustrates different socio-political and cultural demands of changing times, primarily how the ghazal provided new creative models to deal with literary movements like progressivism, modernism, and postmodernism, through works of pioneering twentieth-century poets like Faiz Ahmed Faiz, Gulzar, and Javed Akhtar.

Mirza Ghalib is perhaps the most widely chronicled Urdu poet in English. But few can pithily capture the essence of his life and work as enjoyably as Raza Mir can. In this lively, witty and illuminating account, Ghalib emerges from these pages as a man of his time but also one who looms large over history. Raza infuses his research with just the right amount of anecdote and trivia, evoking Ghalib as an outspoken genius, a game-changer who never shied away from aiming a witty barb (or three) at his rivals. Moreover, Ghalib also lived in a crucial age that saw the end of Mughal rule and the destruction of his beloved Delhi. Ghalib: A Thousand Desires also comprises a selection of the great poet's most enduring poems and ghazals, accompanied by Raza's insightful commentary that decodes underlying themes and meanings in these verses.

This book extensively investigates Samuel Taylor Coleridge’s profound ties with the Oriental Tales he read throughout his life, from a philosophical, poetical and metaphysical point of view. It is the only comprehensive and dedicated study on how Hindu works, in particular Charles Wilkins’s first translation of the Bhagavadgītā into English (1785), influenced Coleridge’s poetic imagination, affecting all his writings, his poetry above all. In analysing Coleridge’s quest for what he calls the “One life”, the author’s wish is that readers may find some “joyance” in reading this book, and feel inspired to go deeper into the anāhata nāda, the unstruck sound of the heart, fully enjoying the subtle inner resonances of Coleridge’s poetic word.

This text traces the development of Urdu literature from the earliest time to the 21st century. It contains biographical sketches of writers and critical appreciations of their work. An effort has been made to illustrate the relationships between the writers and their different movements.

Mirza Ghalib is to the Urdu language what William Shakespeare is to the English language. And the most widely read Urdu book in the world is a collection of the Love Sonnets of Ghalib. These sonnets resonate with the voices of maestros through the corridors of history. Ghalib is not just an Asian phenomenon and his sonnets are loved and studied worldwide.