Sabina Spielrein’s writings explore the burning topics in the early days of psychoanalysis while providing insight into the culture of the time and her own personal struggles. After a comprehensive historical and biographical introduction to Spielrein by John Launer, The Essential Writings of Sabina Spielrein: Pioneer of Psychoanalysis presents full-length English translations of her first three and most essential writings, offering deep insight into her brilliant and pioneering mind: The first unabridged English rendition of her medical dissertation of 1911, entitled "On the Psychological Content of a Case of Schizophrenia (Dementia Praecox)", with an afterword by Adrienne Harris A new, improved English translation of Spielrein’s seminal essay of 1912, "Destruction as the Cause of Becoming" A faithful English rendition of her 1913 essay "Contributions to Understanding a Child’s Mind" The Essential Writings of Sabina Spielrein: Pioneer of Psychoanalysis presents a rich source of materials and inspiration to psychoanalysts, psychoanalytic psychotherapists and analytical psychologists, as well as scholars in the humanities and the behavioral sciences.

Sabina Spielrein is perhaps best known for her love affair with her doctor, Carl Gustav Jung. Their intense therapeutic relationship led to a mutual fascination that lasted, for Spielrein, for the rest of her life. It is debatable whether Spielrein and Jung’s relationship was consummated, but it did give birth to some of the most important ideas within psychoanalysis and analytical psychology today, the most notable being that of the death instinct. But what happened to Spielrein and why have her story and work remained in the dark for so many years? This second edition of Sabina Spielrein: Forgotten Pioneer of Psychoanalysis complements the first edition by retaining many of the most important documents about her life and work. Included in this edition are Jung’s hospital records of his treatment of Spielrein, Jung’s letters to Spielrein following her discharge in 1905, extracts from her personal diary, and her ground breaking paper on the development of language, "The origin of the child’s words Papa and Mama." New material includes Spielrein’s famous paper, "Destruction as a cause of coming into being", in which she formulates her theory of the death drive, a paper describing her place and contribution within Freud’s Vienna Circle, commentaries on the mutual erotic transference between Spielrein and Jung, and a theoretical discussion of her seminal ideas on aggression. This new edition compiles the essential writings of Spielrein along with commentaries by prominent psychoanalytic and Jungian scholars. It is the definitive source book on Spielrein for clinicians, scholars and historians of psychoanalysis. Coline Covington, Ph.D. is a training analyst of the Society of Analytical Psychology and the British Psychotherapy Foundation. She is former editor of the Journal of Analytical Psychology and former chair of the British Psychoanalytic Council. She is in private practice in London.

Explores the life and work of psychoanalyst Sabina Spielrein through a feminist and mytho-poetic lens. Long stigmatized as Carl Jung’s hysterical mistress, Sabina Spielrein (1885–1942) was in fact a key figure in the history of psychoanalytic thought. Born into a Russian Jewish family, she was institutionalized at nineteen in Zurich and became Jung’s patient. Spielrein went on to earn a doctorate in psychiatry, practiced for over thirty years, and published numerous papers, until her untimely death in the Holocaust. She developed innovative theories of female sexuality, child development, mythic archetypes in the human unconscious, and the death instinct. In Sabina Spielrein, Angela M. Sells examines Spielrein’s life and work from a feminist and mytho-poetic perspective. Drawing on newly translated diaries, papers, and correspondence with Jung and Sigmund Freud, Sells challenges the suppression of Spielrein’s ideas and shows her to be a significant thinker in her own right. “This book is a major, perhaps a definitive, contribution to the literature. Angela Sells documents both the demonization of a great psychoanalytic theorist—mainly because she was a woman and worse still, was once Carl Jung’s patient. The book’s greatest strength is its power to enlighten and inform and in so doing, to arouse indignation and amazement at Spielrein’s brilliance and tenacity.” — Phyllis Chesler, author of Women and Madness “This is a pathbreaking piece of research that not only begins to rehabilitate the reputation of a woman patient of Jung’s, but also suggests that Spielrein was an important contributor in her own right to the beginnings of psychoanalysis.” — Carol P. Christ, coauthor of Goddess and God in the World: Conversations in Embodied Theology

“Has all the elements of a juicy novel . . . riveting. . . . Reudite and elegant.” —Newsday NOW A MAJOR MOTION PICTURE, Directed by David Cronenberg and starring Keira Knightly, Viggo Mortensen, Michael Fassbender, and Vincent Cassel. In 1907, Sigmund Freud and Carl Jung began what promised to be both a momentous collaboration and the deepest friendship of each man’s life. Six years later they were bitter antagonists, locked in a savage struggle that was as much personal and emotional as it was theoretical and professional. Between them stood a young woman named Sabina Spielrein, who had been both patient and lover to Jung and colleague and confidante to Freud before going on to become an innovative psychoanalyst herself. With the narrative power and emotional impact of great tragedy, A Dangerous Method is impossible to put down.

This book explores the sense in which the uncanny may be a distinctively modern experience, the way these unnerving feelings and unsettling encounters disturb the rational presumptions of the modern world view and the security of modern self-identity, just as the latter may themselves be implicated in the production of these experiences as uncanny.

Marxism was not the only Western idea to influence the course of Russian history. In the early decades of this century, psychoanalysis was one of the most important components of Russian intellectual life. Freud himself, writing in 1912, said that "in Russia, there seems to be a veritable epidemic of psychoanalysis." But until Alexander Etkind's Eros of the Impossible, the hidden history of Russian involvement in psychoanalysis has gone largely unnoticed and untold. The early twentieth century was a time when the craving of Russian intellectuals for world culture found a natural outlet in extended sojourns in the West, linking some of the most creative Russian personalities of the day with the best universities, salons, and clinics of Germany, Austria, France, and Switzerland. These ambassadors of the Russian intelligentsia were also Freud's patients, students, and collaborators. They exerted a powerful influence on the formative phase of psychoanalysis throughout Europe, and they carried their ideas back to a receptive Russian culture teeming with new ideas and full of hopes of self-transformation. Fascinated by the potential of psychoanalysis to remake the human personality in the socialist mold, Trotsky and a handful of other Russian leaders sponsored an early form of Soviet psychiatry. But, as the Revolution began to ossify into Stalinism, the early promise of a uniquely Russian approach to psychoanalysis was cut short. An early attempt to merge medicine and politics forms final chapters of Etkind's tale, the telling of which has been made possible by the undoing of the Soviet system. The effervescent Russian contribution to modern psychoanalysis has gone unrecognized too long, but Eros of the Impossible restores this fascinating story to its rightful place in history.

Love was the great mystery in C. G. Jung's life. His confrontation with love for a woman and a feminine soul animated the composition of Jung's great Red Book, the book he formally titled Liber Novus. C. G. Jung's relationships with women during these central years of life have generated several commentaries and critiques. But the power and depth of love has figured little in most of the romances about this period patched together by biographers, dramatists, and psychoanalysts. In consequence, a crux experience of Jung's life has been miscast and little understood. Three decades after the events chronicled in his Red Book, C. G. Jung turned to writing a commentary on the still hidden records. In Jung in Love, Lance Owens illustrates how Jung's four last books -- his "last quartet" of major works published after 1945 -- are summary statements about his experiences during the years he labored with Liber Novus. Owens illustrates how in the first volume of this "last quartet" -- The Psychology of the Transference, published in 1946 -- Jung employed a sixteenth-century alchemical text to provide context for what is in fact a statement about his own experience with love recounted both in his private journals and in Liber Novus. Based on long-sequestered documentary sources, Jung in Love offers a balanced and historically contextualized account of Jung's relationships with four women during the years that led him into the visionary experiences recorded in the Red Book: Emma Jung-Rauschenbach, Sabina Spielrein, Maria Moltzer and Toni Wolff. Jung in Love - The Mysterium in Liber Novus was originally published as a chapter in Das Rote Buch – C. G. Jungs Reise zum anderen Pol der Welt, ed. Thomas Arzt (Verlag Königshausen & Neumann, 2015). This English monograph edition adds illustrations and minor corrections to the previously published edition.

Sabina Spielrein stands as both an important and tragic figure—misunderstood or underestimated by her fellow analysts (including Jung and Freud) and often erased in the annals of psychoanalytic history. Her story has not only been largely forgotten, but actively (though unconsciously) repressed as the figure who represented a trauma buried in the early history of psychoanalysis. Sabina Spielrein and the Beginnings of Psychoanalysis joins the growing field of scholarship on Spielrein’s distinctive and significant theoretical innovations at the foundations of psychoanalysis and serves as a new English language source of some of Spielrein’s key works. The book includes: Four chapters by Felicity Brock Kelcourse, Pamela Cooper-White, Klara Naszkowska, and Adrienne Harris spanning Spielrein’s life and exploring her works in depth, with new insights about her influence not only on Jung and Freud, but also Piaget in Geneva and Vygotsky and Luria in Moscow. A timeline providing readers with important historical context including Spielrein, Freud, Jung, other theorists, and historical events in Europe (1850-1950). Twelve new translations of works by Spielrein, ten of which are the first ever translations into English from the original French, German, or Russian. Spielrein’s life and works are currently undergoing a serious and necessary critical reclamation, as the fascinating chapters in this book attest. Sabina Spielrein and the Beginnings of Psychoanalysis will be of great significance to all psychoanalysts, psychoanalytic psychotherapists, analytical psychologists, and scholars of psychoanalysis interested in Spielrein and the early development of the field.

While there is a tacit appreciation that freedom from violence will lead to more prosperous relations among peoples, violence continues to be deployed for various political and social ends. Yet the problem of violence still defies neat description, subject to many competing interpretations. Histories of Violence offers an accessible yet compelling examination of the problem of violence as it appears in the corpus of canonical figures – from Hannah Arendt to Frantz Fanon, Michel Foucault to Slavoj Žižek – who continue to influence and inform contemporary political, philosophical, sociological, cultural, and anthropological study. Written by a team of internationally renowned experts, this is an essential interrogation of post-war critical thought as it relates to violence.