The “gripping” true story of the founder of psychoanalysis—and how he made it out of Austria after the Nazi takeover (The Independent). Sigmund Freud was not a practicing Jew, but that made no difference to the Nazis as they burned his books in the early 1930s. Goebbels and Himmler wanted all psychoanalysts, especially Freud, dead, and after the annexation of Austria, it became clear that Freud needed to leave Vienna. But a Nazi raid on his house put the Freuds’ escape at risk. With never-before-seen material, this biography reveals details of the last two years of Freud’s life, and the people who helped him in his hour of need—among them Anton Sauerwald, who defied his Nazi superiors to make the doctor’s departure possible. The Escape of Sigmund Freud also delves into the great thinker’s work, and recounts the arrest of Freud’s daughter, Anna, by the Gestapo; the dramatic saga behind the signing of Freud’s exit visa and his eventual escape to London; and how the Freud family would have an opportunity to save Sauerwald’s life in turn. “Full of fascinating insights and anecdotes . . . Cohen draws copiously on the correspondence between Freud and [his nephew] Sam to paint a vivid picture of their complex and deeply troubled family.” —Daily Mail “An illuminating look at the end of the life of a giant of psychology.” —Kirkus Reviews

An account of the final two years in the life of Sigmund Freud and their legacy describes how, in 1938, the elderly, ailing, Jewish Freud was rescued from Nazi-occupied Vienna and brought to London, where he finally found acclaim for his achievements, battled terminal cancer, and wrote his most provocative book, Moses and Monotheism.

“A thrilling story of seduction, betrayal, and loss, Freud’s Mistress will titillate fans of Memoirs of a Geisha and The Other Boleyn Girl.”—Booklist In fin-de-siècle Vienna, it was not easy for a woman to find fulfillment both intellectually and sexually. But many believe that Minna Bernays was able to find both with one man—her brother-in-law, Sigmund Freud. At once a portrait of two sisters—the rebellious, independent Minna and her inhibited sister, Martha—and of the compelling and controversial doctor who would be revered as one of the twentieth century’s greatest thinkers, Freud’s Mistress is a novel rich with passion and historical detail and “a portrait of forbidden desire [with] a thought-provoking central question: How far are you willing to go to be happy?”* *Publishers Weekly

I had to do something to escape Hitler's clutches, writes Esti Freud. Yet she waits with her then-16-year-old daughter, Sophie in Paris until German canons can be heard in the distance before deciding to escape by bicycle across France, as Sophie keeps looking back to see whether German tanks will overtake them. Both women survive and, in their own ways, come to feel a need to keep a personal record of those tumultuous times. Thus, in a memoir written at age 79, Esti Fraud, daughter-in-law of Sigmund Freud and wife of his oldest son, Martin, looks back on her life starting before the 20th century, lived on three continents, and stretched through two world wars and the Holocaust. Twenty years after her mothers' death, daughter Sophie turned to Esti's memoir as the scaffold for this book, expanding it through family letters, archival material, and her own diary penned as a teenager. Out of these documents, Sophie Freud has created a many-voiced mosaic, including letters and insights from a wide cast of characters who tell the story of a famous family—and of a century. This work gives an insider's, in-law view of the family Freud, its foundations, and flaws. The relationship between Esti, daughter of a wealthy Vienna attorney and her husband Martin Freud is foreshadowed by the young lovers' fathers. At first meeting Esti, Sigmund told his son the glamorous woman was too beautiful for the clan, meaning her splendor belied a lifestyle not conducive to the frugal Freud ways. And Esti's father, on hearing of her love for Martin, expressed regret she was involved with a man who was not a financially favorable linkage, and that his family was not respectable since patriarch Sigmund was just another psychiatrist, and one who writes pornography books at that. Thus begins the ill-fated relationship that would rock two families and a generation of children to come. Sophie weaves into the text letters she inherited, including letters from Martin while he was a prisoner of war, and excerpts from her own diary, kept as an adolescent. The resulting mosaic will fascinate—and perhaps disturb—readers interested in Freud and psychoanalysis, as well as those intrigued by relationships and family.

DIVRenowned psychoanalyst Erich Fromm examines the creator of psychoanalysis and his followers/divDIV/divDIV With his creation of psychoanalysis, Sigmund Freud redefined how people relate to themselves and to the larger world. In Sigmund Freud’s Mission, Freud scholar and psychoanalyst Erich Fromm demonstrates how Freud’s life experiences shaped his creation and practice of psychoanalysis./divDIV /divDIVFromm also revises parts of Freud’s theories, especially Freud’s libido theory. In his thorough and comprehensive analysis, Fromm looks deep into the personality of Freud, and the followers who tried to dogmatize Freud’s theory rather than support the further stages of psychoanalysis./divDIV/divDIVThis ebook features an illustrated biography of Erich Fromm including rare images and never-before-seen documents from the author’s estate./divDIV /div

The award-winning international sensation that poses the question: Was Sigmund Freud responsible for the death of his sister in a Nazi concentration camp? The boy in her memories who strokes her with the apple, who whispers to her the fairy tale, who gives her the knife, is her brother Sigmund. Vienna, 1938: With the Nazis closing in, Sigmund Freud is granted an exit visa and allowed to list the names of people to take with him. He lists his doctor and maids, his dog, and his wife's sister, but not any of his own sisters. The four Freud sisters are shuttled to the Terezín concentration camp, while their brother lives out his last days in London. Based on a true story, this searing novel gives haunting voice to Freud's sister Adolfina—“the sweetest and best of my sisters”—a gifted, sensitive woman who was spurned by her mother and never married. A witness to her brother's genius and to the cultural and artistic splendor of Vienna in the early twentieth century, she aspired to a life few women of her time could attain. From Adolfina's closeness with her brother in childhood, to her love for a fellow student, to her time with Gustav Klimt's sister in a Vienna psychiatric hospital, to her dream of one day living in Venice and having a family, Freud's Sister imagines with astonishing insight and deep feeling the life of a woman lost to the shadows of history.

Sigmund Freud's collection of Egyptian, Greek and Roman antiquities is one of the art world's best-kept secrets. Over a forty year period he amassed an extraordinary array of nearly three thousand statues, vases, reliefs, busts, rings and prints. For Freud, psychoanalysis and his art collection developed together in a symbiotic, nourishing relationship, each informing and enriching the other. Freud used myth to illustrate controversial theories like the Oedipus complex, situating ancient symbolism in a modern context. He explored the archaeology of the mind, unearthing his patients' dreams and memories while creating a personal museum of ancient treasure. Freud compared the process to analysis, where he, "cleared away material, layer by layer", to the technique of excavating a buried city. To create a portrait of Freud the art collector, Janine Burke builds a vibrant, richly detailed and intimate image of his life and times, tracing Freud's taste for beautiful things back to his earliest years. The Sphinx on the Table is set against the glittering, decadent, backdrop of fin-de-siecle Vienna where an artistic flowering took place in painting, theater, writing and architecture.

Compares and contrasts the beliefs of two famous thinkers, Sigmund Freud and C.S. Lewis, on topics ranging from the existence of God and morality to pain and suffering.

Ernest Jones’s three-volume The Life and Work of Sigmund Freud was first published in the mid-1950s. This edited and abridged volume omits the portions of the trilogy that dealt principally with the technical aspects of Freud’s work and is designed for the lay reader. Jones portrays Freud’s childhood and adolescence; the excitement and trials of his four-year engagement to Martha Bernays; his early experiments with hypnotism and cocaine; the slow rise of his reputation and constant battles against distortion and slander; the painful defections of close associates; the years of international eminence; the onset of cancer and his stoicism in the face of an agonizing death. “One of the outstanding biographies of the age... It gives us an unmatched — and unretouched — portrait of Freud as a human being.” — The New York Times “The definitive life of Freud and one of the great biographies of our time... Charged with intellectual excitement, it is a chronicle of heroic struggle and adventurous discovery.” — The Atlantic “A landmark of literature, a remarkable appreciation of one of the remarkable spirits of the modern age.” — Scientific American “Superb drama... Dr. Jones has managed to illuminate some obscure corners of Freud’s first years with a thoroughness that would have astonished, and might well have dismayed, the reticent and august Freud.” — The New Yorker “A masterpiece of contemporary biography... The letters are also a fascinating guide to the man. From them emerges suddenly a tough, jealous, ferocious figure.” — Time