Queen Mab's niece, Fiona, has long been bored to tears by the intrigues of Court life. She'd prefer to cut loose at a punk club, knock back a few Thai beers, and hook up with a likely lad of similar interests. But when Fiona goes AWOL, she only gets as far as Manhattan's Inwood Park before a nasty demon nearly puts a permanent crimp in her plans—and a dark stranger sparks her desire... All work and no play make Tobias Walker one cranky werewolf. After six months of doing his part to keep the peace during the delicate negotiations between the Others and humankind, he'd like nothing more than a good night's sleep—preceded by an enthusiastic mating session. The alluring woman he rescues in the park might be the answer to his most lustful prayers, but only if they can both stay alive long enough to find out who wants her dead and why. Now, Fiona and Tobias must unravel a tangled web of treachery that spans branches of the Fae, Other, and mortal worlds, all the while falling into a dangerous attraction that could be the beginning of a beautiful friendship—or the end for them both...

You Let Me In delivers a stunning tale from debut author Camilla Bruce, combining the sinister domestic atmosphere of Gillian Flynn's Sharp Objects with the otherworldly thrills of Neil Gaiman's The Ocean at the End of the Lane. Cassandra Tipp is dead...or is she? After all, the notorious recluse and eccentric bestselling novelist has always been prone to flights of fancy—everyone in town remembers the shocking events leading up to Cassie's infamous trial (she may have been acquitted, but the insanity defense only stretches so far). Cassandra Tipp has left behind no body—just her massive fortune, and one final manuscript. Then again, there are enough bodies in her past—her husband Tommy Tipp, whose mysterious disembowelment has never been solved, and a few years later, the shocking murder-suicide of her father and brother. Cassandra Tipp will tell you a story—but it will come with a terrible price. What really happened, out there in the woods—and who has Cassie been protecting all along? Read on, if you dare... At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

After her two best friends marry a blood-sucking vampire and furry-faced werewolf, Corinne D'Alessandro is making a vow of her own: NO interspecies dating. But when her editor asks her to investigate "leprechaun" sightings, the sassy New York reporter finds herself on the trail of the hottest story of the year—and the sexiest man alive... His name is Luc, and he's as gorgeous as any Prince Charming in any bedtime story. There's just one problem: He's not human, he's fae. A captain of the Fae Queen's Guard, Luc is on a dangerous mission—and he could use the help of a certain leprechaun-hunting reporter. But when their two worlds collide, the sparks begin to fly. If Corinne and Luc can't control their lust—and focus on the villains in this story—their faerie-tale romance won't end happily ever after...

Snow White. Sleeping Beauty. Cinderella. Fairy Tale Rituals reveals the true nature of these age-old stories and how to connect with them through ritual. Discover how to tap into their positive energies for help with predicting the future, finding your totem animal, honouring ancestors, and more.

At the Bottom of the Garden is a history of fairies from the ancient world to the present. Steeped in folklore and fantasy, it is a rich and diverse account of the part that fairies and fairy stories have played in culture and society. The pretty pastel world of gauzy-winged things who grant wishes and make dreams come true—as brought to you by Disney's fairies flitting across a woodland glade, or Tinkerbell’s magic wand—is predated by a darker, denser world of gorgons, goblins, and gellos; the ancient antecedents of Shakespeare's mischievous Puck or J.M. Barrie's Peter Pan. For, as Diane Purkiss explains in this engrossing history, ancient fairies were born of fear: fear of the dark, of death, and of other great rites of passage, birth and sex. To understand the importance of these early fairies to pre-industrial peoples, we need to recover that sense of dread. This book begins with the earliest manifestations of fairies in ancient civilizations of the Mediterranean. The child-killing demons and nymphs of these cultures are the joint ancestors of the medieval fairies of northern Europe, when fairy figures provided a bridge between the secular and the sacred. Fairies abducted babies and virgins, spirited away young men who were seduced by fairy queens and remained suspended in liminal states. Tamed by Shakespeare's view of the spirit world, Victorian fairies fluttered across the theater stage and the pages of children's books to reappear a century later as detergent trade marks and alien abductors. In learning about these often strange and mysterious creatures, we learn something about ourselves—our fears and our desires.

Leaving his life of petty crime and drug abuse behind, young Douglas flees from Minneapolis to Edinburgh, Scotland, to his stern but fairminded Grandma McLaren, who will take him in if he can support himself. Fortunately, few cities are friendlier than Edinburgh to a guitarist with a talent for spontaneous rhyme, and soon Douglas is making a decent living as the busker who can write a song about you on the spot. But Edinburgh has its dangers for the unwary. The annual arts festival, biggest in Europe, draws all manner of footloose sorts, and tempted by the drugs offered by a mysterious young girl, Douglas stumbles. What follows isn't what he expects. Suddenly, Douglas can see the fey folk who invisibly share Edinburgh's ancient streets—in all their beauty and terrifying cruelty. Worse, they can see him, and they're determined to draw him into their own internecine wars--wars that are fought to the death. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Re-released in a second edition. Re-edited but no substantial changes. A stranger in a strange land Megan Starke has given up believing in knights in shining armor. With an unrewarding job and a failed marriage, no one would confuse her life with a fairy tale. No one is coming to save the day or carry her off to a romantic fantasy. So when she wakes up in a magical world and discovers she is to be the grand prize in a fierce and bloody tournament, she isn’t sure if she’s having a sexy dream or a horrible nightmare. Two kings without a kingdom Beckett and Cian were raised to be the saviors of their people. Prepared all their lives to lead the Seelie Fae, prophecy proclaimed they would find a bondmate whose love would complete them and unleash their magical powers. But the thrust of a traitor’s blade stole that future and now it threatens to take their lives. Struggling in exile, their glorious destiny has become a curse. Unless they can find the perfect woman to save them, they will descend into madness and ruin. When all hope seems lost, Beck sees Meg and knows she’s the key to their salvation. An epic battle begins In a world filled with dethroned kings, upwardly mobile vampires, and dangerous, feline-loving hags, Meg will need all her strength to survive. Finding herself caught between Beck and Cian, she’s willing to do whatever it takes to claim her happily ever after.

Prayers, Invocations, Spells, and more... the poetry of Storm Faerywolf reveals the magickal within the mundane... the spirit within matter... The Stars Within the Earth.As mystery illumines our world mundane, so shine the stars within the earth.Within these velveteen verses Storm Faerywolf voyeuristically exposes the dynamism aroused from profane themes entwined with sacred imagery. Magickal in effect, queer in perspective, this poetic grimoire has enticed eclectic subjects to join the orgy, the erotic revelation of our world true beneath, betwixt and beyond.

Miss Ada Quicksilver, a student of London’s Lovelace Academy for Promising Young Women, is spending her holiday in Ireland to pursue her anthropological study of fairies. She visits Dublin’s absinthe bars to investigate a supposed association between the bittersweet spirit and fairy sightings. One night a handsome Irishman approaches her, introducing himself as Edward Donoghue. Edward takes absinthe to relieve his sleepwalking, and she is eager to hear whether he has experience with fairies. Instead, she discovers that he’s the earl of Meath, and that he will soon visit a mysterious ruin at Newgrange on the orders of his cousin, the beautiful, half-mad Queen Isolde. On learning about Ada’s area of study, he invites her to accompany him. Ada is torn between a sensible fear of becoming entangled with the clearly troubled gentleman and her compelling desire to ease his suffering. Finally she accepts his invitation, and they arrive in time for the winter solstice. That night, the secret of Edward’s affliction is revealed: he is, in fact, a lord in two worlds and can no longer suppress his shadow self. Little does either of them realize that their blossoming friendship—and slowly kindling passion—will lead to discoveries that wrench open a door sealed for centuries, throwing them into a war that will change Ireland forever.