The diversity and wealth of epigraphic cultures in the late Roman Empire is the main focus of this volume. It offers a wide-ranging overview over the geographic and typological diversity of late antique epigraphy and explores the many ways in which people reacted to inscriptions and the monuments connected with them. Particularly the "epigraphic habit", e.g. the complex network of making and using inscriptions, is looked at from different angles. This helps to understand the various political, cultural and religious structures characterized by it. The first part is dedicated to the study of the "epigraphic habit" in different parts of the Roman Empire and presents detailed quantitative analyses. The second part centers on various genres of inscriptions as well as on associated practices. In a third part "Christian epigraphy", i.e. the impact of Christianity on the antique epigraphic culture, is addressed. A range of maps, charts and figures illustrate the studies and facilitate comparison.

This book investigates the epigraphic habit of the Eastern Mediterranean in antiquity, from the inception of alphabetic writing to the seventh c. CE, aiming to identify whether there was one universal epigraphic culture in this area or a number of discrete epigraphic cultures. Chapters examine epigraphic culture(s) through quantitative analysis of 32,062 inscriptions sampled from ten areas in the Eastern Mediterranean, from the Black Sea coast to Greece, western to central Asia Minor, Phoenicia to Egypt. They show that the shapes of the epigraphic curves are due to different factors occurring in different geographical areas and in various epochs, including the pre-Greek epigraphic habit, the moment of urbanization and Hellenization, and the organized Roman presence. Two epigraphic maxima are identified in the Eastern Mediterranean: in the third c. BCE and in the second c. CE. This book differs from previous studies of ancient epigraphic culture by taking into account all categories of inscriptions, not just epitaphs, and in investigating a much broader area over the broadly defined classical antiquity. This volume is a valuable resource for anyone working on ancient epigraphy, history or the cultures of the Eastern Mediterranean.

Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of the faithful, but were powerful verbal and visual statements of cultural values and religious beliefs, conveying meaning through their words as well as through their appearances. In fact, the two were intimately connected. All of these texts – Christian, Jewish, Muslim, and pagan – acted visually, embracing their own materiality as mosaic, paint, or carved stone. Colourful and artfully arranged, the inscriptions framed human relationships with the divine, encouraged responses from readers, and made prayers material. In the first in-depth examination of the inscriptions as words and as images, the author reimagines the range of aesthetic, cultural, and religious experiences that were possible in spaces of worship. Inscribing Faith in Late Antiquity is essential reading for those interested in Roman, late antique, and Byzantine material and visual culture, inscriptions and other texts, and religious life in the ancient Mediterranean.

The ethnic pluralism of the Holy Land is unparalleled elsewhere. Whatever period of history, or even of prehistory, one chooses to consider, the land, due to its geographical position, was always home to diverse ethne and cultures and a capturer of influences from nearby and faraway countries. The same pluralism accounts for an unparalleled coexistence of languages and scripts. Greek and Latin, Hebrew, Jewish, Christian and Samaritan Aramaic, each with its own script, pre-Islamic Arabic in Nabataean and Old Arabic scripts, the occasional Syriac, Palmyrene, Armenian and Georgian inscriptions, Safaitic and Thamudic graffiti in the eastern and southern fringes: all are attested in late antique Holy Land, sometimes influencing one another in vocabulary and formulas. Still, Greek is the prevailing vehicle of written communication from its first appearance in the region in the fourth century BCE to the end of Late Antiquity in the late eighth or early ninth century, and it will draw most of the attention in these pages.

The study of inscriptions is critical for anyone seeking to understand the Roman world, whether they regard themselves as literary scholars, historians, archaeologists, anthropologists, or religious scholars. The Oxford Handbook of Roman Epigraphy is the fullest collection of scholarship on the study and history of Latin epigraphy produced to date.

This edited volume includes a compilation of new approaches to the investigation of inscriptions from different cultural contexts. Innovative research questions about "material text cultures" are examined with reference to Classical Athens, late ancient and Byzantine churches and urban spaces, Hellenistic and Roman cities, and medieval buildings.

This collection of papers, arising from the conference series Late Antique Archaeology, examines the social and political structures of the late antique period and the ways in which they are manifested in the archaeological and textual record.

This book considers the visual qualities of inscriptions from a cross-cultural perspective focusing on the period from Late Antiquity to the Middle Ages.

Late Roman Gaul is often seen either from a classical Roman perspective as an imperial province in decay and under constant threat from barbarian invasion or settlement, or from the medieval one, as the cradle of modern France and Germany. Standard texts and "moments" have emerged and been canonized in the scholarship on the period, be it Gaul aflame in 407 or the much-disputed baptism of Clovis in 496/508. This volume avoids such stereotypes. It brings together state-of-the-art work in archaeology, literary, social, and religious history, philology, philosophy, epigraphy, and numismatics not only to examine under-used and new sources for the period, but also critically to reexamine a few of the old standards. This will provide a fresh view of various more unusual aspects of late Roman Gaul, and also, it is hoped, serve as a model for ways of interpreting the late Roman sources for other areas, times, and contexts.

This book advances our understanding of the place of Latin inscriptions in the Roman world. It enables readers, especially those new to the subject, to appreciate both the potential and the limitations of inscriptions as historical source material, by considering the diversity of epigraphic culture in the Roman world and how it has been transmitted to the twenty-first century. The first chapter offers an epigraphic sample drawn from the Bay of Naples, illustrating the dynamic epigraphic culture of that region. The second explores in detail the nature of epigraphic culture in the Roman world, probing the limitations of traditional ways of dividing up inscriptions into different categories, and offering examples of how epigraphic culture developed in different geographical, social and religious contexts. It examines the 'life-cycle' of inscriptions - how they were produced, viewed, reused and destroyed. Finally, the third provides guidance on deciphering inscriptions face-to-face and handling specialist epigraphic publications.