From coast to coast, the English landscape is still richly studded with castles both great and small. As homes or ruins, these historic buildings are today largely objects of curiosity. For centuries, however, they were at the heart of the kingdom's social and political life. The English Castle is a riveting architectural study that sets this legion of buildings in historical context, tracing their development from the Norman Conquest in 1066 through the civil wars of the 1640s. In this magnificent, compellingly written volume, which includes over 350 illustrations, John Goodall brings to life the history of the English castle over six centuries. In it he explores the varied architecture of these buildings and describes their changing role in warfare, politics, domestic living, and governance.

In this highly readable and groundbreaking book, the ‘story’ of the castle is integrated into changes in warfare throughout this period providing us with a new understanding of their role.

With the exception of the key royal sites, such as Stirling and Edinburgh, few Scottish castles were located at strategic points, or were intended to house garrisons required to defend or subjugate towns. Instead they were primarily fortified dwelling houses, erected in an environment of weak Royal authority and endemic feuding between rival clans and groups, in both Highland and Lowland areas. Although some enceinte castles were developed during the 16th and 17th centuries, most defensive construction focused on the tower house, a distinctive vernacular style of Scottish fortification. This book examines the design, development, and purpose of these quintessentially Scottish buildings, and also covers larger sites such as Urquhart and Blackness.

A fascinating recreation of the world of one of England's most charismatic monarchs, from award-winning author and historian Richard Barber The destruction of the French army at Crécy in 1346 and the subsequent siege and capture of Calais marked a new era in European history. The most powerful, glamorous and respected of all western monarchies had been completely humiliated by England, a country long viewed either as a chaotic backwater or a mere French satellite. The young Edward III's triumph would launch both countries, as we now know, into a grim cycle of some 90 years of further fighting ending with English defeat, but after Crécy anything seemed possible - Edward's claim to be King of France could be pressed home and, in any event, enormous rewards of land, treasure and prestige were available both to the king and to the close companions who had made the victory possible. It was to enshrine this moment that Edward created one of the most famous of all knightly orders, the Company of the Garter. Barber writes about both the great campaigns and the individuals who formed the original membership of the Company - and through their biographies makes the period tangible and fascinating. This is a book about knighthood, battle tactics and grand strategy, but it is also about fashion, literature and the privates lives of everyone from queens to freebooters. Barber's book is a remarkable achievement - but also an extremely enjoyable one. Reviews: 'Barber [has an] infectious passion for and deep knowledge of his subject matter ... elegant prose and rigorous historical analysis ... a valuable and thorough addition to the body of work on this most impressive of English monarchs' Sunday Times 'In Edward III and the Triumph of England [Barber] has written the kind of book that the king would have enjoyed: full of battles, glitter and ceremony ... he has an original eye and an elegant pen' Jonathan Sumption, Literary Review 'Barber share's his hero's love of chivalry ... The book sparkle[s] with some of Edward's own glitz' Telegraph 'This absorbing book is layered rather than linear, sifting with uncommon sensitivity through challenging sources to test the boundaries of what we can and cannot know ... We discover the complexity of the world in which Edward and his commanders lived' Helen Castor, The Times About the author: Richard Barber has had a huge influence on the study of medieval history and literature, both as a writer and as a publisher. His major works include The Knight and Chivalry (winner of the Somerset Maugham Award), Edward Prince of Wales and Aquitaine, The Penguin Guide to Medieval Europe and The Holy Grail: The History of a Legend. He lives in East Anglia.

This book explores how the cultural distinctions and conflicts between Anglo-Saxons and Normans originating with the Norman Conquest of 1066 prevailed well into the fourteenth century and are manifest in a significant number of Middle English romances including King Horn, Havelok the Dane, Sir Orfeo, Sir Gawain and the Green Knight, and others. Specifically, the study looks at how the material culture of these poems (architecture, battle tactic, landscapes) systematically and persistently distinguishes between Norman and Anglo-Saxon cultural identity. Additionally, it examines the influence of the English Outlaw Tradition, itself grounded in Anglo-Saxon resistance to the Norman Conquest, as expressed in specific recurring scenes (disguise and infiltration, forest exile) found in many Middle English romances. In the broadest sense, a significant number of Middle English romances, including some of the most well-read and often-taught, set up a dichotomy of two ruling houses headed by a powerful lord, who compete for power and influence. This book examines the cultural heritage behind each of these pairings to show how poets repeatedly contrast essentially Norman and Anglo-Saxon values and ruling styles.

"This monograph details the results of a major archaeological project based on and around the historic town of Wallingford in south Oxfordshire. Founded in the late Saxon period as a key defensive and administrative focus next to the Thames, the settlement also contained a substantial royal castle established shortly after the Norman Conquest. The volume traces the pre-town archaeology of Wallingford and then analyses the town's physical and social evolution, assessing defences, churches, housing, markets, material culture, coinage, communications and hinterland. Core questions running through the volume relate to the roles of the River Thames and of royal power in shaping Wallingford's fortunes and identity and in explaining the town's severe and early decline."

Art in England fills a void in the scholarship of both English and medieval art by offering the first single volume overview of artistic movements in Medieval and Early Renaissance England. Grounded in history and using the chronology of the reign of monarchs as a structure, it is contextual and comprehensive, revealing unobserved threads of continuity, patterns of intention and unique qualities that run through English art of the medieval millennium. By placing the English movement in a European context, this book brings to light many ingenious innovations that focused studies tend not to recognize and offers a fresh look at the movement as a whole. The media studied include architecture and related sculpture, both ecclesiastical and secular; tomb monuments; murals, panel paintings, altarpieces, and portraits; manuscript illuminations; textiles; and art by English artists and by foreign artists commissioned by English patrons.

It has long been assumed that England lay outside the Western European tradition of castle-building until after the Norman Conquest of 1066. It is now becoming apparent that Anglo-Saxon lords had been constructing free-standing towers at their residences all across England over the course of the tenth and eleventh centuries. Initially these towers were exclusively of timber, and quite modest in their scale, although only a handful are known from archaeological excavation. There followed the so-called 'tower-nave' churches, towers with only a tiny chapel located inside, which appear to have had a dual function as buildings of elite worship and symbols of secular power and authority. For the first time, this book gathers together the evidence for these remarkable buildings, many of which still stand incorporated into the fabric of Norman and later parish churches and castles. It traces their origin in monasteries, where kings and bishops drew upon Continental European practice to construct centrally-planned, tower-like chapels for private worship and burial, and to mark gates and important entrances, particularly within the context of the tenth-century Monastic Reform. Adopted by the secular aristocracy to adorn their own manorial sites, it argues that many of the known examples would have provided strategic advantage as watchtowers over roads, rivers and beacon-systems, and have acted as focal points for the mustering of troops. The tower-nave form persisted into early Norman England, where it may have influenced a variety of high-status building types, such as episcopal chapels and monastic belltowers, and even the keeps and gatehouses of the earliest stone castles. The aim of this book is to finally establish the tower-nave as an important Anglo-Saxon building type, and to explore the social, architectural, and landscape contexts in which they operated.

York was one of the most important cities in medieval England. This original study traces the development of the city from the Norman Conquest to the Black Death. The twelfth and thirteenth centuries are a neglected period in the history of English towns, and this study argues that the period was absolutely fundamental to the development of urban society and that up to now we have misunderstood the reasons for the development of York and its significance within our history because of that neglect. Medieval York argues that the first Norman kings attempted to turn the city into a true northern capital of their new kingdom and had a much more significant impact on the development of the city than has previously been realised. Nevertheless the influence of York Minster, within whose shadow the town had originally developed, remained strong and was instrumental in the emergence of a strong and literate civic communal government in the later twelfth and thirteenth centuries. Many of the earlier Norman initiatives withered as the citizens developed their own institutions of government and social welfare. The primary sources used are records of property ownership and administration, especially charters, and combines these with archaeological evidence from the last thirty years. Much of the emphasis of the book is therefore on the topographical development of the city and the changing social and economic structures associated with property ownership and occupation.

The aim of the volume is to bring together the latest research on the importance of bishops’ palaces for social and political history, landscape history, architectural history and archaeology. It is structured in three sections: design and function, landscape and urban context, and architectural form and includes contributions from the late Antique period through to the eighteenth and nineteenth centuries, considering bishops’ residences in England, Scotland, Wales, the Byzantine Empire, France, and Italy.