Winning the 2021 Moore Prize for writing that promotes the values consistent with the advancement of human rights and dignity, an account of the true stories of three refugees fleeing the civil war in South Sudan'A beautiful, moving and important book' - Simon Reeve, author, One Day in September Veronica is a teenager when civil war erupts in South Sudan, the world's youngest country. Lonely and friendless after the death of her father, she finds solace in her first boyfriend, and together they flee across the city when fighting breaks out. On the same night Daniel, the son of a colonel, also makes his escape, but finds himself stranded beside the River Nile, alone and vulnerable. Lilian is a young mother who runs for her life holding the hand of her little boy, Harmony - until a bomb attack wrenches them apart and she is forced to trek on alone. After epic journeys of endurance, these three young people's lives cross in Bidi Bidi in Uganda - the world's largest refugee camp. There they meet James, a counselor who helps them find light and hope in the darkest of places. In a gripping true-life narrative, Rosalind Russell tells their stories with uplifting empathy and tenderness.

Winner of the Gold Dagger for Best Crime Novel from the Crime Writers’ Association (UK) Winner for Best International Crime Fiction from Australian Crime Writers Association An Instant New York Times Bestseller “A vibrant, engrossing, unputdownable thriller that packs a serious emotional punch. One of those rare books that surprise you along the way and then linger in your mind long after you have finished it.” —Kristin Hannah, #1 New York Times bestselling author of The Nightingale and The Four Winds Right. Wrong. Life is lived somewhere in between. Duchess Day Radley is a thirteen-year-old self-proclaimed outlaw. Rules are for other people. She is the fierce protector of her five-year-old brother, Robin, and the parent to her mother, Star, a single mom incapable of taking care of herself, let alone her two kids. Walk has never left the coastal California town where he and Star grew up. He may have become the chief of police, but he’s still trying to heal the old wound of having given the testimony that sent his best friend, Vincent King, to prison decades before. And he's in overdrive protecting Duchess and her brother. Now, thirty years later, Vincent is being released. And Duchess and Walk must face the trouble that comes with his return. We Begin at the End is an extraordinary novel about two kinds of families—the ones we are born into and the ones we create.

Seventeen-year-old Anna is running into the night. Fleeing her boyfriend, her mother, and everything she has known. She is travelling into the country, to the land and the grandparents she has never met, looking for answers to questions that have never been asked. For every family has secrets. But some secrets - once laid bare - can never be forgiven. A dark, deeply compelling, coming-of-age YA novel from the author of As Stars Fall. HONOURS BOOK FOR CBCA BOOK OF THE YEAR FOR OLDER READERS 2021 SHORTLISTED FOR THE DAVITT AWARDS YOUNG ADULT 2021 SHORTLISTED FOR THE READINGS YA BOOK PRIZE 2021 SHORTLISTED FOR THE VICTORIAN PREMIER'S LITERARY AWARD FOR WRITING FOR YOUNG ADULTS 2021 SHORTLISTED FOR THE NSW PREMIER'S AWARD ETHEL TURNER PRIZE 2021

“Fans of Sonali Dev and Helen Hoang will find this just their style.”—The New York Times Star-crossed lovers get a second chance at romance when they’re reunited at a wedding in Nigeria, in a heartfelt novel from the acclaimed author of The Sweetest Remedy. Dunni hasn’t seen her high school boyfriend, Obinna, since she left Nigeria to attend college in America. Before their devastating separation, they vowed to find their way back to each other one day. Twelve years later, and their vow is a thing of the past. Dunni works as a geneticist in Seattle and is engaged to a man she doesn’t love but one her parents approve of. Her future is laid out for her, and everything is going according to plan until she returns to Nigeria for a friend’s wedding and runs into Obinna. The shy, awkward boy she loved as a teenager is now a sophisticated, confident man. Things have changed, but there’s still an undeniable connection between them. As they rediscover each other, their days filled with desire and passion, Dunni is reminded of the beautiful future she once planned with Obinna. But when devastating secrets are revealed and the reckless actions of their past bring new challenges, she’s left questioning everything, including if the love that consumed her as a teenager is still worth holding on to.

Two sworn enemies suddenly switch bodies in this witty and heartfelt novel of romantic relationships, gender identity, and the joy of being yourself. Ezra Slevin is an anxious, neurotic insomniac who spends his nights questioning his place in the universe and his days obsessing over Imogen, a nerdy girl with gigantic eyebrows and a heart of gold. For weeks, Ezra has been working up the courage to invite Imogen to prom. The only problem is Imogen's protective best friend, Wynonna Jones. Wynonna has blue hair, jams to '80s rock, and has made a career out of tormenting Ezra for as long as he can remember. Then, on the night of a total solar eclipse, something strange happens to Ezra and Wynonna, and they wake up in each other's bodies. Not only that, they begin randomly swapping back and forth every day! Ezra soon discovers Wynonna's huge crush on his best friend, Holden, a five-foot-nothing girl magnet with anger management problems. With no end to their curse in sight, Ezra makes Wynonna a proposition: While swapping bodies, he will help her win Holden's heart, but only if she helps him woo Imogen. Forming an uneasy alliance, Ezra and Wynonna embark on a collision course of mistaken identity, hurt feaelings, embarrassing bodily functions, and a positively byzantine production of Twelfth Night. Ezra wishes he could be more like Wynonna's badass version of Ezra -- but he also realizes he feels more like himself while being Wynonna than he has in a long time. Wildly entertaining and deeply heartfelt, Where I End and You Begin is a brilliant, unapologetic exploration of what it means to be your best self.

'I very much enjoyed this moving and absorbing book. In her compassionate depiction of one man’s struggle to live with the aftermath of trauma and loss, Maria Goodin weaves together a compelling cast of characters, drawing the reader into Jay’s quest to seek the forgiveness of others - and be able to forgive himself.'Fiona Valpy, best-selling author of The Dressmaker's Gift and The Beekeeper's Promise. Jay Lewis is a troubled soul. A single father, just trying to keep everything together, he knows he sabotages any real chance of happiness. Tormented by nightmares and flashbacks, he can’t forget the events from one fateful night that steered the course of the rest of his life. Struggling against the crushing weight of guilt, Jay knows there are wrongs he needs to put right. Determined to get closure, he seeks out old friends and a past love. But in his quest for a more peaceful future, is he ready to face the trauma of his past? Praise for Nutmeg: 'A delicious confection. A tender fable about love and the power of the imagination to both sustain and heal us' Laura Harrington 'A beautifully quirky gem of a novel' Laissez Faire '...a heartwarming story about love and the reasons why it's sometimes easier and kinder to tell lies rather than the truth... simply enchanting' Bookish Magpie '[A] quirky and touching tale' Woman's Weekly

This book explains what healthy boundaries are, how to recognize if your personal boundaries are being violated and what you can do to protect yourself. It explains how setting clear boundaries can bring order to a chaotic life, strengthen relationships, and enhance both mental and physical health.

JOIN AWARD-WINNING PODCASTER ZIBBY OWENS OF MOMS DON’T HAVE TIME TO READ BOOKS ON A JOURNEY FILLED WITH FOOD, EXERCISE, SEX, BOOKS, AND MORE. It’s impossible to ignore how life has changed since COVID-19 spread across the world. People from all over quarantined and did their best to keep on going during the pandemic. Zibby Owens, host of the award-winning podcast MomsDon’t Have Time to Read Books and a mother of four herself, wanted to do something to help people carry on and to give them something to focus on other than the horrors of their news feeds. So she launched an online magazine called We Found Time. Authors who had been on her podcast wrote original, brilliant essays for busy readers. Zibby organized these profound pieces into themes inspired by five things moms don’t have time to do: eat, read, work out, breathe, and have sex. Now compiled as an anthology named Moms Don’t Have Time To, these beautiful, original essays by dozens of bestselling and acclaimed authors speak to the ever-increasing demands on our time, especially during the quarantine, in a unique, literary way. Actress Evangeline Lilly writes about the importance and impact of film. Bestselling author Rene Denfeld focuses on her relationship with food after growing up homeless. Screenwriter and author Lea Carpenter and Suzanne Falter, author, speaker, and podcast host, focus on loss. New York Times bestselling authors Chris Bohjalian and Gretchen Rubin write about the importance of reading. Others write about working out, love and sex, eating and cooking, and more. Join Zibby on her journey through the winding road of quarantine and perhaps you, too, will find time.

Newly arrived in New York City in 1910, Bella is desperate to send money home to her family in Italy, and becomes one of the hundreds of workers at the Triangle Shirtwaist Factory. But one fateful March night, a spark ignites some cloth in the factory, resulting in a fire that will become one of the worst workplace disasters in history.

Global refugee numbers are at their highest levels since the end of World War II, but the system in place to deal with them, based upon a humanitarian list of imagined "basic needs," has changed little. In Refuge, Paul Collier and Alexander Betts argue that the system fails to provide a comprehensive solution to the fundamental problem, which is how to reintegrate displaced people into society. Western countries deliver food, clothing, and shelter to refugee camps, but these sites, usually located in remote border locations, can make things worse. The numbers are stark: the average length of stay in a refugee camp worldwide is 17 years. Into this situation comes the Syria crisis, which has dislocated countless families, bringing them to face an impossible choice: huddle in dangerous urban desolation, rot in dilapidated camps, or flee across the Mediterranean to increasingly unwelcoming governments. Refuge seeks to restore moral purpose and clarity to refugee policy. Rather than assuming indefinite dependency, Collier-author of The Bottom Billion-and his Oxford colleague Betts propose a humanitarian approach integrated with a new economic agenda that begins with jobs, restores autonomy, and rebuilds people's ability to help themselves and their societies. Timely and urgent, the book goes beyond decrying scenes of desperation to declare what so many people, policymakers and public alike, are anxious to hear: that a long-term solution really is within reach.