For the past twelve thousand years, Earth’s stable climate has allowed human civilization to flourish. But this long benign summer is an anomaly in the Earth’s history and one that is rapidly coming to a close. The radical experiment of our modern industrial civilization is now disrupting our planet’s very metabolism; our future hinges in large part on how Earth responds. Climate change is already bearing down, hitting harder and faster than expected. The greatest danger is not extreme yet discrete weather events, such as Hurricane Katrina or the calamitous wildfires that now plague California, but profound and systemic disruptions on a global scale. Contrary to the pervasive belief that climate change will be a gradual escalator ride into balmier temperatures, the Earth’s climate system has a history of radical shifts–dramatic shocks that could lead to the collapse of social and economic systems. The question is no longer simply how can we stop climate change, but how can we as a civilization survive it. The guiding values of modern culture have become dangerously obsolete in this new era. Yet as renowned environmental journalist Dianne Dumanoski shows, little has been done to avert the crisis or to prepare human societies for a time of growing instability. In a work of astonishing scope, Dumanoski deftly weaves history, science, and culture to show how the fundamental doctrines of modern society have impeded our ability to respond to this crisis and have fostered an economic globalization that is only increasing our vulnerability at this critical time. She exposes the fallacy of banking on a last-minute technological fix as well as the perilous trap of believing that humans can succeed in the quest to control nature. Only by restructuring our global civilization based on the principles that have allowed Earth’s life and our ancestors to survive catastrophe——diversity, redundancy, a degree of self-sufficiency, social solidarity, and an aversion to excessive integration——can we restore the flexibility needed to weather the trials ahead. In this powerful and prescient book, Dumanoski moves beyond now-ubiquitous environmental buzzwords about green industries and clean energy to provide a new cultural map through this dangerous passage. Though the message is grave, it is not without hope. Lucid, eloquent, and urgent, The End of the Long Summer deserves a place alongside transformative works such as Silent Spring and The Fate of the Earth.

Celebrating 50 years of Tove Jansson's classic, bestselling novel Featured in the BBC 2 Between the Covers Bookclub Special (Eurovision series 2023) 'Distils the essence of summer' Robert Macfarlane 'Magical, life-affirming' Elizabeth Gilbert The Worldwide Classic about a tiny island and larger love. An elderly artist and her six-year-old grand-daughter while away a summer together on a tiny island in the gulf of Finland. As the two learn to adjust to each other's fears, whims and yearnings, a fierce yet understated love emerges - one that encompasses not only the summer inhabitants but the very island itself. Written in a clear, unsentimental style, full of brusque humour, and wisdom, The Summer Book is a profoundly life-affirming story. Tove Jansson captured much of her own life and spirit in the book, which was her favourite of her adult novels. With a foreword by Esther Freud and an afterword by Sophia Jansson (on whom the child 'Sophia' is based) who returns to the island during the pandemic at the point of becoming a grandmother herself. Includes a 15pp epilogue by Tove's niece Sophia Jansson - the inspiration for 'Sophia' - on a personal and moving return to the island. 'Eccentric, funny, wise, full of joys and small adventures. This is a book for life.' Esther Freud 'Tove Jansson was a genius. This is a marvellous, beautiful, wise novel, which is also very funny.' Philip Pullman

"A sparkling debut from a new author we’re all going to want more from.”—Susan Meissner, bestselling author of The Nature of Fragile Things When an ambitious female artist accepts an unexpected commission at a powerful earl's country estate in 1920s England, she finds his war-torn family crumbling under the weight of long-kept secrets. From debut author Courtney Ellis comes a captivating novel about finding the courage to heal after the ravages of war. Alberta Preston accepts the commission of a lifetime when she receives an invitation from the Earl of Wakeford to spend a summer painting at His Lordship's country home, Castle Braemore. Bertie imagines her residence at the prodigious estate will finally enable her to embark on a professional career and prove her worth as an artist, regardless of her gender. Upon her arrival, however, Bertie finds the opulent Braemore and its inhabitants diminished by the Great War. The earl has been living in isolation since returning from the trenches, locked away in his rooms and hiding battle scars behind a prosthetic mask. While his younger siblings eagerly welcome Bertie into their world, she soon sees chips in that world's gilded facade. As she and the earl develop an unexpected bond, Bertie becomes deeply entangled in the pain and secrets she discovers hidden within Castle Braemore and the hearts of its residents. Threaded with hope, love, and loss, At Summer's End delivers a portrait of a noble family--and a world--changed forever by the war to end all wars.

Lamb's lyrical, moving debut novel tells the deeply affecting and ultimately life-affirming story of a young boy coming to terms with his father's death--a tender, lilting, mystical novel of love and loss and the renewal of the human spirit.

When a viral apocalypse kills 97% percent of the people on the planet, the survivor's humanity is hanging by a thread. Fighting over the leftovers of civilization, what's needed is a hero that's more killer than saint. The people he finds become family and that is very bad news for those who think they are running things. This is the first book in new series from the author of the Eden Chronicle's "A Bright Shore" and "Come and Take it." The author is a former CIA operations officer who has decided that his lifelong writing habit/hobby/obsession is more fun than "real" work. "Finally an author that doesn't pull punches..." Amazon Reviewer"Not going to work tomorrow, it's 4 am and I just finished one of the best books I've read in years.." Amazon Reviewer

In this next novel in the Lowcountry Summer series, New York Times bestselling author Mary Alice Monroe returns to the charm and sultrybeauty of Sullivan's Island, South Carolina, and the Muir family--three half sisters bound by love for their grandmother and the Carolina lowcountry--in an unforgettable tale of family bonds and love as strong and steady as the tides.

Lee Mandelo's debut Summer Sons is a sweltering, queer Southern Gothic that crosses Appalachian street racing with academic intrigue, all haunted by a hungry ghost. Andrew and Eddie did everything together, best friends bonded more deeply than brothers, until Eddie left Andrew behind to start his graduate program at Vanderbilt. Six months later, only days before Andrew was to join him in Nashville, Eddie dies of an apparent suicide. He leaves Andrew a horrible inheritance: a roommate he doesn’t know, friends he never asked for, and a gruesome phantom that hungers for him. As Andrew searches for the truth of Eddie’s death, he uncovers the lies and secrets left behind by the person he trusted most, discovering a family history soaked in blood and death. Whirling between the backstabbing academic world where Eddie spent his days and the circle of hot boys, fast cars, and hard drugs that ruled Eddie’s nights, the walls Andrew has built against the world begin to crumble. And there is something awful lurking, waiting for those walls to fall. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In a secluded castle, at the beginning of a winter that is predicted to last for three years, Lars is battling illness, boredom and the pressures of family life. Locked inside for the duration, he passes the time playing with his siblings and his giant cat, Nemo, while tensions within the family begin to simmer. Tillie Walden tells the tragic and moving story of Lars and his twin sister, Maja. A melodrama full of subtle and tender character moments and set in an exquisitely rendered castle, it's a hauntingly beautiful work, widely considered as one of the great comics debuts.

The summer after her first year of college, Isobel "Belly" Conklin is faced with a choice between Jeremiah and Conrad Fisher, brothers she has always loved, when Jeremiah proposes marriage and Conrad confesses that he still loves her.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.