In the period 1700-1850, the history of utopian thought cast light on ideas of property-holding, community, and social and political reform movements, including those for the extension of rights to slaves, women and animals. This text includes some of the best-known tracts of the period.

This comparative study analyses the emergence of feminist movements and their differing characters in Britain, France and the United States. Jane Rendall examines the social, economic and cultural factors which affected women's status in society, and led some women to act, individually and collectively, to seek to change it. The Enlightenment emphasis on women's 'nature' and the evangelical stress on the moral potential of women contributed to a framework of ideas which could be used by conservatives and by feminists. Among the middle classes, discussion focused on the need to improve women's education and on the strengths and limitations of domesticity. Patterns of paid employment for women were shifting, and Jane Rendall suggests that the weak position of women in the labor market during the early stages of industrialisation restricted their ability to associate together. Yet involvement in religious, political and philanthropic movements could provide a means by which women might come together to identify their common concerns and learn the necessary political skills. Jane Rendall places the origins of feminism in the broader context of social and political change in the nineteenth century, looking both at the changing relationship between paid work and domestic life and at the links between feminism and class and political conflict in three different societies.

First published in the 1820s this pioneering sex manual provided sound advice on birth control and advocated honesty and equality for both sexes in matters pertaining to sex. The author was a leading figure in radical 19th century London libertarianism.

Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.