The Eastern Roman or 'Byzantine' Empire had to fight for survival throughout its long history so military ability was a prime requisite for a successful Emperor. John Carr concentrates on the personal and military histories of the more capable war fighters to occupy the imperial throne at Constantinople. They include men like it's founder Constantine I , Julian, Theodosius, Justinian, Heraclius, Leo I, Leo III, Basil I, Basil II (the Bulgar-slayer), Romanus IV Diogenes, Isaac Angelus, and Constantine XI. ??Byzantium's emperors, and the military establishment they created and maintained, can be credited with preserving Rome's cultural legacy and, from the seventh century, forming a bulwark of Christendom against aggressive Islamic expansion. For this the empire's military organization had to be of a high order, a continuation of Roman discipline and skill adapted to new methods of warfare. Thus was the Empire, under the leadership of its fighting emperors, able to endure for almost a thousand years after the fall of Rome.

The Emperor John II Komnenos (1118–1143) has been overshadowed by both his father Alexios I and his son Manuel I. Written sources have not left us much evidence regarding his reign, although authors agree that he was an excellent emperor. However, the period witnessed territorial expansion in Asia Minor as well as the construction of the most important monastic complex of twelfth-century Constantinople. What else do we know about John’s rule and its period? This volume opens up new perspectives on John’s reign and clearly demonstrates that many innovations generally attributed to the genius of Manuel Komnenos had already been fostered during the reign of the second great Komnenos. Leading experts on twelfth-century Byzantium (Jeffreys, Magdalino, Ousterhout) are joined by representatives of a new generation of Byzantinists to produce a timely and invaluable study of the unjustly neglected figure of John Komnenos.

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The subject of the emperor in the Byzantine world may seem likely to be a well-studied topic but there is no book devoted to the emperor in general covering the span of the Byzantine empire. Of course there are studies on individual emperors, dynasties and aspects of the imperial office/role, but there remains no equivalent to Fergus Millar’s The Emperor in the Roman World (from which the proposed volume takes inspiration for its title and scope). The oddity of a lack of a general study of the Byzantine emperor is compounded by the fact that a series of books devoted to Byzantine empresses was published in the late twentieth and early twenty-first centuries. Thus it is appropriate to turn the spotlight on the emperor. Themes covered by the contributions include: questions of dynasty and imperial families; the imperial court and the emperor’s men; imperial duties and the emperor as ruler; imperial literature (the emperor as subject and author); and the material emperor, including imperial images and spaces. The volume fills a need in the field and the market, and also brings new and cutting-edge approaches to the study of the Byzantine emperor. Although the volume cannot hope to be a comprehensive treatment of the emperor in the Byzantine world it aims to cover a broad chronological and thematic span and to play a vital part in setting the agenda for future work. The subject of the Byzantine emperor has also an obvious relevance for historians working on rulership in other cultures and periods.

A vivid narrative history of one of the founding civilizations of the modern world, the Byzantine empire, evocatively told through the lives of its ninety-two emperors. The Byzantine empire was one of the most successful states of the Middle Ages, ruling over a huge terrain straddling Europe and western Asia for eleven hundred years from the fourth to fifteenth centuries. This chronicle by Byzantine expert Kevin Lygo brings this majestic yet turbulent period to life through the lives of its emperors: the supreme military commander, the head of state, and God’s representative on Earth, no less. These rulers, who included famous figures such as Constantine the Great and Justinian I, a scattering of women, as well as ruthless usurpers, left their mark upon the modern world with the establishment of the Eastern Orthodox Christian faith, the creation of a visual template for Christian art, and the magnificent artistic achievements of Hagia Sophia and Mount Athos. Each illustrated biographical entry contributes to the story of how Byzantium shaped art, culture, religious beliefs, and justice systems, as well as the role this extraordinary empire played in halting repeated invasions, allowing the idea of “Europe” to flourish. Through this compelling history, Lygo paints vivid portraits of the entire Byzantine cast, with tales of petty revenge, religious devotion, sexual intrigue, and artistic brilliance. From soaring intellectuals to illiterate peasants, eunuchs, and despots, this is a humanizing portrayal of the individuals whose rule profoundly impacted the lives of millions.

New portrait of Manuel II Palaiologos, investigating his tumultuous reign, literary, philosophical and theological oeuvre and personal life.

Filled with unforgettable stories of emperors, generals, and religious patriarchs, as well as fascinating glimpses into the life of the ordinary citizen, Lost to the West reveals how much we owe to the Byzantine Empire that was the equal of any in its achievements, appetites, and enduring legacy. For more than a millennium, Byzantium reigned as the glittering seat of Christian civilization. When Europe fell into the Dark Ages, Byzantium held fast against Muslim expansion, keeping Christianity alive. Streams of wealth flowed into Constantinople, making possible unprecedented wonders of art and architecture. And the emperors who ruled Byzantium enacted a saga of political intrigue and conquest as astonishing as anything in recorded history. Lost to the West is replete with stories of assassination, mass mutilation and execution, sexual scheming, ruthless grasping for power, and clashing armies that soaked battlefields with the blood of slain warriors numbering in the tens of thousands.

Tells the story of Theodore Laskaris, a thirteenth-century Byzantine emperor, imaginative philosopher, and ideologue of Hellenism.

Offers a new perspective on Byzantine imperial imagery, demonstrating the role foreign styles and iconography played in the visual articulation of imperial power.

Originally published in 1929, with a hardcover reissue in 1963, this study of the usurping Byzantium emperor is released again in response to the current revival of interest in Byzantium studies.