The Orthodox migration in the West matters, despite its unobtrusive presence. And it matters in a way that has not yet been explored in social and religious studies: in terms of size, geographical scope, theological input and social impact. This book explores the adjustment of Orthodox migrants and their churches to Western social and religious contexts in different scenarios. This variety is consistent with Orthodox internal diversity regarding ethnicity, migration circumstances, Church-State relations and in line with the specificities of the receiving country in terms of religious landscape, degree of secularisation, legal treatment of immigrant religious institutions or socio-economic configurations. Exploring how Orthodox identities develop when displaced from traditional ground where they are socially and culturally embedded, this book offers fresh insights into Orthodox identities in secular, religiously pluralistic social contexts.

In New England today there are megalithic stones, stone chambers and structures, carvings and petroglyphs, even an unidentified skeleton in armor that defy easy explanation. From Maine to Massachusetts, this work examines various unexplained historical remains in New England, exploring not only the layout and dimensions of such sites--some reminiscent of Stonehenge with their huge stones, astronomical alignments and undiscovered purposes--but also the history and possible explanations for their existence. Theories regarding Norse, Phoenician, Irish, Celtic and Native American origins are presented here in an impartial and logical manner. Sites discussed include Dighton Rock in Berkley, Massachusetts; Newport Tower in Newport, Rhode Island; the Bellows Falls Petroglyphs in Bellows Falls, Vermont; and Mystery Hill in North Salem, New Hampshire (also known as America's Stonehenge), with expanded coverage new to this edition. An appendix provides information regarding sites open to the public.

Multiliterate Ireland examines a selection of Irish literature to illuminate a legacy of a multilingual history, demonstrated through works that range from past centuries to the present era. This study examines authors who utilized two or more languages in the same poem, play, or work of fiction, also known as “code-mixing” and “code-switching,” of primarily English and Irish Gaelic languages, but with the inclusion of others such as Latin, Greek, and French, and examines linguistically and historically why these multiliterate choices were made. Included in this analysis are the history of relationships among the languages, the historical use of multiple languages by Irish and proto-Irish writers, the psycholinguistic and cultural effects of colonial suppression of the language, the attempts at restoration of Irishand the desire for a post-Independence literary legacy in the medium of Irish, and a discussion of certain theories and principles of code-mixing that were developed in the case of its oral use and which may in some cases extend to writing. Along with these historical explanations, examples of multiliterate poetry and prose and the writers who produced them, from the late-17th or early 18-centuries up through contemporary works, are explored in greater depth, and serve to illustrate and highlight various uses of code-switching and code-mixing. Finally, "multiliteracy" as art, or the use of two or more languages as a means of transcendence beyond the ordinary, which is associated with the artistic impulse in general, is explored. This exploration reveals that many Irish writers were akin historically and culturally to artists in various other media whose multi-geographic and multi-linguistic experiences were essential to the development of both enduring and new aesthetic principles. By examining the literature of these Irish writers through the prism of multiliteracy, Multiliterate Ireland attempts to keep at the forefront the authors and their texts, and their decisions to break through the wall of English, or of Irish, to develop an aesthetic that goes beyond a single language, and that creates a language that is at once also many languages.

Edward C. Sellner tells of the tradition of the Celtic anamchara or soul friend, the loving mentor who promotes the spiritual growth of those he or she guides, in his original and insightful Stories of the Celtic Soul Friends. Here, punctuated by the stimulating stories of the four leaders of the early Celtic church--St. Patrick, St.Brigit, St. Columcille and the relatively obscure St. Colman of Land Ela--the author traces, celebrates and demonstrates the tradition's immediacy to our own faith, lives, and work, holding Jesus as the perfect exemplar. Mentors, teachers of religion, pastors, counselors, and anyone embarking upon a spiritual journey, should find this a beneficial, as well as invigorating, read. --A new twist on Celtic spirituality --Along with the always popular St. Patrick, this book introduces lesser-known Celtic saints

The Handbook takes as its subject the complex phenomenon of Christian monasticism. It addresses, for the first time in one volume, the multiple strands of Christian monastic practice. Forty-four essays consider historical and thematic aspects of the Catholic, Eastern Orthodox, Oriental Orthodox, Protestant, and Anglican traditions, as well as contemporary 'new monasticism'. The essays in the book span a period of nearly two thousand years—from late ancient times, through the medieval and early modern eras, on to the present day. Taken together, they offer, not a narrative survey, but rather a map of the vast terrain. The intention of the Handbook is to provide a balance of some essential historical coverage with a representative sample of current thinking on monasticism. It presents the work of both academic and monastic authors, and the essays are best understood as a series of loosely-linked episodes, forming a long chain of enquiry, and allowing for various points of view. The authors are a diverse and international group, who bring a wide range of critical perspectives to bear on pertinent themes and issues. They indicate developing trends in their areas of specialisation. The individual contributions, and the volume as a whole, set out an agenda for the future direction of monastic studies. In today's world, where there is increasing interest in all world monasticisms, where scholars are adopting more capacious, global approaches to their investigations, and where monks and nuns are casting a fresh eye on their ancient traditions, this publication is especially timely.

"First published 2003 by The British Library, London"--T.p. verso.

An accessible, down-to-earth introduction to the central aspects of Christian history, this Pocket Guide includes the stories of its key events and characters, bringing a wide range of chronological, geographical and doctrinal history vividly to life. From the early church to the twenty-first century, this concise and fascinating book is a lively survey of the world's most widespread religion. Covering topics as diverse as the Apostles and Constantine, the Celtic Church and the division between East and West, the Reformation and the Enlightenment to the modern age, this is an indispensable resource for understanding a truly global phenomenon: Christianity.

The elegizing of poets is one of the oldest and most enduring traditions in English poetry. Many of the most influential and best-known poems in the language—such as Milton’s "Lycidas," Shelley’s "Adonais," and Auden’s "In Memory of W. B. Yeats"—are elegies for poets. In Grief and Meter, Sally Connolly offers the first book to focus on these poems and the role they play as a specific subgenre of elegy, establishing a genealogy of poetry that traces the dynamics of influence and inheritance in twentieth- and twenty-first-century poetry. She identifies a distinctive and significant Anglo-American line of descent that resonates in these poems, with British poets often elegizing American ones, yet rarely the other way around. Further, she reveals how these poems function as a means of mediating, effecting, and tracing transatlantic poetic exchanges. The author frames elegies for poets as a chain of commemoration and inheritance, each link independent, but when seen as part of the "golden chain," signifying a larger purpose and having a correspondingly greater strength. Grief and Meter provides a compelling account of how and why these poems are imbued with such power and significance.

Strange Beauty provides a new perspective on early Celtic stories of the Otherworld and their relevance to today's ecological concerns, arguing for a contemporary re-reading of the Otherworld trope in relation to physical experience.