The novel that inspired the major motion picture directed by Gus Van Sant Bob Hughes, the offbeat, edgy, and slightly skewed leader of a crew of traveling junkies, describes himself as “one of the cleverest and ringiest and most notorious dope fiend drugstore cowboys on the entire West Coast, including Alaska.” Bob, his wife, Diane, Rick, and Nadine have a penchant for robbing drugstores and grabbing pills and capsules to support their habit and relieve their boredom. It’s an all-too-real examination of the addict’s domain: the euphoria, the paranoia, the busts, the overdoses, the haunting reality of trying to survive your own world. But James Fogle—who based this extraordinary novel on his own experiences, and who spent thirty-five years of his life in prison—has turned their lives into something darkly comic. Set in Portland, Oregon, in the early 1970s, Drugstore Cowboy is a resonating evocation of life at the bottom, and yet, by portraying his characters without judgment or glamor, Fogle has illuminated them. His debut novel is a singular work of contemporary fiction.

Although “The Drugstore Cowboy” (published in 1927 and unrelateld to the movie of the same name) has some crime elements, including a stolen car and a high-speed police chase, it is primarily a Jazz Age tale. Filmed, it would have made a terrific screwball comedy in the right director’s hands—imagine young actors Cary Grant and Katherine Hepburn in the starring roles as you read. If you are a fan of Woolrich's mysteries, this is a worthy addition to his oeuvre, showcases elements he would later bring to the fore as a mystery writer.

In 1964, Patricia MacKay immigrated to Canada from England in search of the wild-open lands and cowboy culture that captivated her as a child. In the 1960s, the Wild West was still alive and kicking in the Cariboo-Chilcotin, although it had been tamed--a little. Old-time hospitality and helping anyone in need was the acknowledged way of life. Pat learned the Cariboo-Chilcotin way of life first hand by spending her summers working on guest ranches and finding other jobs to keep her occupied during the winter. From learning how to cook on the job to kitchen disasters and successes, roundups, branding, square dances and falling in love, she slowly gained acceptance into the tight-knit communities of BC's Interior. Ranching meant long hours, hard work, and a lifestyle all its own. Entertainment was homemade. There were rodeos, dances, and music around campfires in the summer and ice hockey, tobogganing, and parties in the winter. Sadly, that way of life is gradually disappearing, but this book relives the way things were between 1964 and 1976; it tells of a unique brand of people from a variety of backgrounds who made this part of the west their home.

Drugstore Camera feels like a stumbled-upon treasure, a disposable camera you forgot about and only just remembered to develop. Yet in this case the photographer is Dennis Hopper and the photographs, remarkably, are never before published. Shot in Taos, New Mexico, where Hopper was based following the production of Easy Rider in the late 60s, the series was taken with disposable cameras and developed in drugstore photo labs. This clothbound collection documents Hopper's friends and family among the ruins and open vistas of the desert landscape, female nudes in shadowy interiors, road trips to and from his home state of Kansas and impromptu still lifes of discarded objects. These images, capturing iconic individuals and wide-open Western terrain, create a captivating view of the 60s and 70s that combines political idealism and optimism with California cool. Dennis Hopper (1936-2010) was born in Dodge City, Kansas. He first appeared on television in 1954 and quickly became a cult actor, known for films such as Rebel Without a Cause (1955), Easy Rider (1969), The American Friend (1977), Apocalypse Now (1979), Blue Velvet (1986) and Hoosiers (1986). In 1988 he directed the critically acclaimed Colors. Hopper was also a prolific photographer and published now-classic portraits of celebrities such as Andy Warhol and Martin Luther King Jr. His works are housed in The Metropolitan Museum of Art, New York; The Museum of Modern Art, New York and Los Angeles County Museum of Art, among others.

This reference work presents the full range of the filmmaker's artistry (photography, painting and music) through the optic of his films. It is an original work combining all facets of his creation for the first time, bringing a fresh vision of his cinematographic work. At the heart of the book is the exhibition curator Matthieu Orléan's unpublished interview with Gus Van Sant in Portland in June 2015, discussing the whole scope of his work and inspirations through a network of images organized into themes. The work also explores the work of other artists whose heritage Gus Van Sant believes he is continuing: heritage beat, pop, rock, and experimental filmmakers, writers and visual artists like William Burroughs, William Eggleston, Harmony Korine and Ed Ruscha. There is also critical analysis of the many themes Gus Van Sant tackles in his work related to his own personal reflections on life, accompanied by first-hand anecdotes and an in-depth appraisal of the production processes used in each movie, from the experimental shorts of the 70s to Sea of Trees, presented at the Cannes Festival in May 2015, soon to be released in cinemas. The monograph also feature essays by Stéphane Bouquet, Benjamin Thorel, Bertrand Schefer and Stefano Boni, who provide their own interpretations of his protean work. Each essay tackles specific aspects of Gus Van Sant's creation through reflections on the heterogenous nature of his methods and approach.

A witty, candid, sharply written memoir by the cofounder of Steely Dan In his entertaining debut as an author, Donald Fagen—musician, songwriter, and cofounder of Steely Dan—reveals the cultural figures and currents that shaped his artistic sensibility, as well as offering a look at his college days and a hilarious account of life on the road. Fagen presents the “eminent hipsters” who spoke to him as he was growing up in a bland New Jersey suburb in the early 1960s; his colorful, mind-expanding years at Bard College, where he first met his musical partner Walter Becker; and the agonies and ecstasies of a recent cross-country tour with Michael McDonald and Boz Scaggs. Acclaimed for his literate lyrics and complex arrangements as a musician, Fagen here proves himself a sophisticated writer with his own distinctive voice.

From Drugstore Cowboy to Elephant, Milk and Good Will Hunting, Gus Van Sant's films have captured the imagination of more than one generation. Alongside his filmaking, however, Van Sant is also an artist, photographer and writer. Based on a series of completely new and exclusive interviews, this book provides a personal insight into how Van Sant successfully approaches these different and very varied artforms, providing an inspirational look into the working life of one of America's most pivotal cultural and creative practitioners.

She thought she had it all... until she found him A modeling contract with Wrangler got this Miss Rodeo Wyoming a first-class ticket out of town, but somewhere along the way Jodi Brand lost her soul. When she returns to her hometown after six years back East, her childhood friend's rugged cowboy charm hits her like a ton of bricks... Teague Treadwell is convinced Jodi's success lifted her out of his reach, but he's spent the past six years working to shed his bad boy image. Now that Jodi is back in town, he's determined to prove himself worthy of the girl next door...but whoever heard of a beauty queen settling for a down and dirty cowboy? Praise for Cowboy Fever: "A delightful read full of heart and passion." —Jodi Thomas, New York Times and USA Today bestselling author of Somewhere Along the Way "HOT, HOT, HOT...with more twists and turns than a buckin' bull at a world-class rodeo, lots of sizzlin' sex, and characters so real, you'll swear they live down the road!" —Carolyn Brown, bestselling author of Love Drunk Cowboy "Joanne Kennedy has an uncanny way to bring characters to life with clever dialog, fun situations, and sexy cowboys all wrapped in one great story. Absolutely perfect!" —Fresh Fiction

Pink is the first novel by film-maker Gus Van Sant, whose films include Drugstore Cowboy, My Own Private Idaho and Good Will Hunting. It tells the story of industrial film-maker Spunky Davis and his close encounters with two strange young men whose disturbing aura attracts Spunky's curiosity - especially as one of them strongly reminds him of a dazzling young star of the infommercial world who has recently died tragically of a drug overdose. Gradually, they draw Spunky into their world, revealing to him the secrets of the Pink dimension. Pink is suffused with a grief for the temporary nature of life, for the breaking of connections, for the difficulties of coping with inconsolable loss. It is also a tale of hope and rapture - one told with the aching tenderness of My Own Private Idaho, as well as the wickedly ironic tone of To Die For.