In 1916, salon host Mabel Dodge entered psychoanalysis with Smith Ely Jelliffe in New York, recording 142 dreams during her six-month treatment. Her dreams, as well as Jelliffe’s handwritten notes from her analytic sessions, provide an unusual and virtually unprecedented access to one woman’s dream life and to the private process of psychoanalysis and its exploration of the unconscious. Through Dodge’s dreams—considered together with Jelliffe’s notes, annotations drawn from her memoirs and unpublished writings, and correspondence between Dodge and Jelliffe during the course of her treatment—the reader becomes immersed in the workings of Dodge’s heart and mind, as well as the larger cultural embrace of psychoanalysis and its world-shattering views. Jelliffe’s notes provide a rare glimpse into the process of dream analysis in an early psychoanalytic treatment, illuminating how he and Dodge often embarked upon an examination of each element of the dream as they explored associations to such details as color and personalities from her childhood. The dreams, with their extensive annotations, provide compelling and original material that deepens knowledge about the early practice of psychoanalysis in the United States, this period in cultural history, and Dodge’s own intricately examined life. This book will be of great interest to psychoanalysts in clinical practice, as well as scholars of the history of psychoanalysis and students of dreams.

In 1917 Mabel Sterne, patron of the arts and spokeswoman for the New York avant-garde, came to the Southwest seeking a new life. This autobiographical account, long out-of-print, of her first few months in New Mexico is a remarkable description of an Easterner's journey to the American West. It is also a great story of personal and philosophical transformation. The geography of New Mexico and the culture of the Pueblo Indians opened a new world for Mabel. She settled in Taos immediately and lived there the rest of her life. Much of this book describes her growing fascination with Antonio Luhan of Taos Pueblo, whom she subsequently married. Her descriptions of the appeal of primitive New Mexico to a world-weary New Yorker are still fresh and moving. "I finished it in a state of amazed revelation . . . it is so beautifully compact and consistent. . . . It is going to help many another woman and man to 'take life with the talons' and carry it high."--Ansel Adams

With no chapters dividing the narrative, Luhan describes her simple life in Taos, New Mexico, this "new world" she called it, from season to season, following a thread that spools out from her consciousness as if shes recording her thoughts in a journal.

Chronicles the New York City neighborhood's role as a bohemian enclave that became the home of and transformed the lives of individuals who came to the neighborhood to pursue their individual artistic, personal, and political dreams.

She was "the most peculiar common denominator that society, literature, art and radical revolutionaries ever found in New York and Europe." So claimed a Chicago newspaper reporter in the 1920s of Mabel Dodge Luhan, who attracted leading literary and intellectual figures to her circle for over four decades. Not only was she mistress of a grand salon, an American Madame de Stael, she was also a leading symbol of the New Woman: sexually emancipated, self-determining, and in control of her destiny. In many ways, her life is the story of America's emergence from the Victorian age. Lois Rudnick has written a unique and definitive biography that examines all aspects of Mabel Dodge Luhan's real and imagined lives, drawing on fictional portraits of Mabel, including those by D. H. Lawrence, Carl Van Vechten, and Gertrude Stein, as well as on Mabel's own voluminous memoirs, letters, and fiction. Rudnick not only assesses Mabel as muse to men of genius but also considers her seriously as a writer, activist, and spirit of the age. This biography will appeal not just to cultural historians but to any woman who has loved and lived with men who are artists and rebels. Both as a liberated woman and as a legend, Mabel Dodge Luhan embodies the cultural forces that shaped modern America.

"Lorenzo in Taos," is written loosely in the form of letters to and from D.H. Lawrence, Frieda Lawrence, Robinson Jeffers, and Luhan. The book is a highly personal and most informative account of an intense relationship with a great writer.

Sándor Ferenczi’s mutual analysis with Elizabeth Severn—the patient known as R.N. in the Clinical Diary—is one of the most controversial and consequential episodes in the history of psychoanalysis. In his latest groundbreaking work, Peter L. Rudnytsky draws on a trove of archival sources to provide a definitive scholarly account of this experiment, which constitutes a paradigm for relational psychoanalysis, as Freud’s self-analysis does for classical psychoanalysis. In Part 1, Rudnytsky tells the story of Severn’s life and traces the unfolding of her ideas, culminating in The Discovery of the Self. He shows how her book contains disguised case histories not only of Ferenczi and Severn herself—and thereby forms an indispensable companion volume to Ferenczi’s Clinical Diary—but also of Severn’s daughter Margaret, an internationally acclaimed dancer whose history of childhood sexual abuse uncannily replicated Severn’s own. Part 2 compares Severn to Clara Thompson and Izette de Forest as transmitters of Ferenczi’s legacy, sets the record straight about Ferenczi’s final illness, and reveals how Severn went beyond Freud and Groddeck in her capacity as Ferenczi’s analyst. Finally, in Part 3, Rudnytsky delineates the contrast between Freud and Ferenczi as men and thinkers and makes it clear why he agrees with Erich Fromm that Ferenczi’s example demonstrates how Freud’s attitude need not be that of all analysts. The first comprehensive study of Ferenczi’s mutual analysis with Severn, this book is a profound reexamination of Ferenczi’s relationship to Freud and an impassioned defense of Severn and Ferenczi’s views on the nature and treatment of trauma. It will appeal to psychoanalysts and psychotherapists, especially to relational analysts, self psychologists, and trauma theorists.

In books such as Mystics and Messiahs, Hidden Gospels, and The Next Christendom, Philip Jenkins has established himself as a leading commentator on religion and society. Now, in Dream Catchers, Jenkins offers a brilliant account of the changing mainstream attitudes towards Native American spirituality, once seen as degraded spectacle, now hailed as New Age salvation. Jenkins charts this remarkable change by highlighting the complex history of white American attitudes towards Native religions, considering everything from the 19th-century American obsession with "Hebrew Indians" and Lost Tribes, to the early 20th-century cult of the Maya as bearers of the wisdom of ancient Atlantis. He looks at the popularity of the Carlos Castaneda books, the writings of Lynn Andrews and Frank Waters, and explores New Age paraphernalia including dream-catchers, crystals, medicine bags, and Native-themed Tarot cards. He also examines the controversial New Age appropriation of Native sacred places and notes that many "white indians" see mainstream society as religiously empty. An engrossing account of our changing attitudes towards Native spirituality, Dream Catchers offers a fascinating introduction to one of the more interesting aspects of contemporary American religion.

What we now call "the good life" first appeared in California during the 1930s. Motels, home trailers, drive-ins, barbecues, beach life and surfing, sports from polo and tennis and golf to mountain climbing and skiing, "sportswear" (a word coined at the time), and sun suits were all a part of the good life--perhaps California's most distinctive influence of the 1930s. In The Dream Endures, Kevin Starr shows how the good life prospered in California--in pursuits such as film, fiction, leisure, and architecture--and helped to define American culture and society then and for years to come. Starr previously chronicled how Californians absorbed the thousand natural shocks of the Great Depression--unemployment, strikes, Communist agitation, reactionary conspiracies--in Endangered Dreams, the fourth volume of his classic history of California. In The Dream Endures, Starr reveals the other side of the picture, examining the newly important places where the good life flourished, like Los Angeles (where Hollywood lived), Palm Springs (where Hollywood vacationed), San Diego (where the Navy went), the California Institute of Technology in Pasadena (where Einstein went and changed his view of the universe), and college towns like Berkeley. We read about the rich urban life of San Francisco and Los Angeles, and in newly important communities like Carmel and San Simeon, the home of William Randolph Hearst, where, each Thursday afternoon, automobiles packed with Hollywood celebrities would arrive from Southern California for the long weekend at Hearst Castle. The 1930s were the heyday of the Hollywood studios, and Starr brilliantly captures Hollywood films and the society that surrounded the studios. Starr offers an astute discussion of the European refugees who arrived in Hollywood during the period: prominent European film actors and artists and the creative refugees who were drawn to Hollywood and Southern California in these years--Igor Stravinsky, Arnold Schoenberg, Man Ray, Bertolt Brecht, Christopher Isherwood, Aldous Huxley, Thomas Mann, and Franz Werfel. Starr gives a fascinating account of how many of them attempted to recreate their European world in California and how others, like Samuel Goldwyn, provided stories and dreams for their adopted nation. Starr reserves his greatest attention and most memorable writing for San Francisco. For Starr, despite the city's beauty and commercial importance, San Francisco's most important achievement was the sense of well-being it conferred on its citizens. It was a city that "magically belonged to everyone." Whether discussing photographers like Edward Weston and Ansel Adams, "hard-boiled fiction" writers, or the new breed of female star--Marlene Dietrich, Jean Harlow, Bette Davis, Carole Lombard, and the improbable Mae West--The Dream Endures is a brilliant social and cultural history--in many ways the most far-reaching and important of Starr's California books.

An influential New York salon host and perpetual seeker of meaning, Mabel Dodge entered psychoanalysis in 1916 with A.A. Brill, the first American psychoanalyst, continuing until she moved to New Mexico in December 1917. In Taos, she met Antonio Luhan, the Pueblo Indian who became her fourth husband in 1923, a radical union that forever altered her turbulent life. From the beginning of her analysis until 1944, Mabel wrote to Brill and he replied, yielding 122 letters. No other such extensive, elaborate written conversations exist between patient and analyst. This book presents a narrative organized around these letters, featuring the turmoil in Mabel's relationships with others, most notably D. H. Lawrence, as well as her extraordinarily candid memoirs, both published and unpublished, inspired by Brill's fierce insistence upon constructive outlets. In her correspondence, as in life, Mabel was despairing, insightful, insecure, and talented, reporting to Brill her emotional states, seeking his advice. With warmth and frankness, he offered opinions, affection, and interpretations.