DigiCat Publishing presents to you this special edition of "The Dreamer" (A Romantic Rendering of the Life-Story of Edgar Allan Poe) by Mary Newton Stanard. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Excerpt from The Dreamer: A Romantic Rendering, of the Life-Story of Edgar Allan Poe This study of Edgar Allan Poe, poet and man, is simply an attempt to make something like a finished picture of the shadowy sketch the biographers, hampered by the limitations of proved fact, must, at best, give us. To this end I have used the story-teller's license to present the facts in picturesque form. Yet I believe I have told a true story - true to the spirit if not to the letter - for I think I have made Poe and the other persons of the drama do nothing they may not have done, say nothing they may not have said, feel nothing they may not have felt. In many instances the opinions, and even the words I have placed in Poe's mouth are his own - found in his published works or his letters. I owe much, of course, to the writers of Poe books before and up to my time. Among these, I would make especial and grateful acknowledgment to Mr. J. H. Ingram, Professor George E. Woodberry, Professor James A. Harrison and Mrs. Susan Archer Weiss. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

This study of Edgar Allan Poe, poet and man, is simply an attempt to make something like a finished picture of the shadowy sketch the biographers, hampered by the limitations of proved fact, must, at best, give us. To this end I have used the story-teller's license to present the facts in picturesque form. Yet I believe I have told a true story-true to the spirit if not to the letter-for I think I have made Poe and the other persons of the drama do nothing they may not have done, say nothing they may not have said, feel nothing they may not have felt. In many instances the opinions, and even the words I have placed in Poe's mouth are his own-found in his published works or his letters. I owe much, of course, to the writers of Poe books before and up to my time. Among these, I would make especial and grateful acknowledgment to Mr. J.H. Ingram, Professor George E. Woodberry, Professor James A. Harrison and Mrs. Susan Archer Weiss. But more than to any one of his biographers, I am indebted to Poe himself for the revelations of his personality which appear in his own stories and poems, the most part of which are clearly autobiographic. - from the author's preface.

This study of Edgar Allan Poe, poet and man, is simply an attempt to make something like a finished picture of the shadowy sketch the biographers, hampered by the limitations of proved fact, must, at best, give us.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This study of Edgar Allan Poe, poet and man, is simply an attempt to make something like a finished picture of the shadowy sketch the biographers, ham-pered by the limitations of proved fact, must, at best, give us.To this end I have used the story-teller's license to present the facts in picturesque form. Yet I believe I have told a true story--true to the spirit if not to the letter--for I think I have made Poe and the other per-sons of the drama do nothing they may not have done, say nothing they may not have said, feel noth-ing they may not have felt. In many instances the opinions, and even the words I have placed in Poe's mouth are his own--found in his published works or his letters.