This is the ninth volume in the definitive series of critical, old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains six plays written by Fletcher and his collaborators, Philip Massinger and William Rowley. Each play is introduced by a discussion of the text and authorship, and is accompanied by detailed textual notes, a list of press-variants, emendations of accidentals and a historical collation. The plays are The Sea Voyage, The Double Marriage, The Prophetess, The Little French Lawyer, The Elder Brother and The Maid in the Mill.

This is the ninth volume in the definitive series of critical, old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. This volume contains six plays written by Fletcher and his collaborators, Philip Massinger and William Rowley. Each play is introduced by a discussion of the text and authorship, and is accompanied by detailed textual notes, a list of press-variants, emendations of accidentals and a historical collation. The plays are The Sea Voyage, The Double Marriage, The Prophetess, The Little French Lawyer, The Elder Brother and The Maid in the Mill.

This is the second volume in a ten-volume series of the critical old-spelling texts of the plays in the Beaumont and Fletcher canon, in which the texts are established on modern bibliographical principles. Each play is preceded by detailed notes on the text of the play, and is followed by textual notes, lists of variants, emendations of accidentals, and an historical collation. A general note of the principles on which the text of this edition was established is contained in Volume I.

Performing Disability in Early Modern English Drama investigates the cultural work done by early modern theatrical performances of disability. Proffering an expansive view of early modern disability in performance, the contributors suggest methodologies for finding and interpreting it in unexpected contexts. The volume also includes essays on disabled actors whose performances are changing the meanings of disability in Shakespeare for present-day audiences. By combining these two areas of scholarship, this text makes a unique intervention in early modern studies and disability studies alike. Ultimately, the volume generates a conversation that locates and theorizes the staging of particular disabilities within their historical and literary contexts while considering continuity and change in the performance of disability between the early modern period and our own.

Winner, 2020 Association for the Study of Food and Society Book Award, Edited Volume Long before the founding of the Jamestown, Virginia, colony and its Starving Time of 1609–1610—one of the most famous cannibalism narratives in North American colonial history—cannibalism played an important role in shaping the human relationship to food, hunger, and moral outrage. Why did colonial invaders go out of their way to accuse women of cannibalism? What challenges did Spaniards face in trying to explain Eucharist rites to Native peoples? What roles did preconceived notions about non-Europeans play in inflating accounts of cannibalism in Christopher Columbus’s reports as they moved through Italian merchant circles? Asking questions such as these and exploring what it meant to accuse someone of eating people as well as how cannibalism rumors facilitated slavery and the rise of empires, To Feast on Us as Their Prey posits that it is impossible to separate histories of cannibalism from the role food and hunger have played in the colonization efforts that shaped our modern world.

Includes no. 53a: British wartime books for young people.