The British are coming, and the dragons are waiting for them! Set in an alternative colonial America where dragons rule the landscape, the revolution is taking its bloody toll and General Washington will need all the help he can get to free the American colonies from their overseas rulers. Dragon America is an alternative history in the Orson Scott Card and Harry Turtledove modes, from a master of the genre.

Since he was first elected in 1999, Venezuelan President Hugo Chávez Frías has reshaped a frail but nonetheless pluralistic democracy into a semi-authoritarian regime—an outcome achieved with spectacularly high oil income and widespread electoral support. This eye-opening book illuminates one of the most sweeping and unexpected political transformations in contemporary Latin America. Based on more than fifteen years' experience in researching and writing about Venezuela, Javier Corrales and Michael Penfold have crafted a comprehensive account of how the Chávez regime has revamped the nation, with a particular focus on its political transformation. Throughout, they take issue with conventional explanations. First, they argue persuasively that liberal democracy as an institution was not to blame for the rise of chavismo. Second, they assert that the nation's economic ailments were not caused by neoliberalism. Instead they blame other factors, including a dependence on oil, which caused macroeconomic volatility; political party fragmentation, which triggered infighting; government mismanagement of the banking crisis, which led to more centralization of power; and the Asian crisis of 1997, which devastated Venezuela's economy at the same time that Chávez ran for president. It is perhaps on the role of oil that the authors take greatest issue with prevailing opinion. They do not dispute that dependence on oil can generate political and economic distortions—the "resource curse" or "paradox of plenty" arguments—but they counter that oil alone fails to explain Chávez's rise. Instead they single out a weak framework of checks and balances that allowed the executive branch to extract oil rents and distribute them to the populace. The real culprit behind Chávez's success, they write, was the asymmetry of political power.

This extraordinary autobiographical story, compelling, candid, and deeply personal, plunges us into that tumultuous moment in China out of which the modern People's Republic finally emerged. It is the first time a novelist has ever described that distant world in words that open it up to Western readers in the clearest, most vivid terms. Shanghai, 1949: we look through the eyes of Guan Ling-ling, a headstrong, idealistic seventeen-year-old. As her family departs for Hong Kong, Ling-ling boldly chooses to stay, and joins a revolutionary theater group which soon leaves the city to carry out the new reforms in the Chinese countryside. After a scant few weeks' preparation, this city-bred schoolgirl suddenly finds herself in one of China's most remote and impoverished areas, a world so far from her own experience that she can barely understand the lives she has been sent to change. On her very first night in Longxiang ("the Dragon's Village"), a dusty hamlet far in the northwest, Ling-ling's life is threatened by agents of a defiant landlord. From that moment on, an unrelenting flood of events engulfs her: plot and counterplot, acts of violence, midnight raids, dramatic personal revelations, even glimmers of first love, all set against a canvas of revolutionary upheaval. Chen carries us on an incredible voyage against China at a critical moment in modern history. No novelist has focused so clearly or so closely on the faces of revolution, or on the physical and social landscapes in which it was played out, from the urbane circles of Shanghai to the parched fields and desolate families in tiny Longxiang. We are wholly involved in Ling-ling's struggle to assume the unfamiliar garb of soldier and teacher, and can recognize in it an adolescent's painful path to maturity. Yuan-tsung Chen was born in Shanghai and educated in a missionary school for girls there. She has just graduated from high school in 1949, and soon went to work at the Film Bureau in Peking. In 1951, she joined she joined land reform workers in Gansu Province, the setting of this, her first book. It was the first of several agrarian campaigns in which she took part over the next twenty years.

Brave knights, fire-breathing dragons, and underwear – in this comical paperback picture book, one young knight takes on a mighty dragon to save the kingdom. With playful illustrations from the #1 New York Times bestselling artist of The Bad Seed! Cole's wish comes true when he becomes an Assistant Knight to Sir Percival, his favorite Knight of King Arthur's Round Table. Cole learns how to ride a horse, swing a sword, cheer for Sir Percival when he goes to battle, and bandage his boo-boos when the battle is over. Cole loves practicing every skill a Knight-in-Training must master and he is determined to be granted knighthood. Sir Percival is a great knight in every way, except for one thing: He is terrified that an Underwear Dragon will come and destroy the kingdom. But when the unthinkable happens, Cole is the only knight left standing (and just an assistant knight at that!) Cole must use all of his newly acquired skills to battle the fearsome dragon and avoid a catastrophe. Luckily, an unfortunate underwear mishap changes everything and Cole triumphs in this hilarious and triumphant tale! Kids of all ages will recognize themselves in our pint-sized hero. Don't miss the fun and silly sequel, Return of the Underwear Dragon!

After finding a compass and clues left by Kallista's father, Leo Babbage, Trenton and Kallista head west aboard their homemade mechanical dragon to search for the missing inventor. The teenagers hope to find answers about their mountain city of Cove, but instead, they find only a blackened forest, ruined buildings, and a small underground city. Almost immediately, Trenton and Kallista are caught up in a civil war between a clan of scavengers called Whipjacks and the Order of the Beast, people who believe that dragons are immortal and divine. Stranded in a new city, the two friends meet Plucky, a Whipjack girl with mechanical legs, and Ander, a young member of the Order who claims humans are able to communicate with dragons. Can they trust anyone, or have they unknowingly stepped into a trap? And high above in the sky, the dragons are gathering . . .

“Vivid, gripping and actually riveting as the Red Danger takes a whole new meaning here. Loved it.” —The Book Smugglers It is the waning days of the Russian monarchy. A reckless man rules the land and his dragons rule the sky. Though the Tsar aims his dragons at his enemies—Jews and Bolsheviks—his entire country is catching fire. Conspiracies suffuse the royal court: bureaucrats jostle one another for power, the mad monk Rasputin schemes for the Tsar’s ear, and the desperate queen takes drastic measures to protect her family. Revolution is in the air—and the Red Army is hatching its own weapons. Discover Russia’s October Revolution, reimagined in flight by the acclaimed mother-and-son writing team of the Locus Award-winning novel, Pay the Piper, and the Seelie Wars series.

"Strong storytelling and new takes on a beloved fantasy topic result in a welcome addition to the literature of dragons." (Library Journal) Whether portrayed as fire-breathing reptilian beasts or as noble creatures of power and grace, dragons have been found in nearly every culture's mythology. Now, in The Dragon Book, today's greatest fantasists reignite the fire... Includes stories by New York Times bestselling authors Jonathan Stroud, Gregory Maguire, Garth Nix, Diana Gabaldon, Tamora Pierce, Harry Turtledove, Sean Williams, and Tad Williams, as well as tales by Peter Beagle, Jane Yolen, Adam Stemple, Cecelia Holland, Naomi Novik, Kage Baker, Samuel Sykes, Diana Wynne Jones, Mary Rosenblum, Tanith Lee, Andy Duncan, and Bruce Coville.

The heroine, Erin Moore, has experienced a really dreadful day at school. She visits a little shop at the end of the day and purchases what she thinks is a tiny pet lizard. Abruptly, she finds herself transported to another world â a place called Fuham. Her "pet lizard" is a real dragon and Fuham is full of magical creatures. Erin finds that one of her classmates has also been transported to this magical land. They set about finding why they are in Fuham and trying to return home.

Focusing on the influence of Maoist ideology and masculinist power on the representations of women in revolutionary opera films made during the Cultural Revolution, this book considers the gendered hierarchy between masculinity and femininity in relation to the historic and cultural context in which they were made. Using feminist methodology and epistemology to locate women’s social identity, this book explores the sociological connections between the masculinisation of women and masculinist domination in the context of the Cultural Revolution. Through film analysis, the author examines whether women, rather than 'liberated', were in fact re-gendered and oppressed by masculinist power. By critically evaluating gender hierarchy during the Chinese Cultural Revolution, the book provides hitherto neglected insights into gender within its social and cultural context. This an interdisciplinary book which should appeal to students and scholars across a range of disciplines, including gender studies, Asian studies, China studies, cultural studies and film studies.

About the Book “From the darkness of the void, a light appeared. The light was small and faint at first. Then it grew into a circle globe that became bigger and brighter. It appeared to be a pearl floating through space. Out of the pearl came a sun, stars, and a galaxy of planets... A vortex appeared above a blue planet. Below the globe and through the vortex came flying through, a giant great white dragon...” The Dragons of Eden is a thrilling tale that invites young readers to explore a fantastical world of dragons, magic, and adventure as they learn of the four great dragons—North, East, South, and West—who protect the world for the Mother Pearl who created them. About the Author Jerimy Drew Carr is a U.S. Army veteran, husband, and father. He was a ship captain for half of his life and developed his imagination on the open seas.