In Western tradition, St. George is known as the dragon slayer. In the Middle East, he is called Khidr (“Green One”), and in addition to being a dragon slayer, he is also somehow the prophet Elijah. In this book, Robert D. Miller II untangles these complicated connections and reveals how, especially in his Middle Eastern guise, St. George is a reincarnation of the Canaanite storm god Baal, another “Green One” who in Ugaritic texts slays dragons. Combining art history, theology, and archeology, this multidisciplinary study demystifies the identity of St. George in his various incarnations, laying bare the processes by which these identifications merged and diverged. Miller traces the origins of this figure in Arabic and Latin texts and explores the possibility that Middle Eastern shrines to St. George lie on top of ancient shrines of the Canaanite storm god Baal. Miller examines these holy places, particularly in modern Israel and around Mount Hermon on the Syrian-Lebanese-Israeli border, and makes the convincing case that direct continuity exists from the Baal of antiquity to the St. George/Khidr of Christian lore. Convincingly argued and thoroughly researched, this study makes a unique contribution to such diverse areas as ancient Near Eastern studies, Roman history and religion, Christian hagiography and iconography, Quranic studies, and Arab folk religion.

The Blood Angels Chapter and their successors mount a desperate defence of their home world of Baal from the predations of the tyranid hive fleet Leviathan. After a brutal campaign in the Cryptus System fighting the alien tyranids, Lord Dante returns to Baal to marshal the entire Blood Angels Chapter and their Successors against Hive Fleet Leviathan. Thus begins the greatest conflict in the history of the sons of Sanguinius. Despite a valiant battle in the void around Baal, the Blood Angels are unable to stop the tyranids drawing ever closer, but their petitions for reinforcements are met with dread news. The Cadian Gate, the Imperium’s most stalwart bastion against Chaos, has fallen. In their darkest hour, no help will reach the beleaguered Dante and his warriors. Is this truly then the Time of Ending?

The Old Testament contains a number of interesting poetic references to God's conflict with a dragon, called by names such as Leviathan, Rahab or the twisting serpent, and with the sea. In this original contribution to the background and understanding of the Old Testament Dr Day undertakes a detailed and thorough examination of these allusions. Building on the discovery of the Ugaritic texts, he demonstrates a source for these references within Canaanite mythology. His study further explores the associations of the imagery. Sometimes in the Old Testament the dragon is associated with the creation of the world, or it becomes a symbol of a foreign nation, and in some references it is associated with divine conflict at the end of time.

This compendium examines the origins of the God Yahweh, his place in the Syrian-Palestinian and Northern Arabian pantheon during the bronze and iron ages, and the beginnings of the cultic veneration of Yahweh. Contributors analyze the epigraphic and archeological evidence, apply fundamental considerations from the cultural and religious sciences, and analyze the relevant Old Testament texts.

A fantasy masterpiece from a five-time Hugo Award winner! A war-dragon of Babel crashes in the idyllic fields of a post-industrialized Faerie and, dragging himself into the nearest village, declares himself king and makes young Will his lieutenant. Nightly, he crawls inside the young fey's brain to get a measure of what his subjects think. Forced out of his village, Will travels with female centaur soldiers, witnesses the violent clash of giants, and acquires a surrogate daughter, Esme, who has no knowledge of the past and may be immortal. Evacuated to the Tower of Babel -- infinitely high, infinitely vulgar, very much like New York City -- Will meets the confidence trickster Nat Whilk. Inside the Dread Tower, Will becomes a hero to the homeless living in the tunnels under the city, rises as an underling to a politician, and meets his one true love–a high-elven woman he dare not aspire to. You've heard of hard SF: This is hard fantasy from a master of the form.

The Old Testament contains a number of interesting poetic references to God's conflict with a dragon, called by names such as Leviathan, Rahab or the twisting serpent, and with the sea. In this original contribution to the background and understanding of the Old Testament Dr Day undertakes a detailed and thorough examination of these allusions. Building on the discovery of the Ugaritic texts, he demonstrates a source for these references within Canaanite mythology. His study further explores the associations of the imagery. Sometimes in the Old Testament the dragon is associated with the creation of the world, or it becomes a symbol of a foreign nation, and in some references it is associated with divine conflict at the end of time.

DIVA woman gives birth to a child whose evilness threatens all mankind/divDIV /divDIVMary Kate is an ordinary woman: a waitress in a diner, stuck in a loveless marriage to an English-major-turned-cabbie. But whoever assaults her in a New York City alley is far from ordinary. As the man’s icy grip burns her skin, she couldn’t grasp the dark fate that awaits her./divDIV /divDIVThe rape leaves her carrying a child, who she and her husband name Jeffrey. As they try to live as a family, a mysterious force poisons them against each other. Finally overcome with hate for her husband, Mary Kate kills him, sending herself to jail and the child to an orphanage. There the boy takes a new name, Baal, and develops sinister powers that flourish as he approaches adulthood. When Baal becomes a man, the whole world will tremble before him./div

Baal and the Politics of Poetry provides a thoroughly new interpretation of the Ugaritic Baal Cycle that simultaneously inaugurates an innovative approach to studying ancient Near Eastern literature within the political context of its production. The book argues that the poem, written in the last decades of the Bronze Age, takes aim at the reigning political-theological norms of its day and uses the depiction of a divine world to educate its audience about the nature of human politics. By attuning ourselves to the specific historical context of this one poem, we can develop more nuanced appreciation of how poetry, politics, and religion have interacted—in antiquity, and beyond.

Examines myths concerning dragons and dragon-slaying throughout proto-Indo-European cultures, ancient Near Eastern and Mesopotamian traditions, Indian mythology, and the Bible.

The Apocalyptic Imagination by John Collins is one of the most widely praised studies of Jewish apocalyptic literature ever written. This second edition represents a complete rewriting and a new chapter on the Dead Sea Scrolls.h