A school psychologist investigates a four-year-old’s claim that he isn’t his mother’s son in this psychological tale by the author of After the Crash. Four-year-old Malone Moulin is haunted by nightmares of being handed over to a complete stranger and begins claiming his mother is not his real mother. His teachers at school say that it is all in his imagination as his mother has a birth certificate, photos of him as a child and even the pediatrician confirms Malone is her son. The school psychologist, Vasily, believes otherwise as the child vividly describes an exchange between two women. Vasily begins recording their conversations and reinterprets the creatures Malone uses in the childish tales he recounts to his stuffed toy to piece the story together as much as he can. Convinced that Malone is telling the truth, Vasile approaches police commander Marianne Augresse with the case, who has been searching for a gang of thieves that robbed a luxury store and left a couple dead in the neighboring town of Deauville to no avail. Not knowing why a child would lie and with perhaps her own maternal and protective instinct kicking in, Marianne takes Vasile’s plead for help seriously. Marianne and her team soon discern that Malone’s memory is in the hands of those around him; the cold members of the Moulin family and the people that they associate themselves with. With Malone’s recollection of the past quickly fading to give way to pirates, animals and other more innocent thoughts children have at his age, Marianne is desperate to find a through line. Well-crafted and showcasing the fragility of a child’s cognition, The Double Mother is a riveting investigation to follow. Praise for The Double Mother “Gripping . . . may set a record for number of plot twists between two covers. . . . A long book that goes quickly, The Double Mother, zestily translated by Sam Taylor, is likely to stay in your mind for years to come, even if you don’t have a stuffed animal to coach you.” —Washington Post “Brainy, exciting, and humane.” —Kirkus Reviews “Bussi multiplies the red herrings, tangles the plot strings, plays with illusions and subterfuge. He is the master of the trompe-l’œil novel.” —ELLE Magazine “Bussi is back, with his breathless style, to give us something to chew over.” —Le Point

Nothing is as fragile as the memory of a child... Malone, a child barely four years old, starts to claim that his mother isn't his real mum. It seems impossible: his mother has birth certificates, photos of him as a child and even the paediatrician confirms this is her child. The school psychologist is the only one who believes him. Desperate to find out the truth, he approaches Marianne Augresse, a police captain with better things to do with her time: hot on the heels of a a major criminal, she doesn't think the wild fantasies of a child are something she should worry about. But what if she's wrong?

"Tender and unsparing, this is a novel to hold onto." —Crystal Hana Kim, author of If You Leave Me “A masterfully written novel, alive and lyrical, a hypnotic rendering of the mess and the tenderness of family life.” —Claire Lombardo, author of The Most Fun We Ever Had A novel about family secrets and a volatile relationship between a mother and her daughters. When Anna’s sister calls with an urgent message, Anna doesn’t return the call. She knows it’s about their mother. Growing up in an Italian American family in working-class Boston, Anna lives a simple but comfortable childhood--filled with homemade meals and front-porch gatherings in a close-knit neighborhood. She and her sisters are devoted to their mother, orbiting her like the sun, trying to keep up with her loving but mercurial nature. When their father gets a new job outside the city, the family is tossed unceremoniously into a middle-class suburban existence. Anna's mother is suddenly adrift, and the darkness lurking inside her ignites. Her daughters, isolated and trapped with her in their new house, do everything they can to keep her from unraveling. Alternating between Anna's childhood and her twenties, when she receives a shattering call about her mother that threatens to blow up her precariously constructed life in New York, Mother in the Dark asks whether we can ever return home when the idea of home is fraught with instability. This story about sisterhood, the complications of class, and the chains of inheritance between mothers and daughters delivers an unvarnished portrayal of the fragile horrors of domestic life and a young woman consumed by her past.

With the breadth and cumulative force of a novel, Mother of Sorrows presents ten interwoven stories of an American family starting out in the post—World War II suburbs of Washington, D.C., a world of identical brick houses and sunstruck, treeless lawns, a world of initial hopefulness from which shame and loss have seemingly been banished. This is the story of two adolescent brothers whose father has suddenly died, and of their beautiful and complicated mother, a mother whom the younger son worshipfully imagines as “Our Mother of the Sighs and Heartaches . . . Our Mother of the Gorgeous Gypsy Earrings . . . Our Mother of the Late Movies and the Cigarettes . . . Our Mother of Sudden Attentiveness . . . Our Mother of Sudden Anger.” This is the brother who narrates these tales as he looks back thirty years later, the only remaining survivor of a world he seeks both to leave behind and to preserve in words forever, a world of sorrow that has held him spellbound even as he has attempted to create a life of his own. Suffused with the beauty of Richard McCann’s extraordinary language, Mother of Sorrows introduces us to a voice that is urgent, contemplative, elegant, angry, revelatory, and like no other in contemporary fiction.

In a poignant memoir of the mother-daughter relationship, a woman who has seen three daughters marry shares her insights into the entire bittersweet process, from engagement rings to "here comes the bride." Reprint.

THE INSTANT NEW YORK TIMES BESTSELLER An addictive psychological thriller about a group of women whose lives become unexpectedly connected when one of their newborns goes missing. A night out. A few hours of fun. That’s all it was meant to be. They call themselves the May Mothers—a group of new moms whose babies were born in the same month. Twice a week, they get together in Brooklyn’s Prospect Park for some much-needed adult time. When the women go out for drinks at the hip neighborhood bar, they want a fun break from their daily routine. But on this hot Fourth of July night, something goes terrifyingly wrong: one of the babies is taken from his crib. Winnie, a single mom, was reluctant to leave six-week-old Midas with a babysitter, but her fellow May Mothers insisted everything would be fine. Now he is missing. What follows is a heart-pounding race to find Midas, during which secrets are exposed, marriages are tested, and friendships are destroyed. Thirteen days. An unexpected twist. The Perfect Mother is a "true page turner." —B.A. Paris, author of Behind Closed Doors

In the latest body of work by author and photographer Claiborne Swanson Frank, the artist set out to explore what modern motherhood means in the 21st century. Turning her lens on 70 iconic families of mothers and children from such celebrated names as Delfina Figueras, Carolina Herrera, Lauren Santo Domingo, Anne Vyalitsyna, Aerin Lauder, and Patti Hansen, Swanson Frank’s stunning portraits capture the emotional bonds and beauty that frame the primal relationship of a mother and her child. Complementing her work is a series of questions-and-answers, in which Swanson Frank delicately tasks each mother to look within themselves and express what being a mother truly means to them. Their answers, while exceedingly thoughtful and introspective, are also amusing, fascinating, and moving. Each one of these deeply intimate and stunning portraits will captivate and inspire readers as they embark on this profound journey that reminds us all of the power of motherhood and the great gift of love.

By the author of Foreskin's Lament, a novel of identity, tribalism, and mothers. Seventh Seltzer has done everything he can to break from the past, but in his overbearing, narcissistic mother's last moments he is drawn back into the life he left behind. At her deathbed, she whispers in his ear the two words he always knew she would: "Eat me." This is not unusual, as the Seltzers are Cannibal-Americans, a once proud and thriving ethnic group, but for Seventh, it raises some serious questions, both practical and emotional. Of practical concern, his dead mother is six-foot-two and weighs about four hundred and fifty pounds. Even divided up between Seventh and his eleven brothers, that's a lot of red meat. Plus Second keeps kosher, Ninth is vegan, First hated her, and Sixth is dead. To make matters worse, even if he can wrangle his brothers together for a feast, the Can-Am people have assimilated, and the only living Cannibal who knows how to perform the ancient ritual is their Uncle Ishmael, whose erratic understanding of their traditions leads to conflict. Seventh struggles with his mother's deathbed request. He never loved her, but the sense of guilt and responsibility he feels--to her and to his people and to his "unique cultural heritage"--is overwhelming. His mother always taught him he was a link in a chain, thousands of people long, stretching back hundreds of years. But, as his brother First says, he's getting tired of chains. Irreverent and written with Auslander's incomparable humor, Mother for Dinner is an exploration of legacy, assimilation, the things we owe our families, and the things we owe ourselves.

When Maxine wakes up on the wrong side of the bed one morning, she wonders if the problem might be her mother. What if she could try out a new mom who doesn’t make her brush her teeth or comb her hair? Enlisting Mom to help her with the search, Maxine interviews various prospects to be her new mother at the park, the toy store, and the zoo. Unfortunately, these other mothers present a host of new problems and concerns. Maybe her “old mother” was the best mother of all? For every child who’s ever wondered if the grass is greener, The Best Mother affirms that there’s nothing better than your own mother’s love.

A mother tells her own daughter what she was like and what she used to do when she was a little girl.