Few treatments of the death of Jesus Christ have made a point of accounting for the gruesome, degrading, public manner of his death by crucifixion, a mode of execution so loathsome that the ancient Romans never spoke of it in polite society. Rutledge probes all the various themes and motifs used by the New Testament evangelists and apostolic writers to explain the meaning of the cross of Christ. She shows how each of the biblical themes contributes to the whole, with the Christus Victor motif and the concept of substitution sharing pride of place along with Irenaeus's recapitulation model.

The following dissertation concerning the Trinity, as the reader ought to be informed, has been written in order to guard against the sophistries of those who disdain to begin with faith, and are deceived by a crude and perverse love of reason. Now one class of such men endeavor to transfer to things incorporeal and spiritual the ideas they have formed, whether through experience of the bodily senses, or by natural human wit and diligent quickness, or by the aid of art, from things corporeal; so as to seek to measure and conceive of the former by the latter. Aeterna Press

Gustaf Aulen's classic work, 'Christus Victor', has long been a standard text on the atonement. Aulen applies history of ideas' methodology to historical theology in tracing the development of three views of the atonement. Aulen asserts that in traditional histories of the doctrine of the atonement only two views have usually been presented, the objective/Anselmian and the subjective/Aberlardian views. According to Aulen, however, there is another type of atonement doctrine in which Christ overcomes the hostile powers that hold humanity in subjection, at the same time that God in Christ reconciles the world to Himself. This view he calls the "classic" idea of the atonement. Because of its predominance in the New Testament, in patristic writings, and in the theology of Luther, Aulen holds that the classic type may be called the distinctively Christian idea of the atonement.

Why should the cross—an object of Roman distaste and Jewish disgust—be the emblem of our worship and the axiom of our faith? And what does it mean for us today? In the centennial edition of this study of Scripture, theology, and contemporary issues, John Stott brings you face to face with the centrality of the cross in God's plan of redemption.

Through his death on the cross, Christ atoned for sin and so reconciled people to God. New Testament authors drew upon a range of metaphors and motifs to describe this salvific act, and down through history Christian thinkers have tried to articulate various theories to explain the atonement. While Christ's sacrifice serves as a central tenet of the Christian faith, the mechanism of atonement--exactly how Christ effects our salvation--remains controversial and ambiguous to many Christians. In Atonement and the Death of Christ, William Lane Craig conducts an interdisciplinary investigation of this crucial Christian doctrine, drawing upon Old and New Testament studies, historical theology, and analytic philosophy. The study unfolds in three discrete parts: Craig first explores the biblical basis of atonement and unfolds the wide variety of motifs used to characterize this doctrine. Craig then highlights some of the principal alternative theories of the atonement offered by great Christian thinkers of the premodern era. Lastly, Craig's exploration delves into a constructive and innovative engagement with philosophy of law, which allows an understanding of atonement that moves beyond mystery and into the coherent mechanism of penal substitution. Along the way, Craig enters into conversation with contemporary systematic theories of atonement as he seeks to establish a position that is scripturally faithful and philosophically sound. The result is a multifaceted perspective that upholds the suffering of Christ as a substitutionary, representational, and redemptive act that satisfies divine justice. In addition, this carefully reasoned approach addresses the rich tapestry of Old Testament imagery upon which the first Christians drew to explain how the sinless Christ saved his people from the guilt of their sins.