Dante Alighieri (1265-1321) is one of the greatest European writers, whose untrammelled imaginative capacity was matched by a huge base in embracing the science of his era. His texts also paint compelling visual images. In Visions of Heaven, renowned scholar Martin Kemp investigates Dante's supreme vision of divine light and its implications for the visual artists who were the inheritors of Dante's vision. The whole book may be regarded as a new Paragone (comparison), the debate that began in the Renaissance about which of the arts is superior. Dante's ravishing accounts of divine light set painters the severest challenge, which took them centuries to meet. A major theme running through Dante's Divine Comedy, particularly in its third book, the Paradiso, centres on Dante's acts of seeing (conducted according to optical rules with respect to the kind of visual experience that can be accomplished on earth) and the overwhelming of Dante's earthly senses by heavenly light, which does not obey his rules of earthly optics. The repeated blinding of Dante by excessive light sets the tone for artists' portrayal of unseeable brightness.

Also available in an open-access, full-text edition at http://oaktrust.library.tamu.edu/handle/1969.1/86080 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture. In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences—and on a wide range of literature and art, including Goethe’s Faust, Dante’s Inferno, the black art of Rothko and Reinhardt—to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics. An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan’s original reflections help us to explore the unknown darkness conventionally called the Self. The image of Kali appearing in the color insert following page 44 is © Maitreya Bowen, reproduced with her permission,[email protected].

Surveys the history of the mosque lamp and its numerous variants and the deep significance of light and the lamp in religion.

There is perhaps no greater constant in religious intuition and experience than the presence of light. In spiritual traditions East and West, light is not only ubiquitous but something that assumes strikingly similar forms in altogether different historical and cultural settings. This study examines light as an aspect of religiously valued experiences and its entailments for mystical theology, philosophy, politics, and religious art. The essays in this volume make an important contribution to religious studies by proposing that it is misleading to conceive of religious experience in terms of an irreconcilable dichotomy between universality and cultural construction. An esteemed group of contributors, representing the study of Asian and Western religious traditions from a range of disciplinary perspectives, suggests that attention to various forms of divine radiance shows that there is indeed a range of principles that, if not universal, are nevertheless very widely occurring and amenable to fruitful comparative inquiry. What results is a work of enormous scope, demonstrating compelling cross-connections that will be of value to scholars of comparative religions, mysticism, and the relationship between art and the sacred. Contributors: * Catherine B. Asher * Raoul Birnbaum * Sarah Iles Johnston * Matthew T. Kapstein * Andrew Louth * Paul E. Muller-Ortega * Elliot R. Wolfson * Mimi Hall Yiengpruksawan * Hossein Ziai

An all-in-one reference book for Neo-pagan, Wiccan, or any nature-based spiritual practitioners. Has an additional "notes" section at the end for any personal spiritual information or interest to be added by the user.

The Society of Johrei was organized in 1971 by the followers of the great religious leader, Mokichi Okada (1882-1955). This book is a collection of his teachings and Johrei, the divine healing power that he practiced, It is a description of the broad physical applications and an introduction to the religious doctrine that gives Johrei meaning and purpose.

In this book, a distinguished team of authors explores the way space, place, architecture, and ritual interact to construct sacred experience in the historical cultures of the eastern Mediterranean. Essays address fundamental issues and features that enable buildings to perform as spiritually transformative spaces in ancient Greek, Roman, Jewish, early Christian, and Byzantine civilizations. Collectively they demonstrate the multiple ways in which works of architecture and their settings were active agents in the ritual process. Architecture did not merely host events; rather, it magnified and elevated them, interacting with rituals facilitating the construction of ceremony. This book examines comparatively the ways in which ideas and situations generated by the interaction of place, built environment, ritual action, and memory contributed to the cultural formulation of the sacred experience in different religious faiths.

Experience Oneness with the Divine and Light Up the World On the publication of her first book, Larry Dossey, MD, author of Prayer Is Good Medicine , wrote: “Martella-Whitsett is a wise guide." Her new book makes the audacious claim that each of us can be “the light of the world” Jesus instructed his followers to be. Martella-Whitsett offers a path for living a deep and authentic life outside of the strictures of traditional religious categories. A refreshing approach, in essence, on how to be spiritual without being religious. We need to jettison the idea of a God who is out there and above us. God is not a super-human who gives and takes, punishes and rewards. God does not require human suffering and repentance. We truly find God when we go inside to connect with divine light, realize our oneness with God and others, and let our light shine in the world. Martella-Whittset looks at what “divine light” is and how it is both audacious and normal to claim it for ourselves. Next she introduces us to 12 spiritual powers we can all develop and learn to use on a daily basis: faith, understanding, will, imagination, zeal power, love, wisdom, strength, order, release, and life itself. When we consciously shine our spiritual powers on ourselves, not only are our lives improved, but all of humanity can be enriched and transformed. Let your light shine!

In Christ the Light, Whidden argues that illumination is a critical systematic motif in Aquinas’ theology, one that involves the nature of truth, knowledge, and God; at the root, Aquinas’ theology of light, or illumination, is Christological, grounding human knowledge of God and eschatological beatitude. This volume establishes the theological network formed by the crucial motif of light/illumination in Aquinas, from how theology operates to the systematic, sacramental, and moral coordinates in Aquinas’ theology.