During the nineteenth century, words like 'intersex' and 'trans' had not yet been invented to describe individuals whose bodies, or senses of self, conflicted with binary sex. But that does not mean that such people did not exist. In nineteenth-century France, case studies filled medical journals, high-profile trials captured headlines, and doctors staked their reputations on sex determinations only to have them later reversed by colleagues. While medical experts fought over what separated a man from a woman, novelists began to explore debates about binary sex and describe the experiences of gender-ambiguous characters. Anne Linton discusses over 200 newly-uncovered case studies while offering fresh readings of literature by several famous writers of the period, as well as long-overlooked popular fiction. This landmark contribution to the history of sexuality is the first book to examine intersex in both medicine and literature, sensitively relating historical 'hermaphrodism' to contemporary intersex activism and scholarship.

Doctors writing about menopause in France vastly outnumbered those in other cultures throughout the entire nineteenth century. The concept of menopause was invented by French male medical students in the aftermath of the French Revolution, becoming an important pedagogic topic and a common theme of doctors' professional identities in postrevolutionary biomedicine. Older women were identified as an important patient cohort for the expanding medicalisation of French society and were advised to entrust themselves to the hygienic care of doctors in managing the whole era of life from around and after the final cessation of menses. However, menopause owed much of its conceptual weft to earlier themes of women as the sicker sex, of vitalist crisis, of the vapours, and of astrological climacteric years. This is the first comprehensive study of the origins of the medical concept of menopause, richly contextualising its role in nineteenth-century French medicine and revealing the complex threads of meaning that informed its invention. It tells a complex story of how women's ageing featured in the demographic revolution in modern science, in the denigration of folk medicine, in the unique French field of hygiène, and in the fixation on women in the emergence of modern psychiatry. It reveals the nineteenth-century French origins of the still-current medical and alternative-health approaches to women's ageing as something to be managed through gynaecological surgery, hormonal replacement, and lifestyle intervention.

Book Four in the series Meanderings in Medical History contains seventeen essays about various subjects pertaining to medical history. Each vignette was prompted by something that was relevant to my professional or personal experience. The emphasis is on narrative history, stories of physicians at different times and places. As historian Allan Nevins (no relation) once wrote, History should be enjoyed, not endured.

This open access book looks at the dramatic history of ovariotomy, an operation to remove ovarian tumours first practiced in the early nineteenth century. Bold and daring, surgeons who performed it claimed to be initiating a new era of surgery by opening the abdomen. Ovariotomy soon occupied a complex position within medicine and society, as an operation which symbolised surgical progress, while also remaining at the boundaries of ethical acceptability. This book traces the operation’s innovation, from its roots in eighteenth-century pathology, through the denouncement of those who performed it as ‘belly-rippers’, to its rapid uptake in the 1880s, when ovariotomists were accused of over-operating. Throughout the century, the operation was never a hair’s breadth from controversy.

Following up her bestselling "The Diva Principle," Hammond serves up another rich treasure of intimate details on how to get and keep a victorious attitude, using divas from the Bible as examples.

This is a new account, of how, in the early 1900s, the French-born surgeon Alexis Carrel (1873-1944) set the groundwork for the later success in human organ transplantation, and gained America's first Nobel Prize in 1912. His other contributions were the first operations on the heart, and the first cell culture methods. He was prominent in military surgery in WW1, and in the 1930s, gained further fame when collaborating with the aviator Charles Lindbergh on an organ perfusion pump.But controversy followed his every move, including concerns over scientific misconduct, notably his claim to have obtained 'immortal' heart cells, now shown to be fraudulent. In 1934, he authored a best-selling book Man, the Unknown based on his strongly-held conservative, spiritual, political and eugenic views, adding a belief in faith healing and parapsychology. He settled in Paris in WW2 under the German occupation, believing that the conditions would allow him to refashion the degenerate Western civilization. His extremist views re-emerged in the 1990s when they proved interesting to right-wing politicians, and in a bizarre twist, jihadist Islamists now laud his criticisms of the West.

This collection of new essays explores the role played by women practitioners in the arts during the period often referred to as the Belle Epoque, a turn of the century period in which the modern media (audio and film recording, broadcasting, etc.) began to become a reality. Exploring the careers and creative lives of both the famous (Sarah Bernhardt) and the less so (Pauline Townsend) across a remarkable range of artistic activity from composition through oratory to fine art and film directing, these essays attempt to reveal, in some cases for the first time, women's true impact on the arts at the turn of the 19th century.