Postmodern architecture - with its return to ornamentality, historical quotation, and low-culture kitsch - has long been seen as a critical and popular anodyne to the worst aspects of modernist architecture: glass boxes built in urban locales as so many interchangeable, generic anti-architectural cubes and slabs. This book extends this debate beyond the modernist/postmodernist rivalry to situate postmodernism as an already superseded concept that has been upended by deconstructionist and virtual architecture as well as the continued turn toward the use of theming in much new public and corporate space. It investigates architecture on the margins of postmodernism -- those places where both architecture and postmodernism begin to break down and to reveal new forms and new relationships. The book examines in detail not only a wide range of architectural phenomena such as theme parks, casinos, specific modernist and postmodernist buildings, but also interrogates architecture in relation to identity, specifically Native American and gay male identities, as they are reflected in new notions of the built environment. In dealing specifically with the intersection between postmodern architecture and virtual and filmic definitions of space, as well as with theming, and gender and racial identities, this book provides provides ground-breaking insights not only into postmodern architecture, but into spatial thinking in general.

The first novel in the Matthew Shardlake Tudor Mystery series—the inspiration for the Hulu original series Shardlake! Dissolution is an utterly riveting portrayal of Tudor England. The year is 1537, and the country is divided between those faithful to the Catholic Church and those loyal to the king and the newly established Church of England. When a royal commissioner is brutally murdered in a monastery on the south coast of England, Thomas Cromwell, Henry VIII’s feared vicar general, summons fellow reformer Matthew Shardlake to lead the inquiry. Shardlake and his young protégé uncover evidence of sexual misconduct, embezzlement, and treason, and when two other murders are revealed, they must move quickly to prevent the killer from striking again. A “remarkable debut” (P. D. James), Dissolution introduces a thrilling historical series that is not to be missed by fans of Wolf Hall and Bring Up the Bodies. Awarded the CWA Diamond Dagger – the highest honor in British crime writing

The first account of the dissolution of the monasteries for fifty years--exploring its profound impact on the people of Tudor England "This is a book about people, though, not ideas, and as a detailed account of an extraordinary human drama with a cast of thousands, it is an exceptional piece of historical writing."--Lucy Wooding, Times Literary Supplement Shortly before Easter, 1540 saw the end of almost a millennium of monastic life in England. Until then religious houses had acted as a focus for education, literary, and artistic expression and even the creation of regional and national identity. Their closure, carried out in just four years between 1536 and 1540, caused a dislocation of people and a disruption of life not seen in England since the Norman Conquest. Drawing on the records of national and regional archives as well as archaeological remains, James Clark explores the little-known lives of the last men and women who lived in England's monasteries before the Reformation. Clark challenges received wisdom, showing that buildings were not immediately demolished and Henry VIII's subjects were so attached to the religious houses that they kept fixtures and fittings as souvenirs. This rich, vivid history brings back into focus the prominent place of abbeys, priories, and friaries in the lives of the English people.

Spaces, too, have a history. And history always takes place in spaces. But what do historians mean when they use the word "spaces"? And how can spaces be historically investigated? Susanne Rau provides a survey of the history of Western concepts of space, opens up interdisciplinary approaches to the phenomenon of space in fields ranging from physics and geography to philosophy and sociology, and explains how historical spatial analysis can be methodologically and conceptually conceived and carried out in practice. The case studies presented in the book come from the fields of urban history, the history of trade, and global history including the history of cartography, but its analysis is equally relevant to other fields of inquiry. This book offers the first comprehensive introduction to the theory and methodology of historical spatial analysis. Supported by Open Access funds of the University of Erfurt

FROM WESTERN WORD-SLINGER AND ANTHROPOLOGIST W. MICHAEL GEAR, COMES AN ENTIRELY NEW TYPE OF WESTERN - A CONTEMPORARY APOCALYPTIC WESTERN. For anthropology graduate student Sam Delgado, headed to the wilds of Wyoming, this is his last chance to save his graduate career. He and his urban classmates see this as the adventure of a lifetime: They are going to horse-pack in the wilderness to map and test a high-altitude archaeological site. Until a cyber attack collapses the American banking system, and an already fractured nation descends into anarchy and chaos. All credit frozen, Sam and his archaeological field school is trapped in their high-altitude camp. With return to the East impossible, Sam, the woman he has come to love, and the rest of the students must rely on hard-bitten Wyoming ranchers for their very survival. Guided only by an illusive Shoshone spirit helper, Sam will discover the meaning of self-sacrifice. Even at the cost of his life. Haunting, provoking, frightening and prescient - in the end, all that stands between civilization and barbarism is one young man's courage and belief in himself. "Gear is a master when it comes to vividly described settings: you can smell the smoke, hear the wind in the trees, and feel the cold."

This unique volume brings together a multi-disciplinary group of scholars as well as Czech and Slovak decisionmakers who were personally involved in the events leading up to the separation of Czechoslovakia. Asking whether the dissolution was inevitable, the contributors bring a range of different approaches and perspectives to bear on the twin problems of democratic transitions in multinational societies and ethnic separatism and its origins. The blend of analysis and insider experiences will make this book invaluable for all concerned with nationalism and ethnicity, democratization, and transitions in Eastern Europe.

In 1925 Leonard Rhinelander, the youngest son of a wealthy New York society family, sued to end his marriage to Alice Jones, a former domestic servant and the daughter of a "colored" cabman. After being married only one month, Rhinelander pressed for the dissolution of his marriage on the grounds that his wife had lied to him about her racial background. The subsequent marital annulment trial became a massive public spectacle, not only in New York but across the nation--despite the fact that the state had never outlawed interracial marriage. Elizabeth Smith-Pryor makes extensive use of trial transcripts, in addition to contemporary newspaper coverage and archival sources, to explore why Leonard Rhinelander was allowed his day in court. She moves fluidly between legal history, a day-by-day narrative of the trial itself, and analyses of the trial's place in the culture of the 1920s North to show how notions of race, property, and the law were--and are--inextricably intertwined.