Originally released in a 6-part serial, now you can have The Discovery–A Lancaster County Saga all in one book. Meredith and Luke Stoltzfus, an Amish couple who are faced with the greatest challenge of their young lives. Financial struggles. Arguments. A suspected pregnancy. A last-minute trip to Middlebury, Indiana. A drug addict on the run. A deadly encounter at a Philadelphia bus station. Will their love and faith be enough to bring them back together again, against all odds?

A Young Amish Couple Faces Insurmountable Odds​ It was to be a short trip to Indiana that might help Luke Stoltzfus build a business that will support his young wife. But when Meredith hears that the bus her husband was on burned in a snow-induced accident and his personal effects were found among the rubble, she is left without hope. Harboring a secret she had planned to share when he returned, she must find a way to go on alone. In a Philadelphia hospital, a battered man is brought in from being mugged in a bus station, but his memories have been wiped clean. His caregivers and new friends call him Eddie, but even as his body heals, his soul longs for a missing part locked away in his injured brain. As the seasons pass from winter to spring to summer, Meredith moves in with her parents and slowly allows old friend Jonah Miller to make her smile again. But even while life must go on, Meredith grieves. Follow the journeys Meredith and Eddie take, and see the amazing way their lives are brought together. Originally released in a 6-part serial, now you can have The Discovery–A Lancaster County Saga all in one book.

Beginning with the 1979 publication of Alejo Carpentier's El arpa y la sombra, the New Historical Novel has become the dominant genre within Latin American fiction. In this at-times tongue-in-cheek postmodern study, Seymour Menton explores why the New Historical Novel has achieved such popularity and offers discerning readings of numerous works. Menton argues persuasively that the proximity of the Columbus Quincentennial triggered the rise of the New Historical Novel. After defining the historical novel in general, he identifies the distinguishing features of the New Historical Novel. Individual chapters delve deeply into such major works as Mario Vargas Llosa's La guerra del fin del mundo, Abel Posse's Los perros del paraíso, Gabriel García Márquez's El general en su laberinto, and Carlos Fuentes' La campaña. A chapter on the Jewish Latin American novel focuses on several works that deserve greater recognition, such as Pedro Orgambide's Aventuras de Edmund Ziller en tierras del Nuevo Mundo, Moacyr Scliar's A estranha nação de Rafael Mendes, and Angelina Muñiz's Tierra adentro.

Book 4 of an exclusive 6-consecutive-month release Amish serial novel. In The Pieces of Summer, part four of New York Times Bestselling author, Wanda E. Brunsetter’s The Discovery--A Lancaster County Saga, it’s only been a few months since Meredith Stoltzfus lost her husband, Luke, and deep down, she feels uncomfortable when Jonah Miller comes by often, so willing to help her with things around the house. Meanwhile, as a young, nameless man heals and regains strength in his body, his mind grasps at every image that flits across his memory, desperately trying to recall his former life. . . . The Discovery--A Lancaster County Saga Book 1 - Goodbye to Yesterday Book 2 - The Silence of Winter Book 3 - The Hope of Spring Book 4 - The Pieces of Summer Book 5 - A Revelation in Autumn Book 6 - A Vow for Always

The United States of Medievalism contemplates the desires, dreams, and contradictions inherent in experiencing the Middle Ages in a nation that is so temporally, spatially, and at times politically removed from them. The European Middle Ages have long influenced the national landscape of the United States through the medieval sites that permeate its self-announced republican landscapes and cities. Today, American-built medievalisms continue to shape the nation’s communities, collapsing the binaries between past and present, medieval and modern, European and American. The volume’s chapters visit the nation’s many medieval-inspired spaces, from Sherwood Forest in Texas to California’s San Andreas Fault. Stops are made in New York City’s churches, Boston’s gardens, Philadelphia’s Bryn Athyn Cathedral, Orlando’s Magic Kingdom, Appalachian highways, Minnesota’s Viking Villages, New Orleans’s Mardi Gras, and the Las Vegas Strip. As the editors and their fellow essayists take the reader on this cross-country trip across the United States, they ponder the cultural work done by the nation’s medievalized spaces. In its exploration of a seemingly distant period, this collection challenges the underexamined legacy of medievalism on the western side of the Atlantic. Full of intriguing case studies and reflections, this book is informative reading for anyone interested in the contemporary vestiges of the Middle Ages.

A critical examination of sagas, and a consideration of the circumstances that fostered such an outpouring of literature in Iceland during the Middle Ages.

Combining an accessible approach with innovative scholarship, An Introduction to the Sagas of Icelanders provides up-to-date perspectives on a unique medieval literary genre that has fascinated the English-speaking world for more than two centuries. Carl Phelpstead draws on historical context, contemporary theory, and close reading to deepen our understanding of Icelandic saga narratives about the island’s early history. Phelpstead explores the origins and cultural setting of the genre, demonstrating the rich variety of oral and written source traditions that writers drew on to produce the sagas. He provides fresh, theoretically informed discussions of major themes such as national identity, gender and sexuality, and nature and the supernatural, relating the Old Norse-Icelandic texts to questions addressed by postcolonial studies, feminist and queer theory, and ecocriticism. He then presents readings of select individual sagas, pointing out how the genre’s various source traditions and thematic concerns interact. Including an overview of the history of English translations that shows how they have been stimulated and shaped by ideas about identity, and featuring a glossary of critical terms, this book is an essential resource for students of the literary form. A volume in the series New Perspectives on Medieval Literature: Authors and Traditions, edited by R. Barton Palmer and Tison Pugh

Before the West Was West examines the extent to which scholars have engaged in-depth with pre-1800 “western” texts and asks what we mean by “western” American literature in the first place and when that designation originated. Calling into question the implicit temporal boundaries of the “American West” in literature, a literature often viewed as having commenced only at the beginning of the 1800s, Before the West Was West explores the concrete, meaningful connections between different texts as well as the development of national ideologies and mythologies. Examining pre-nineteenth-century writings that do not fit conceptions of the Wild West or of cowboys, cattle ranching, and the Pony Express, these thirteen essays demonstrate that no single, unified idea or geography defines the American West. Contributors investigate texts ranging from the Norse Vinland Sagas and Mary Rowlandson’s famous captivity narrative to early Spanish and French exploration narratives, an eighteenth-century English novel, and a play by Aphra Behn. Through its examination of the disparate and multifaceted body of literature that arises from a broad array of cultural backgrounds and influences, Before the West Was West apprehends the literary West in temporal as well as spatial and cultural terms and poses new questions about “westernness” and its literary representation.