A “spare, well-crafted and compelling” (Samah Selim) novel in which a man in Algiers disappears without trace and the detective in search of him finds more than he expected, winner of the Naguib Mahfouz Medal for Literature In Rouiba, a nondescript suburb of Algiers, an unnamed man with a troubled past escapes his everyday life to find himself caring for an old man with dementia. When the man dies, the carer disappears into thin air. A police detective is assigned to investigate the circumstances of the old man’s demise and to track down the caretaker, only to find that the unnamed man cannot be identified—that there is no trace of Mr. Nobody. The officer’s search leads him to those whose paths once crossed Mr. Nobody’s. In each of them he finds a reflection of the man he is looking for. A raw, lyrical portrait of life on the margins in contemporary Algiers, this haunting noir captures an underworld of police informers, shady imams, bootleg beer traders, and grave robbers, and reverberates with echoes of Algeria’s violent past.

This volume seeks to explore developments in the study of sixteenth- and seventeenth-century Spanish literature over the past decade through the prism of a homage volume that recognizes the contributions of James A. Parr. In his ground-breaking 1974 essay in Hispania, he challenged Hispanists to take note of developments in the fields of English and Comparative Studies, not to jump on the bandwagon, but to explore the emerging approaches to textual study in order to identify and adapt those aspects that could help to illuminate the field. In his own work, Parr followed that advice, with studies that incorporated new approaches to genre theory, narratology, and canonicity in order to explore dramatic and prose texts, and Don Quixote. The studies in this anthology make use of many of Parr's innovations, indicating that his work has had a long-lasting impact on the field of Golden Age Hispanism.

New York Times bestselling author David Levithan takes young readers on twisting journey through truth, reality, and fantasy and belief. Aidan disappeared for six days. Six agonizing days of searches and police and questions and constant vigils. Then, just as suddenly as he vanished, Aidan reappears. Where has he been? The story he tells is simply. . . impossible. But it's the story Aidan is sticking to. His brother, Lucas, wants to believe him. But Lucas is aware of what other people, including their parents, are saying: that Aidan is making it all up to disguise the fact that he ran away. When the kids in school hear Aidan's story, they taunt him. But still Aidan clings to his story. And as he becomes more of an outcast, Lucas becomes more and more concerned. Being on Aidan's side would mean believing in the impossible. But how can you believe in the impossible when everything and everybody is telling you not to?

From the New York Times bestselling author of Something in the Water and Mr. Nobody comes “an unputdownable mystery about the nightmares that abound in the pursuit of Hollywood dreams” (Caroline Kepnes, author of the You series). “Stylish, riveting, hugely atmospheric—I couldn’t put it down.”—Lucy Foley, author of The Guest List A woman has gone missing. But did she ever really exist? A leading British actress hoping to make a splash in America flies to Los Angeles for the grueling gauntlet known as pilot season, a time when every network and film studio looking to fill the rosters of their new shows entice a fresh batch of young hopefuls—anxious, desperate, and willing to do whatever it takes to make it. Instead, Mia Eliot, a fish out of water in the ruthlessly competitive and faceless world of back-to-back auditioning, discovers the sinister side of Hollywood when she becomes the last person to see Emily, a newfound friend. Standing out in a conveyor-belt world of fellow aspiring stars, Emily mysteriously disappears following an audition, after asking Mia to do a simple favor. But nothing is simple. Nothing is as is seems. And nothing prepares Mia for a startling truth: In a city where dreams really do come true, nightmares can follow.

SHERAZADE, AGED 17, DARK CURLY HAIR, GREEN EYES, MISSING Sherazade is seventeen, Algerian, and a ¬runaway in Paris. Although she has no morals, no scruples, no politics, no apparent emotional depth and little education, Sherazade remains curiously unattached but innocent in the city's underworld of drop-outs, outcasts, political activists and junkies. With honesty and lyricism this novel exposes the various issues that affect a young woman living in a city which is both sophisticated and provincial, liberal and conservative, tolerant and prejudiced. In Paris, Sherazade is pursued by Julian, the son of French-Algerians who is an ardent Arabist. Pigeon-holed by Julian into the ¬traditional exotic mold, Sherazade endeavors to create her own definition of Algerian ¬femininity and in doing so breaks down conventions and stereotypes. It is Julian's obsession with her that spurs her on to self-discovery and to make decisions about her future. Sherazade is about a young woman haunted by her Algerian past. It is a powerful account of a person who searches for her true identity but is caught between worlds—Africa and Europe, her parents’ and her own, colony and capital. Ultimately it is an ¬account of possession, identity and the realities of urban life today and what can happen when society fails to acknowledge its younger generations.

Chronicles the events surrounding the 1951 disappearance of ten-year-old Beverly Potts in Cleveland, Ohio, discussing how it became the nation's first highly publicized missing child case and why it is still unsolved more than fifty years later.

Aims to provide answers to a host of teasing historical questions and exasperating mysteries, such as the death of Hitler; who the real Snow White was and whether she lived with seven short miners; the identity of Tom, Dick and Harry; the sinking of the Lusitania; Howard Carter's trickery; and the real events behind the saying 'Sweet Fanny Adam'.

"The Irishman is great art . . . but it is not, as we know, great history . . . Frank Sheeran . . . surely didn’t kill Hoffa . . . But who pulled the trigger? . . . For some of the real story, and for a great American tale in itself, you want to go to Jack Goldsmith’s book, In Hoffa’s Shadow.” —Peggy Noonan, The Wall Street Journal "In Hoffa’s Shadow is compulsively readable, deeply affecting, and truly groundbreaking in its re-examination of the Hoffa case . . . a monumental achievement." —James Rosen, The Wall Street Journal As a young man, Jack Goldsmith revered his stepfather, longtime Jimmy Hoffa associate Chuckie O’Brien. But as he grew older and pursued a career in law and government, he came to doubt and distance himself from the man long suspected by the FBI of perpetrating Hoffa’s disappearance on behalf of the mob. It was only years later, when Goldsmith was serving as assistant attorney general in the George W. Bush administration and questioning its misuse of surveillance and other powers, that he began to reconsider his stepfather, and to understand Hoffa’s true legacy. In Hoffa’s Shadow tells the moving story of how Goldsmith reunited with the stepfather he’d disowned and then set out to unravel one of the twentieth century’s most persistent mysteries and Chuckie’s role in it. Along the way, Goldsmith explores Hoffa’s rise and fall and why the golden age of blue-collar America came to an end, while also casting new light on the century-old surveillance state, the architects of Hoffa’s disappearance, and the heartrending complexities of love and loyalty.