This new collection makes four previously hard-to-find dime Westerns easily available to readers who wish to enrich their understanding of nineteenth-century American literature. These varied novels provide a new and important context for examining classic, widely taught authors and tell us much about nineteenth-century attitudes toward race and gender. With an introduction that critically examines the historical and cultural background of the dime Western, a chronology of relevant background information on historical figures and events, glosses of unfamiliar terms and references, numerous illustrations, and a selected bibliography, this edition makes frequently overlooked dime Westerns readily accessible for serious study.

A thrilling true crime narrative and groundbreaking historical account, Dime Novel Desperadoes recovers the long-forgotten story of Ed and Lon Maxwell, the outlaw brothers from Illinois who once rivaled Jesse and Frank James in national notoriety. Growing up hard as the sons of a struggling tenant farmer, the Maxwell brothers started their lawbreaking as robbers and horse thieves in the 1870s, embarking on a life of crime that quickly captured the public eye. Already made famous locally by newspapers that wanted to dramatize crimes and danger for an eager reading audience, the brothers achieved national prominence in 1881 when they shot and killed Charles and Milton Coleman, Wisconsin lawmen who were trying to apprehend them. Public outrage sparked the largest manhunt for outlaws in American history, involving some twenty posses who pursued the desperadoes in Wisconsin, Minnesota, Iowa, Illinois, Missouri, and Nebraska. Some of the pursuers were intent on a lynching, but the outlaws escaped against incredible odds. When a mob finally succeeded in killing Ed, in broad daylight on a courthouse lawn, that event generated widespread commentary on law and order. Nevertheless, the daring desperadoes were eventually portrayed as heroes in sensationalistic dime novels. A stunning saga of robbery and horse stealing, gunfights and manhunts, murder and mob violence, Dime Novel Desperadoes also delves into the cultural and psychological factors that produced lawbreakers and created a crime wave in the post-Civil War era. By pointing to social inequities, media distortions, and justice system failures, John E. Hallwas reveals the complicity of nineteenth-century culture in the creation of violent criminals. Further, by featuring astute, thought-provoking analysis of the lawbreaker's mindset, this book explores the issue at the heart of humanity's quest for justice: the perpetrator's responsibility for his criminal acts. Every overview and encyclopedia of American outlaws will need to be revised, and the fabled "Wild West" will have to be extended east of the Mississippi River, in response to this riveting chronicle of major American desperadoes who once thrilled the nation but have since escaped historical attention for well over a century. With more than forty illustrations and several maps that bring to life the exciting world of the Maxwell brothers, Dime Novel Desperadoes is a new classic in the annals of American outlawry.

The Wild West came alive under the pen of Edward Zane Carroll Judson, who wrote many of America's best-loved "dime novels ”under the pseudonym Ned Buntline. From Buffalo Bill (whom Judson knew first-hand) to Wild Bill Hickok, these vivid tales feature some of the most colorful characters on the American landscape. This anthology gathers a selection of his best-loved work, including four full-length unabridged novels, each with an introduction by author and critic Clay Reynolds. Stories include: Buffalo Bill, the King of Border Men, or The Wildest and Truest Tale I've Ever Told Hazel-Eye, the Girl Trapper, or A Tale of Strange Young Life The Miner Detective; or, the Ghost of the Gulch Wild Bill's Last Trail

Despite efforts of contemporary reformers to curb the availability of dime novels, series books, and paperbacks, Pioneers, Passionate Ladies, and Private Eyes reveals how many readers used them as means of resistance and how fictional characters became models for self-empowerment. These literary genres, whose value has long been underestimated, provide fascinating insight into the formation of American popular culture and identity. Through these mass-produced, widely read books, Deadwood Dick, Old Sleuth, and Jessie James became popular heroes that fed the public’s imagination for the last western frontier, detective tales, and the myth of the outlaw. Women, particularly those who were poor and endured hard lives, used the literature as means of escape from the social, economic, and cultural suppression they experienced in the nineteenth century. In addition to the insight this book provides into texts such as “The Bride of the Tomb,” the Nick Carter Series, and Edward Stratemeyer’s rendition of the Lizzie Borden case, readers will find interesting information about: the roles of illustrations and covers in consumer culture Bowling Green’s endeavor to digitize paperback and pulp magazine covers bibliographical problems in collecting and controlling series books the effects of mass market fiction on young girls Louisa May Alcott’s pseudonym and authorship of three dime novels special collections competition among publishers A collection of work presented at a symposium held by the Library of Congress, Pioneers, Passionate Ladies, and Private Eyes makes an outstanding contribution to redefining the role of popular fiction in American life.

Hard-bitten bounty hunter Jake Cordell, the inspiration for a quick-drawing hero in many notorious dime novels, returns to his Wyoming homeland to find his family ranch has been sold off. At the former Cordell home, Jake encounters Kit Thorton, a fiercely independent beauty who harbors a number of guarded secrets--including the fact that she's the author of his flashy fictionalized exploits.

Seth Jones from New Hampshire has just made friends with Alfred Haverland and his family when their homestead is attacked by Indians. While making their escape, the daughter Ina is captured. Along with another friend Everard Graham, the men set about tracking the band down, but are seperated. They all go through struggles to survive and reunite, including two sets of lovers. This story is considered to be the prototypical dime novel.

"Deadwood Dick, The Prince of the Road" is a classic Western novel penned with the aid of Edward L. Wheeler. Set within the rugged and lawless terrain of the American frontier, the tale revolves across the charismatic and adventurous person, Deadwood Dick. The narrative unfolds with a series of gripping activities as Deadwood Dick navigates the demanding situations of the Old West. Known for his roguish allure, wit, and sharpshooting talents, Deadwood Dick will become embroiled in numerous escapades, together with confrontations with outlaws, clashes with lawmen, and the pursuit of justice. The novel captures the essence of the Wild West, with its dusty trails, saloons, and the ever-gift danger that lurks around every nook. Edward L. Wheeler's storytelling prowess shines thru as he weaves a tale of motion, suspense, and intrigue. "Deadwood Dick, The Prince of the Road" stands as a testomony to Wheeler's contribution to Western literature, offering readers with an exciting adventure into the coronary heart of frontier life, full of memorable characters and the untamed spirit of the American West.

The working cowboy would never be found in great abundance in the pulp magazines, or in the dime novels, in hard- or soft-cover books, or something else. A man for all seasons, the cowboy of fiction survives because of the genius of first-rate authors like James Fenimore Cooper and such modern masters of the art as Fred Glidden (Luke Short) and Ernest Haycox, and in spite of the works of hacks like Edward Judson (Ned Buntline). This book covers a generation, the pulp era of the 1920s, 30s, and 40s of pulp fictioneers who cranked out millions, perhaps even hundreds of millions, or words for the several hundred western pulp magazines then active. It also provides a short history of the origins of Western American fiction, plus a brief commentary on the genres evolution into the paperback era.