The Digital Bespoke? is about mass customization, 3D printing, human bodies, and the step towards digitally built objects made to individual specifications. The author argues that the modes of customization offered by digital fabrication and mass production have more in common with their industrial predecessors than with craft-based customization. Using case studies of historical and current practices from Europe, Africa, and North America to ground her theory, she investigates where digital fabrication technologies have developed from and how their uses differ from existing modes of production. Digital fabrication and mass customization are concepts encompassing broad ecosystems of technologies and practices. Both are increasingly implemented and hyped. As such, it is imperative to address not just their potential, but their challenges. Written for a scholarly audience and for design practitioners concerned with the social and political impacts of digital fabrication and mass customization, this book will be a useful reference point for students and researchers in digital and analogue design, technology, and material culture.

The Architectural Imagination at the Digital Turn asks what it means to speak of a "digital turn" in architecture. It examines how architects at the time engaged with the digital and imagined future modes of practice, and looks at the technological, conceptual and economic phenomena behind this engagement. It argues that the adoption of digital technology in architecture was far from linear but depended on complex factors, from the operative logic of the technology itself to the context in which it was used and the people who interacted with it. Creating a mosaic-like account, the book presents debates, projects and publications that changed how architecture was visualized, fabricated and experienced using digital technology. Spanning the university, new media art institutes, ecologies, architectural bodies, fabrication and the city, it re-evaluates familiar narratives that emphasized formal explorations; instead, the book aims to complicate the "myth" of the digital by presenting a nuanced analysis of the material and social context behind each case study. During the 1990s, architects repurposed software and technological concepts from other disciplines and tested them in a design environment. Some architects were fascinated by its effects, others were more critical. Through its discussion on case studies, places and themes that fundamentally influenced discourse formation in the era, this book offers scholars, researchers and students fresh insights into how architecture can engage with the digital realm today.

Rapid digitalization has led to the evolution of customer behaviour and for any business it has become imperative to understand customer behaviour in the digital world – Navigating the Digital Landscape explores a wide range of topics to help the reader harness the positive aspects of digital commerce and mitigate risks.

Analysing the evolving industry as it turns to the help of digital technologies such as algorithms and cloud computing to reach and engage local and global audiences, Journalism, Economic Uncertainty and Political Irregularity in the Digital and Data Era explores the challenges journalism faces in great depth and detail.

A large coffee table book with hundreds of ravishingly beautiful and inspiring pictures about the all important "finishing touches" of each interior: bespoke accessories made by exceptional craftsmen, wonderful lighting and exquisite fabrics, unique colors and paints, marvelous natural stones and wood. Text in English and French.

The Digital Twin book is about harnessing the power of technology, business practices, and the digital infrastructure to make revolutionary improvements for the benefit of society. Ninety experts from around the world contributed to summarize four decades of digital advances and successes, and to define the Digital Twin’s potential for the decades ahead. The book describes how Digital Twins will play a key role in specific applications and across important sectors of the global economy, making it a must-read for executives, policymakers, technical leaders, researchers, and students alike. The book consists of thirty-eight chapters that cover Digital Twin concepts, supporting technologies, practices, and specific implementation strategies for various production and service sectors. Digital Twins are about creating faster, less expensive, and error-free manufacturing, products, processes, and services. This includes engineering of systems for energy, communications, construction, transportation, and food processing. It also covers solutions for making human existence better and more enjoyable through the life sciences, smart cities, and artistic creations. The Digital Twin’s functionality addresses the entire lifecycle of products and services. Importantly, the book describes the journey required for businesses and public organizations to embrace Digital Twins as part of their tool kit. The Digital Twin is the ideal starting point for teaching and research in all application domains.

As digital life stories continue to assume more and more significance across a range of institutions, so too does their potential to bring into focus once marginalised and neglected voices. Breaking new ground by reframing multimedia life stories as a resource for education, public health, and policy, this book challenges policymakers, professionals, and researchers to reimagine how they find out about and respond to people’s daily lives and experiences of health, disability, and well-being. The book develops theoretical, methodological, and practical resources for listening to digital stories through a series of carefully selected international case studies, from dementia care education to campaigns in the UN to ban cluster munitions. The case studies explore and illuminate different ways that digital stories have – and have not – been listened to in the past. The authors expose the great potential as well as the complexity of using powerful personal stories in practice. Together, the case studies highlight that processes of listening to, learning from, and making use of digital stories involve unavoidable processes of reinterpretation, recontextualisation, and translation which have significant ethical and political implications for storytellers, listeners, and society. In mapping and theorising the movement of stories into new contexts of policy and practice, the book offers a critical lens on the widely celebrated democratising potential of digital storytelling and its capacity to amplify marginalised voices. Digital Storytelling in Health and Social Policy develops an authoritative and original re-conceptualisation of digital life stories and their use for social justice ends, and will be important reading for researchers and practitioners from a range of backgrounds, including social policy, digital media, communication, education, disability, and public health.

In an era of increasingly available digital resources, many textile designers and makers find themselves at an interesting juncture between traditional craft processes and newer digital technologies. Highly specialized craft/design practitioners may now elect to make use of digital processes in their work, but often choose not to abandon craft skills fundamental to their practice, and aim to balance the complex connection between craft and digital processes. The essays collected here consider this transition from the viewpoint of aesthetic opportunity arising in the textile designer's hands-on experimentation with material and digital technologies available in the present. Craft provides the foundations for thinking within the design and production of textiles, and as such may provide some clues in the transition to creative and thoughtful use of current and future digital technologies. Within the framework of current challenges relating to sustainable development, globalization, and economic constraints it is important to interrogate and question how we might go about using established and emerging technologies in textiles in a positive manner.

Debates about the digital media economy are at the heart of media and communication studies. An increasingly digitalised and datafied media environment has implications for every aspect of the field, from ownership and production, to distribution and consumption. The SAGE Handbook of the Digital Media Economy offers students, researchers and policy-makers a multidisciplinary overview of contemporary scholarship relating to the intersection of the digital economy and the media, cultural, and creative industries. It provides an overview of the major areas of debate, and conceptual and methodological frameworks, through chapters written by leading scholars from a range of disciplinary perspective. PART 1: Key Concepts PART 2: Methodological Approaches PART 3: Media Industries of the Digital Economy PART 4: Geographies of the Digital Economy PART 5: Law, Governance and Policy

Wooden Furniture Making 1. Market Overview: Wooden furniture making is a thriving industry that caters to the global demand for aesthetically pleasing and functional furniture. As of 2021, the global wooden furniture market was valued at approximately $395 billion, and it is expected to grow at a CAGR of 3.5% from 2021 to 2028. This industry's growth is driven by factors such as urbanization, increasing disposable income, and a growing awareness of sustainable and eco-friendly furniture options worldwide. 2. Market Segmentation: The wooden furniture market can be segmented into various categories based on factors like product type, material, distribution channel, and end-user. The key segments include: • Product Type: This includes segments such as tables, chairs, beds, cabinets, and sofas. • Material Type: Wooden furniture can be crafted from various wood types, such as hardwood, softwood, and engineered wood. • Distribution Channel: The market includes segments for online sales, brick-and-mortar stores, and custom furniture makers. • End-User: Segments comprise residential, commercial (office, hotels, restaurants), and industrial (manufacturing facilities). 3. Regional Analysis: The wooden furniture market exhibits significant regional variations: • Asia-Pacific: This region dominates the market due to its large population, rising disposable income, and a rich tradition of wooden craftsmanship. China, India, and Japan are key players in the Asia-Pacific market. • North America: The United States and Canada have a robust wooden furniture market, with a preference for high-quality, sustainable products. • Europe: European countries like Germany, Italy, and the UK have a long history of furniture making, making them prominent players in the global market. • Rest of the World: South American countries like Brazil and Middle Eastern countries are emerging markets with increasing demand for wooden furniture. 4. Market Drivers: Several factors drive the growth of the wooden furniture market: • Urbanization: The global shift towards urban living creates a constant demand for furniture to furnish homes and commercial spaces. • Sustainability: Growing environmental awareness has led to a preference for eco-friendly and sustainable wooden furniture. • E-commerce: The rise of online retail has made it easier for consumers to access a wide range of wooden furniture products. • Customization: Consumers are increasingly seeking unique and personalized furniture items, driving the demand for custom furniture makers. 5. Market Challenges: The wooden furniture industry also faces certain challenges: • Raw Material Costs: Fluctuations in wood prices, especially hardwood, can affect profit margins. • Competition from Alternative Materials: Furniture made from metal, plastic, or composite materials competes with wooden furniture. • Supply Chain Disruptions: Events like natural disasters and pandemics can disrupt the supply of raw materials and logistics. 6. Opportunities: Opportunities in the wooden furniture market include: • Innovation: Embrace technology and design innovations to create unique and sustainable furniture. • Global Expansion: Tap into emerging markets in Africa and South America. • Eco-Friendly Initiatives: Capitalize on the increasing demand for eco-friendly and certified sustainable wooden furniture. 7. Future Outlook: The future of the wooden furniture market looks promising. As consumers become more conscious of sustainable practices, the demand for eco-friendly furniture is expected to rise. The industry will also see continuous innovation in design and materials. Online sales channels are likely to gain more prominence, and customization will remain a significant trend. Conclusion: The global wooden furniture making industry is set for steady growth in the coming years, driven by urbanization, sustainability concerns, and innovative design. While facing challenges related to raw material costs and competition, businesses in this sector can capitalize on emerging opportunities and expanding their presence in new markets to remain competitive and meet the evolving demands of consumers worldwide.