This Is A New Release Of The Original 1896 Edition. To Which Are Added An Account Of The Resurrection Men In London And A Short History Of The Passing Of The Anatomy Act.

A valuable resource for readers exploring the classic horror genre, this book presents primary source documents alongside analysis in an examination of the social, political, and economic factors reflected in 19th century Gothic literature. The nineteenth century was a time of social, cultural, and economic change; revolutionary scientific developments; and enduring imaginative works. This book explores the classic horror genre of Gothic literature in its historical and social contexts. It contains chapters on four major works of classic horror, with each chapter providing a mix of background information, primary source historical documents, and analysis that will appeal as much to high school and college students as to lovers of literature and the Victorian era. Coleridge's The Rime of the Ancient Mariner is contextualized through documents pertaining to British imperialism, Antarctic Exploration, and the burgeoning environmentalist movement. Shelley's Frankenstein is explored through sections on galvanism, electricity, grave robbing, and the vitalist debate. Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde is read through explanations of nineteenth-century drug use and addiction and early theories of psychology and criminology. Stoker's Dracula is studied with reference to such topics as mesmerism, clairvoyance, alienism, medical ethics, xenophobia, and Victorian pseudoscience.

Includes proceedings of the Association, papers read at the annual sessions, and list of current medical literature.

Removing an organ from one (typically dead) body and placing it in another living body challenges our most foundational ideas about boundaries between self and other, individual and social identity, life and death, health and illness. But despite these transgressions, organ transplant is a celebrated and relatively common procedure. Transplant Fictions brings together a diverse set of cultural representations to understand how we have overcome the profound ideological violations represented by organ exchange in order to reimagine the concept and practice as technological and moral victories. From the plots of horror stories and sci-fi novels to sentimental romances and feel-good media reports of stranger donation, this cultural study offers a nuanced portrait of the conceptual journey of organ exchange from strange and terrible to the “gift of life.”