ABOUT THE BOOK:THE DEVOTIONAL POEMS OF MIRABAI offers the reader a sober English translation of two hundred of her Padas, based on the interpretative work of Indian scholars that has appeared during the last few decades. Three introductory essays dea

A stunning collection of poems by Mirabai, the fifteenth-century female Indian ecstatic poet. Like Coleman Barks's translations of Rumi, this collection of poems by Mirabai will appeal to anyone interested in spiritual poetry.

Mystic Songs Of Meera Presents (Probably For The First Time) The Original Text In Devanagari, Side With English Translation Of 101 Songs Of Meera, The Mystic Saint Of Rajasthan Who Lived In The 15Th 16Th Century A.D. Birdal Mysticism Marked Meera S Spiritual Approach To God. Krishna, Whom She Endearingly Called Giridhar, The Lord Who Upheld The Mountain, Was Her Beloved, And She Expressed The Imagery Of Human Love To Delineate The Agony Of Separation From Him And The Intense Desire To Be United With Him.Childlike Simplicity, Deep Devotion, Intense Spiritual Yearning And Soulful Poetry Make The God-Oriented Songs Of Meera A National Heritage Of India, Transcending Regional, Lingual And Time Barriers.This Volume Should Prove Useful To All Those Interested In The Spiritual Heritage Of India, Especially The Life And Work Of The Mystics Of India, Whose Devotional Lyrics Can Be Savoured As Spiritual Nectar, By All.The Raga (Melody) In Which Each Songs Is To Be Sung Has Been Given For The Benefit Of Musicians, Choreographers Etc.

She was only a child of five and he a mere image of the Lord Krishna, but little Mira loved him with all her heart. So strong was her devotion that it rendered even irate kings and murderous relatives powerless. Mirabai became a queen, but she continued to serenade her lord through the ups and downs of her eventful life. Her hymns to Krishna, which are sung to this day, left even the great Mughal emperor Akbar spellbound.

For thousands of years, India has excelled at erotic love poetry, and the genius of its devotional poetry often harnesses great energy and mystical insight. It is in fact often hard to tell whether the poets are offering poems of spiritual longing using the garment of love poetry, or writing erotic poems in the guise of devotion. Perhaps, in a country where erotic sculpture routinely ornaments its many temples and the gods are known for their explosive sexuality, this question has little meaning to these remarkable writers. In their devotional traditions, eroticism and mysticism seem inseparable. This wonderful selection spans 2,500 years, and includes work originally sung or recited by their well–known bards: Kabir, Mirabai, Lal Ded, Vidyapati and Tagore. There are also poems from the Upanishad, from ancient Sanskrit poetry and Punjab folk lyrics. The poets have largely emerged from the ranks of the dispossessed: leather workers, refuse collectors, maidservants, women, & orphans. Their vision is of a democratic society in which all voices count, much like American gospel and blues, Shaker songs, or the grand vision of Walt Whitman. Often they faced persecution for speaking candidly, or daring to speak of spiritual matters at all. The notes include profiles of these legendary lives. Several of these poets simply vanished, absorbed into a deity, or disappeared in a flash of purple lightening. A few produced miracles—most of them have clouds of mystery around them. Andrew Schelling has drawn on the work of 24 other translators, including Ezra Pound, Robert Bly, W. S. Merwin, Jane Hirschfield and Denise Levertov, to build what will be the finest anthology of India's erotic and spiritual poetry for the general read ever assembled.

A major addition to the literature of poetry, Edward Hirsch’s sparkling new work is a compilation of forms, devices, groups, movements, isms, aesthetics, rhetorical terms, and folklore—a book that all readers, writers, teachers, and students of poetry will return to over and over. Hirsch has delved deeply into the poetic traditions of the world, returning with an inclusive, international compendium. Moving gracefully from the bards of ancient Greece to the revolutionaries of Latin America, from small formal elements to large mysteries, he provides thoughtful definitions for the most important poetic vocabulary, imbuing his work with a lifetime of scholarship and the warmth of a man devoted to his art. Knowing how a poem works is essential to unlocking its meaning. Hirsch’s entries will deepen readers’ relationships with their favorite poems and open greater levels of understanding in each new poem they encounter. Shot through with the enthusiasm, authority, and sheer delight that made How to Read a Poem so beloved, A Poet’s Glossary is a new classic.

This is an extraordinary book of poetry and scholarship. Louise's inspired translations illuminate the path of dance, poetry and music through which Mirabai was consumed and, ultimately, achieved her fulfillment. --La Monte Young.

Illustrations: 1 B/w Illustration Description: Mira Bai belonged to the royal family of the Ranas of Mewara and was a staunch devotee of Krishna, worshipping him in the madhurya bhava of Vaishnavism. In the earlier part of her life she was ill-treated by her brother-in-law who even tried various means to kill her, but Krishna was ever her protector. Fed up, she went away to Merata, her maternal home and from there to Vrindavana and then to Dvaraka, where according to traditional belief, she merged with the image of Krishna. Mira's verses have a musical ring and a number of them have been recorded on discs and cassettes. There have been recessions of her padas. This English verse translation of eighty-one of them aims at giving the best of these. It is hoped that Mira's verses, along with the detailed introduction giving her life and times and her art, will create renewed interest in this renowned saint-poet.

Keki Daruwalla Established Himself As A Name To Reckon With In Indian Poetry With The Publication Of His Very First Book, Under Orion (1970). With Nine Published Volumes So Far, Including The Keeper Of The Dead Which Won The Sahitya Akademi Award In 1984, And Landscapes, Which Won The Coveted Commonwealth Poetry Prize For Asia In 1987, He Is Today One Of India&Rsquo;S Foremost Poets. His Poetry, Characterized By A Trademark Vigour And Immediacy Of Language, A Razor-Sharp Tone And Subtle Imagery, Consistently Strikes An Ingenious Balance Between Image And Statement. With His Capacity To Blend A Larger-Than-Life Canvas With An Unfailing Eye For Detail, He Addresses A Remarkable Variety Of Themes In His Poems&Mdash;From The Epic Concerns Of Culture And History, Myth And Religion To The Quotidian Affairs Of Life And Death, Love And Passion. This Definitive Edition, Testimony To His Prodigious Output And Astonishing Breadth Of Vision, Brings Together Over Three Decades Of Keki Daruwalla&Rsquo;S Work And Also Includes A Whole New Section Of Poems Previously Unpublished.