Set in the near future, this dark coming-of-age fable tells the story of David Faulkner, whose dysfunctional family fuels his ambition to escape his rough blue-collar neighbourhood on Chicago's south side. His angelic good looks coupled with his ethereal talent make him the Leonardo DiCaprio of his generation. In this era in which everything is magnified, where leading movie stars once made $20 million per picture, David -- now Darian Fable -- commands five times that amount. His decision to abandon Hollywood, a fabulous career, untold riches, and retreat to a bucolic estate in Connecticut sets in motion a chain of events that threatens both the lives and careers of some of the most important powers in the entertainment industry -- including his own.

Originally published in 1900, this book was the first investigation of the devil and the Vice as dramatic figures, and a study of these figures led to a new view of the subject: it is, in brief, that the appearance of the devil in the non-dramatic as well as in the dramatic literature is limited to a definite range. As a dramatic figure the devil falls more and more into the background and the Vice is distinct in origin and function from the devil.

An A to Z reference guide to religious terms, concepts and references in Shakespeare.

WINNER OF THE "BEST NEW MEXICO BOOK" AWARD FROM THE NEW MEXICO-ARIZONA BOOK AWARDS A RT TIMES BOOK REVIEW REVIEWER'S CHOICE AWARDS NOMINEE FOR BEST CONTEMPORARY MYSTERY An intriguing contemporary mystery that exposes the dark side of life in historic Santa Fe by Hillerman Prize-winner Christine Barber Christine Barber's acclaimed mysteries explore not just the folklore, Indian heritage, and colonial history that draws people to Santa Fe each year, but also the lives of locals, from the rich retirees to the families that have lived there for generations. These mysteries take place in a modern city that still has strong, unforgettable connections to its history. In her new novel, When the Devil Doesn't Show, a housefire leads to the discovery of not just the bodies of the homeowners, but also a third, unidentified corpse. The search for the man's identity will lead Detective Gil Montoya not too far from Santa Fe to one of its notorious but rarely discussed neighbors, the Los Alamos National Laboratory. A DNA test reveals that the unknown victim is a native of Northern New Mexico, but Montoya has reason to believe that his ties to the infamous nuclear testing facility hold the solution. And when a second housefire is found to contain more bodies, he's determined to find out the answer no matter the cost. "The insights that Barber, an Albuquerque resident, offers heighten the pleasure of reading her mysteries and give a fresh take on why Santa Fe is called the City Different." —The Albuquerque Journal

Hailed as "the best business book of 2010" (Huffington Post), this New York Times bestseller about the 2008 financial crisis brings the devastation of the Great Recession to life. As soon as the financial crisis erupted, the finger-pointing began. Should the blame fall on Wall Street, Main Street, or Pennsylvania Avenue? On greedy traders, misguided regulators, sleazy subprime companies, cowardly legislators, or clueless home buyers? According to Bethany McLean and Joe Nocera, two of America's most acclaimed business journalists, many devils helped bring hell to the economy. All the Devils Are Here goes back several decades to weave the hidden history of the financial crisis in a way no previous book has done. It explores the motivations of everyone from famous CEOs, cabinet secretaries, and politicians to anonymous lenders, borrowers, analysts, and Wall Street traders. It delves into the powerful American mythology of homeownership. And it proves that the crisis ultimately wasn't about finance at all; it was about human nature. Just as McLean's The Smartest Guys in the Room was hailed as the best Enron book on a crowded shelf, so will All the Devils Are Here be remembered for finally making sense of the financial meltdown and its consequences.

First staged at the original Globe in the early 1600's, this play remained unperformed until 1989, when it was presented at the restored Globe. One of the highlights both then as now is the scene which takes place in darkness but is actually performed in daylight.

"For I have sworn thee fair, and thought thee bright; Who art as black as hell, as dark as night." —William Shakespeare, Sonnet 147 In the boldest imagining of the era since Shakespeare in Love and Elizabeth, a finalist for the Italian Premio del Castello del Terriccio, this spellbinding novel of witchcraft, poetry, and passion, brings to life Aemilia Lanyer, the "Dark Lady" of Shakespeare's Sonnets—the playwright's muse and his one true love. The daughter of a Venetian musician but orphaned as a young girl, Aemilia Bassano grows up in the court of Elizabeth I, becoming the Queen's favorite. She absorbs a love of poetry and learning, maturing into a striking young woman with a sharp mind and a quick tongue. Now brilliant, beautiful, and highly educated, she becomes mistress of Lord Hunsdon, the Lord Chamberlain and Queen's cousin. But her position is precarious; when she falls in love with court playwright William Shakespeare, her fortunes change irrevocably. A must-read for fans of Tracy Chevalier (Girl With a Pearl Earring) and Sarah Dunant (The Birth of Venus), Sally O'Reilly's richly atmospheric novel compellingly re-imagines the struggles for power, recognition, and survival in the brutal world of Elizabethan London. She conjures the art of England's first professional female poet, giving us a character for the ages—a woman who is ambitious and intelligent, true to herself, and true to her heart.

From one of the greatest Shakespeare scholars of our time, Harold Bloom presents Othello’s Iago, perhaps the Bard’s most compelling villain—the fourth in a series of five short books about the great playwright’s most significant personalities. Few antagonists in all of literature have displayed the ruthless cunning and deceit of Iago. Denied the promotion he believes he deserves, Iago takes vengeance on Othello and destroys him. One of William Shakespeare’s most provocative and culturally relevant plays, Othello is widely studied for its complex and enduring themes of race and racism, love, trust, betrayal, and repentance. It remains widely performed across professional and community theatre alike and has been the source for many film and literary adaptations. Now award-winning writer and beloved professor Harold Bloom investigates Iago’s motives and unthinkable actions with razor-sharp insight, agility, and compassion. Why and how does Iago use lies and deception—the fake news of the 15th century—to destroy Othello and several other characters in his path? What can Othello tell us about racism? Bloom is mesmerizing in the classroom, treating Shakespeare’s characters like people he has known all his life. He delivers exhilarating intimacy and clarity in these pages, writing about his shifting understanding—over the course of his own lifetime—of this endlessly compelling figure, so that Iago also becomes an extraordinarily moving argument for literature as a path to and a measure of our humanity. “There are few readers more astute than Bloom” (Publishers Weekly), and his Iago is a provocative study for our time.