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Between the French defeat in 1940 and liberation in 1944, the Nazis killed almost 80,000 of France's Jews, both French and foreign. Since that time, this tragedy has been well-documented. But there are other stories hidden within it-ones neglected by historians. In fact, 75% of France's Jews escaped the extermination, while 45% of the Jews of Belgium perished, and in the Netherlands only 20% survived. The Nazis were determined to destroy the Jews across Europe, and the Vichy regime collaborated in their deportation from France. So what is the meaning of this French exception? Jacques Semelin sheds light on this 'French enigma', painting a radically unfamiliar view of occupied France. His is a rich, even-handed portrait of a complex and changing society, one where helping and informing on one's neighbours went hand in hand; and where small gestures of solidarity sat comfortably with anti-Semitism. Without shying away from the horror of the Holocaust's crimes, this seminal work adds a fresh perspective to our history of the Second World War.

'We request an immediate favour of you, to build a shelter for us women and small children, because we have absolutely no place to take refuge and we are terrified!' This French mother's petition sent to her mayor on the eve of Germany's 1940 invasion of France reveals civilians' security concerns unleashed by the Blitzkrieg fighting tactics of World War II. Unprepared for air warfare's assault on civilian psyches, French planners were among the first in history to respond to civilian security challenges posed by aerial bombardment. France under Fire offers a social, political and military examination of the origins of the French refugee crisis of 1940, a mass displacement of eight million civilians fleeing German combatants. Scattered throughout a divided France, refugees turned to German Occupation officials and Vichy administrators for relief and repatriation. Their solutions raised questions about occupying powers' obligations to civilians and elicited new definitions of refugees' rights.

Drawing on the extensive memoir literature of Jews who survived the Nazi period in France, Zuccotti paints a collective portrait of the victims, of those who tried to help them, of those who persecuted them and of the vast majority of French people who looked the other way. Zuccotti concludes that “benign neglect, vague goodwill, and, occasionally, active support” helped three-quarters of French Jews survive, while almost half of foreign-born Jews living under Nazi occupation or in the Vichy government “free” zone were sent to extermination camps with the active help of the French authorities. “Valuable and lucid. [...] Susan Zucccotti's book is admirable in many important ways.” — Patrice Higonnet, New York Times Book Review “Ms. Zuccotti combines vivid narrative with the most scrupulous historical accuracy. It is good to be able to enter the helpful gestures of many French individuals into the scales against the unspeakable actions of many Vichy officials and zealots.” — Robert O. Paxton, Mellon Professor of the Social Sciences, Columbia University, author ofVichy France: Old Guard and New Order, 1940-1944 “Dr. Zuccotti’s book, admirably balanced and free of bias, is a rich and compassionate study of the plight of Jews in France during World War II.” — Léon Poliakov, Honorary Director of Research, Centre national de la recherche scientifique (CNRS) “In a vividly narrated reexamination of the historical record, Zuccotti tells the horrifying story of the fate of French Jews at the hands of the Nazis and their Vichy collaborators. [...] A balanced yet heartrending contribution to Holocaust literature.” —Kirkus Review “Zuccotti forces us to rethink the French response to the Holocaust in this challenging book” — Publishers Weekly “By use of precise examples, Zuccotti is able to illustrate the human side and contribute to a new understanding of [the fate of France’s Jewish population during World War II]” — American Historical Review “Ms. Zuccotti finds France to be a nation which, in time of crisis, showed itself to be made up of a handful of villains, a few magnificent heroes and a vast assortment of the cowardly, the apathetic and the self-serving.” — Forward “Zuccotti presents the most comprehensive account of the Holocaust in France available to the English reader.” — Paula Hyman, Yale University, Journal of Interdisciplinary History “An excellent narrative.” — Choice, American Library Association “Zuccotti has made a valuable contribution to our understanding of the Holocaust in France. Above all, she has illuminated in fascinating detail the extraordinary range of organizational and individual responses.” — Journal of Modern History “Zuccotti’s account investigates the popular responses of the French to the measures offered and implemented by [Vichy] officials... an essential tool for gaining a more complete understanding of Vichy France and the Holocaust” — Anne Higgins,University of Vermont History Review “This is an important work of 20th-century history. It is admirably researched, but remains lucid. It is, of necessity, sometimes harrowing, but illuminates moments of selfless heroism. Above all, it details a period of French history which has for too long been known to foreigners in only the broadest outlines... This is a valuable book deserving a wide readership.” — Morning Star “[Zuccotti’s] book is replete with personal histories and memories, culled from a very wide reading in the growing library of autobiographies, memoirs, and monographs dealing with this period.” — Tony Judt, New York Review of Books

In a compelling approach to storytelling, When Europe Was a Prison Camp weaves together two accounts of a family's eventual escape from Occupied Europe. One, a memoir written by the father in 1941; the other, begun by the son in the 1980s, fills in the story of himself and his mother, supplemented by historical research. The result is both personal and provocative, involving as it does issues of history and memory, fiction and "truth," courage and resignation. This is not a "Holocaust memoir." The Schrags were Jews, and Otto was interned, under execrable conditions, in southern France. But Otto, with the help of a heroic wife, escaped the camp before the start of massive transfers of prisoners "to the East," and Peter and his mother escaped from Belgium before the Jews were rounded up and sent to Auschwitz. Yet, the danger and suffering, the comradeship and betrayal, the naïve hopes and cynical despair of those in prison and those in peril are everywhere in evidence.

The era of the German Occupation of France constituted, surprisingly, a golden age for the arts: literature, theater, popular music and cinema. These works of art seem to be devoid of political impact. The widespread trend of unrealistic and fantastic art during this period is explained by some scholars as the artists escape from the omnipotent eye of German censorship. The purpose of the book is to show that, contrary to the accepted view, some of these films were intimately linked to the political situation. They convey the demonization of characters that, while not specifically presented as Jews nevertheless manifested anti-Semitic stereotypes of the Jew as ugly, rootless, low, hypocritical, immoral, cruel and power hungry. All five movies analysed (Les Inconnus dans la maison, dir. Henri Decoin, 1942; Les Visiteurs du Soir, dir. Marcel Carne, 1942; L'Eternel retour, dir. Jean Delannoy, 1943; Les Enfants du Paradis, dir. Marcel Carne, 1943) present characters not identified as Jews but who exhibit negative Jewish traits, in contrast to the aristocratic characters whom they aspire to emulate. They demonstrate, implicitly, central themes of explicit anti-Semitic propaganda. Yehuda Moraly addresses two current major misconceptions regarding the Cinema of Occupied France: (1) that the accepted view that there were almost no explicitly Jewish characters in the cinema of that time and place is patently incorrect; and (2) that the feature films of Occupied France were not as it is commonly thought free of the propaganda messages that permeated the press, the radio and documentary films. Analysis of these films brings out the contradictory nature of European anti-Semitism. On one hand, the Jew is the anti-Christ, throttling the world with disgusting materialism while on the other hand, he is representative of an ancestral stifling morality, which it is time to abolish.

Provides the definitive account of Vichy's own antisemitic policies and practices. It is a major contribution to the history of the Jewish tragedy in wartime Europe answering the haunting question, "What part did Vichy France really play in the Nazi effort to murder Jews living in France?"

Aufbau—a German-language weekly, published in New York and circulated nationwide—was an essential platform for the generation of refugees from Hitler and the displaced people and concentration camp survivors who arrived in the United States after the war. The publication served to link thousands of readers looking for friends and loved ones in every part of the world. In its pages Aufbau focused on concerns that strongly impacted this community in the aftermath of World War II: anti-Semitism in the United States and in Europe, the ever-changing immigration and naturalization procedures, debates about the designation of Hitler refugees as enemy aliens, questions about punishment for the Holocaust and other Nazi crimes, the struggle for compensation and restitution, and the fight for a Jewish homeland. The book examines the columns and advertisements that chronicled the social and cultural life of that generation and maintained a detailed account of German-speaking cultures in exile. Peter Schrag is the first to present a definitive account of the influential publication that brought postwar refugees together and into the American mainstream.

Susan Zuccotti describes the ever-escalating dangers to which Jewish refugees and recent immigrants were subjected to in France and Italy as the Holocaust marched forward. She chronicles the lives of nine central and eastern European Jewish families, through historical documents and personal testimonies.

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