An African is elected Pope as the Barque of Peter encounters heavy seas. Everywhere, the Faith and the West are in decline. Ominously, occult practices have corrupted the elites, the media and powerful men in the Church. The new pontiff faces this unprecedented challenge alone, until an embattled American Cardinal sends his best exorcist to Rome, a young Dominican priest with hard experience combating the Devil -- in Latin -- on America's mean streets. Meanwhile, a US media mogul, an indifferent Catholic targeted for his politics, flees America with his family for the Eternal City. There, they find a despondent society where Italians no longer marry and have children. Indeed, all hope seems lost until a beautiful Roman girl takes a brave stance against the rising tide of despair. Gritty, fascinating and impossible to forget, 'The Devil Hates Latin' sweeps from New England to the Tiber, and ultimately to a Renaissance palazzo nestled in the green hills of Umbria, building to a shattering confrontation as Good summons the courage to face the menace of the gathering forces of Evil. PUBLISHED BY REGINA PRESS

What it means to be a man or a woman is questioned today like never before. While traditional gender roles have been eroding for decades, now the very categories of male and female are being discarded with reckless abandon. How does one act like a gentleman in such confusing times? The Catholic Gentleman is a solid and practical guide to virtuous manhood. It turns to the timeless wisdom of the Catholic Church to answer the important questions men are currently asking. In short, easy- to-read chapters, the author offers pithy insights on a variety of topics, including • How to know you are an authentic man • Why our bodies matter • The value of tradition • The purpose of courtesy • What real holiness is and how to achieve it • How to deal with failure in the spiritual life

THE STORY: Jabez Stone, young farmer, has just been married, and the guests are dancing at his wedding. But Jabez carries a burden, for he knows that, having sold his soul to the Devil, he must, on the stroke of midnight, deliver it up to him. Shortly before twelve Mr. Scratch, lawyer, enters and the company is thunderstruck. Jabez bids his guests begone; he has made his bargain and will pay the price. His bride, however, stands by him, and so will Daniel Webster, who has come for the festivities. Webster takes the case. But Scratch is a lawyer himself and out-argues the statesman. Webster demands a jury of real Americans, living or dead. Very well, agrees the Devil, he shall have them, and ghosts appear. Webster thunders, but to no avail, and at last realizing Scratch can better him on technical grounds, he changes his tactics and appeals to the ghostly jury, men who have retained some love of country. Rising to the height of his powers, Webster performs the miracle of winning a verdict of Not Guilty.

Jovinianus, about whom little more is known than what is to be found in Jerome's treatise, published a Latin treatise outlining several opinions: That a virgin is no better, as such, than a wife in the sight of God. Abstinence from food is no better than a thankful partaking of food. A person baptized with the Spirit as well as with water cannot sin. All sins are equal. There is but one grade of punishment and one of reward in the future state. In addition to this, he held the birth of Jesus Christ to have been by a "true parturition," and was thus refuting the orthodoxy of the time, according to which, the infant Jesus passed through the walls of the womb as his Resurrection body afterwards did, out of the tomb or through closed doors.

“We can do nothing against you because you are too protected!” So declared a frustrated host of devils to Father Gabriele Amorth, the priest exorcist in Rome who spent thirty years battling the Devil and his minions by performing more than sixty thousand exorcisms. All the while, he deftly used modern media to awaken our disbelieving modern culture — and even the Church — to the reality of the Devil and his nefarious actions at all times and everywhere. In these eye-opening pages, angelologist Father Marcello Stanzione tells the fascinating story of Father Amorth and his life as an exorcist. You'll learn of his daily schedule and how he managed to perform dozens of exorcisms each week. You'll find out what his exorcism room looked like, and how various devils responded to his bold practice. Best of all, you'll read Father Amorth's own startling explanations of many truths about the Devil that our culture has forgotten — and about th

The Only Way Out for Henry Clatt is the story of a lonely man who wants more from life than a steady job and weekend hobbies. After a chance encounter with a woman named Cassandra, Henry is drawn to her group of followers and their Friday night ritual. There he finds purpose and the compelling attention of a strangely attractive woman. As Henry loses touch with himself and with those who truly love him, his sister and a team of down-to-earth pastors collaborate to save his soul. Henrys story speaks to the hearts desire for meaning in a confusing world. It also encourages those engaged in the search-and-rescue mission for lost souls.

Disturbed by the direction in which the post Vatican II liturgical reforms have moved, two fictitious representatives of mutually antagonistic movements debate the remedy for "correct" liturgical reform. This unique work presents a debate between a "traditionalist" who argues for a return to the pre-Vatican II liturgy, and a reformist (no liberal himself) who advocates a new liturgical reform more in keeping with what the Council fathers had in mind. They bring to the debate the insights of renowned authorities on the liturgy, including Cardinal Ratzinger, Msgr. Klaus Gamber, Michael Davies, Fr. Brian Harrison and Fr. Aidan Nichols. This book is written for anyone interested in the Church's liturgy, and the controversies surrounding the liturgical renewal. It is both a primer for those who lack the theological and liturgical expertise to articulate their dissatisfaction with the state of the liturgy, and an excellent resource for those specialists who would appreciate having a single volume for consulting salient points from numerous authorities.

Poetry. "Kevin DiCamillo's poems are so finely tuned that they risk calling the reader's attention too exclusively to their form and to all the fragile echoes from other writers that haunt them. This volume is, in itself, plotted as a complicated sequence, and is not merely a gathering of incidental or occasional poems. The opening lyric poems are immediately arresting; but it is in the retrospect afforded them by the 'Gradual Psalms' and the 'Stations of the Cross' that they fully reveal themselves. The sequence is in some respects simple&8212;it starts with an account of the world and of the way it has been glimpsed in various writers; then the transience of this is absorbed into the meditative sequences that follow, although the absorption of one world into another is a painful one; then it is celebrated in the Joycean epithalamium. This is poetry of the highest order, deserving of wide recognition."--Seamus Deane "Beautiful, passionate, and inspiring."--James Martin "The sacred underlies so much of Kevin DiCamillo's new poetry collection, NOW CHIEFLY POETICAL: the sacred of god, the sacred of love and intimacy but perhaps most powerfully, the sacred of the ordinary. On the ordinary, from his poem 'Compline Complaint' we read, 'one week to rid the shards of that smashed jar, the floor a field of infinitesimal moon crescents, toenails.' Similarly on the topic of love and intimacy in 'The Jesse Tree': 'All your transmorphications! All of them I'd love As surely as if you came in hot from mowing the lawn To reveal two of your fingers cut by a careless move Of hand near blade... 'Impossible!' you state and leave shaking your head. You're right. But I wish you were something else instead.' Even the underlying misery we experience with those we love most is included. This is DiCamillo's gift, being inclusive of the thoughts we have had and have sadly forgotten, but are gifted now with his poetic reminders. This is why we read his mapped, strung-across-the-page poems--to come to know ourselves again, along the lines of the sacred."--Joanna Clapps