Thus Spake the Dervish explores the unfamiliar history of marginal Sufis, known as dervishes, in early modern and modern Central Asia over a period of 500 years. It draws on various sources (Persian chronicles and treatises, Turkic literature, Russian and French ethnography, the author’s fieldwork) to examine five successive cases, each of which corresponds to a time period, a specific socially marginal space, and a particular use of mystical language. Including an extensive selection of writings by dervishes, this book demonstrates the diversity and tenacity of Central Asian Sufism over a long period. Here translated into a Western language for the first time, the extracts from primary texts by marginal Sufis allow a rare insight into their world. The original French edition of this book, Ainsi parlait le dervice, was published by Editions du Cerf (Paris, France). Translated by Caroline Kraabel.

With this book, you can get information about the great Turkish dervish Yunus Emre and you can also learn the most important elements of storytelling. It is for those who want to both get to know a bit the Allah's beloved Yunus Emre and his sayings and to be informed of the significant point of storytelling. Table of Contents: The Whole Wide World, Who am I?, The Reference I Used for Yunus Emre: The Dervish's Story, If You Would Ever Question Me, Yunus Emre's Authentic Life Story, I am Before, I am After, Arriving at Taptuk Emre’s Door, A Full Grasp of Knowledge, Yunus the Lumberjack, Hear Me Out, Other Disciples, Your Love, The Tables from the Sky, The Friend Belongs to Me, Coming Back to the Taptuk, Death Enjoys His Ruses, Coming Towards the End, The Wide World, On the Road Again, The Lovers of Allah, Meeting with Rumi the DervishThe Dervish Path, Dear Friend, Getting Started with Storytelling…, If I Found Him, How to Find a Story Idea?,The Mystic Life, The Life of Yunus Emre and Things to Know for a Storyteller, A True Lover, The Beginning of ConflictsThe Sea, Moment of Crisis, The Blinking of an Eye, Solution Point, A Stranger, A Final Example: Prophet Muhammad…, A Soul Greetings to those who read in the light of Allah's beloved servants. With love to all…

Sufism is the esoteric aspect of Islam. Its purpose is to convey direct knowledge of the eternal. The Sufis impart knowledge through lineages that go back to the Prophet Muhammud. In these various Sufi orders, the zikr, the repetition of "la illaha illa'llah" (There is no God but God), is part of initiation ceremonies. In fact, the method of the Sufis is zikr, and the manner in which zikr is performed is the essential difference among the various orders. The Dervishes repeat their zikr as they turn. They empty their hearts of all but the thought of God and whirl in the ecstatic movements of His breath.

Robert B. Mason, 'New Looks at Old Pots: Results of Recent Multidisciplinary Studies of Glazed Ceramics from the Islamic World.' Edward J. Keall, 'Forerunners of Umayyad Art: Sculptural Stone from the Hadramawt.' Avinoam Shalem, 'From Royal Caskets to Relic Containers: Two Ivory Caskets from Burgos and Madrid.' Ethel Sara Wolper, 'The Politics of Patronage: Political Change and the Construction of Dervish Lodges in Sivas.' Robert Ousterhout, 'Ethnic Identity and Cultural Appropriation in Early Ottoman Architecture.' Günkut Akin, 'The Müezzin Mahfili and Pool of the Selimiye Mosque in Edirne.' Derin Terzioğlu, 'The Imperial Circumcision Festival of 1582: An Interpretation.' Serpil Bağci, 'A New Theme of the Shirazi Frontispiece Miniatures: The Divān of Solomon.' David J. Roxburgh, 'Heinrich Friedrich von Diez and His Eponymous Albums: Mss. Diez A. Fols. 70-74.' Lisa Golombek, 'The Gardens of Timur: New Perspectives.' I.I. Notkin, 'Decoding Sixteenth-Century Muqarnas Drawings.'

When Grand Sinan was conscripted into Ottoman service under the devshirme system from Kayseri Ağırnas and increased his experience by completing his observations in the Arabian and Persian territories under the service of the army and the sultan, he knew that he would build all the works the humanity would need in this wide geography, leave them as his legacy to the future and people would travel to see these works.

This collection brings together a group of highly respected law and religion scholars to explore the funding of religious heritage in the context of state support for religions. The importance of this state support is that on the one hand it illustrates the potential tensions between secular and religious values, whilst on the other it constitutes a relevant tool for investigating the question of the legitimacy of such financial support. The funding logically varies according to the national system of state-religion relationships and this is reflected in the range of countries studied, including: Belgium, Bulgaria, Denmark, France, Italy, The Netherlands, Spain, Turkey, and the United Kingdom. The book provides clarity in the assignment of funds to religious heritage, as well as seeking to define the limit of what relates to the exercise of worship and what belongs to cultural policy. It is clear that the main challenge for the future lies not only in managing the dual purpose of religious monuments, but also in re-using these buildings which have lost their original purpose. This collection will appeal to those interested in cultural heritage management, as well as law and religion scholars. The views expressed during the execution of the RELIGARE project, in whatever form and or by whatever medium, are the sole responsibility of the authors. The European Union is not liable for any use that may be made of the information contained therein.

This volume inquires into the history of local educational traditions both before and after their encounter with European powers, and their own modernities.

Masculinities in nineteenth-century art through the lens of gender and queer history Male bonds were omnipresent in nineteenth-century European artistic scenes, impacting the creation, presentation, and reception of art in decisive ways. Men’s lives and careers bore the marks of their relations with other men. Yet, such male bonds are seldom acknowledged for what they are: gendered and historically determined social constructs. This volume shines a critical light on male homosociality in the arts of the long nineteenth century by combining art history with the insights of gender and queer history. From this interdisciplinary perspective, the contributing authors present case studies of men’s relationships in a variety of contexts, which range from the Hungarian Reform Age to the Belgian fin de siècle. As a whole, the book offers a historicizing survey of the male bonds that underpinned nineteenth-century art and a thought-provoking reflection on its theoretical and methodological implications.