Eight tracks. Endless stories. Allow yourself to be cast away in eight glorious decades of the most iconic show on radio. To mark this momentous occasion, The Definitive Desert Island Discs focuses on 80 of the most powerful and unforgettable interviews, revisiting every era of Desert Island Disc's storied history. Reflecting on how times have changed, the book will feature brand new material as castaways are interviewed about their experiences - did the conversation go how they expected? Would Sir Patrick Stewart still take his beloved billiards table (and a shed to keep it in, of course)? And does Hilary Devey stick by her endless supply of Cointreau? Get lost in lists of the weirdest and most wonderful luxury items, most popular tracks and books throughout the years, and more. Introduced by Lauren Laverne, The Definitive Desert Island Discs is a must-have gem, celebrating an incredible institution that has captured the hearts of a nation for 80 years.

Desert Island Discs has run on BBC radio since 1942 and its archive is now accessible. This book is the first to assess the programme from a scholarly perspective. Chapters by musicologists, sociologists, and media scholars are complemented by personal spins by 'castaways', who reflect on talking publicly about the role of music in their lives.

Personality Disorder offers a comprehensive and accessible collection of papers that will be practically useful to practitioners working in secure and non-secure settings with patients who have personality disorders. This book brings together fourteen classic papers, which address the impact that working with personality disorder patients can have on staff. It also offers theoretical explanations for personality disorder, and explores other issues such as the concept of boundaries in clinical practice, psychiatric staff as attachment figures and the relationship between severity of personality disorder and childhood experiences. Each paper is introduced with contextual material, and is followed by a series of questions that are intended to be used as educational exercises. This book will be essential reading for clinical and forensic psychologists, psychiatrists, community psychiatric nurses, social workers and students.

The complete texts of the documents that tell the story of the clashes and compromises that gave birth to the Unites States of America. Should the members of the government be elected by direct vote of the people? Should the government be headed by a single executive, and how powerful should that executive be? Should immigrants be allowed into the United States? How should judges be appointed? What human rights should be safe from government infringement? In 1787, these important questions and others were raised by such statesmen as Patrick Henry and John DeWitt as the states debated the merits of the proposed Constitution. Along with The Federalist Papers, this invaluable book documents the political context in which the Constitution was born. This volume includes the complete texts of the Anti-Federalist Papers and Constitutional Convention debates, commentaries, and an Index of Ideas. It also lists cross-references to its companion volume, The Federalist Papers, available in a Signet Classic edition. Edited and with an Introduction by Ralph Ketchum

THE SUNDAY TIMES BESTSELLER SHORTLISTED FOR THE CWA NON-FICTION DAGGER 'Thomas Grant has brought together Hutchinson's greatest legal hits, producing a fascinating episodic cultural history of post-war Britain that chronicles the end of deference and secrecy, and the advent of a more permissive society . . . Grant brings out the essence of each case, and Hutchinson's role, with clarity and wit' Ben Macintyre, The Times 'An excellent book . . . Grant recounts these trials in limpid prose which clarifies obscurities. A delicious flavouring of cool irony, which is so much more effective than hot indignation, covers his treatment of the small mindedness and cheapness behind some prosecutions' Richard Davenport-Hines, Guardian Born in 1915 into the fringes of the Bloomsbury Group, Jeremy Hutchinson went on to become the greatest criminal barrister of the 1960s, '70s and '80s. The cases of that period changed society for ever and Hutchinson's role in them was second to none. In Case Histories, Jeremy Hutchinson's most remarkable trials are examined, each one providing a fascinating look into Britain's post-war social, political and cultural history. Accessibly and entertainingly written, Case Histories provides a definitive account of Jeremy Hutchinson's life and work. From the sex and spying scandals which contributed to Harold Macmillan's resignation in 1963 and the subsequent fall of the Conservative government, to the fight against literary censorship through his defence of Lady Chatterley's Lover and Fanny Hill, Hutchinson was involved in many of the great trials of the period. He defended George Blake, Christine Keeler, Great Train robber Charlie Wilson, Kempton Bunton (the only man successfully to 'steal' a picture from the National Gallery), art 'faker' Tom Keating, and Howard Marks who, in a sensational defence, was acquitted of charges relating to the largest importation of cannabis in British history. He also prevented the suppression of Bernardo Bertolucci's notorious film Last Tango in Paris and did battle with Mary Whitehouse when she prosecuted the director of the play Romans in Britain. Above all else, Jeremy Hutchinson's career, both at the bar and later as a member of the House of Lords, has been one devoted to the preservation of individual liberty and to resisting the incursions of an overbearing state. Case Histories provides entertaining, vivid and revealing insights into what was really going on in those celebrated courtroom dramas that defined an age, as well as painting a picture of a remarkable life. To listen to Jeremy Hutchinson being interviewed by Helena Kennedy on BBC Radio 4's A Law Unto Themselves, please follow the link: http://www.bbc.co.uk/programmes/b04d4cpv You can also listen to him on BBC Radio 4's Desert Island Discs with Kirsty Young: http://www.bbc.co.uk/programmes/b03ddz8m

Described by Empire Magazine as 'Britain's best ever blues singer', John Martyn was one of rock music's last real mavericks. Despite chronic addiction to alcohol and drugs, he produced a string of matchless albums. Loved by fans and critics, loathed by ex-wives and managers, he survived the music business he despised for forty years. This book documents his upbringing in Glasgow and rise through the Scottish and London folk scenes of the 1960s, his many career highs and lows, and his friendships with the great lost souls of British rock music, Nick Drake and Paul Kossoff.

First published in 1944, during the darkest days of the war, Lord Wavell's great anthology of English poetry - enhanced by his own introduction and annotations - encouraged and delighted many thousands of readers. It has remained in print every since, proving beyond doubt that, whatever the fashion of the day, poetry can fulfil its ancient function, finding its way to the hearts of the many, not only to the minds of the few.

'Jimi Hendrix was not so much an element in a Periodic Table of Heavy Rock as an entire elemental spectrum in a parallel universe.' Welcome to The Periodic Table of Heavy Rock! Instead of hydrogen to helium, here you'll find Smashing Pumpkins to Spinal Tap - 118 artists that have defined this music genre arranged following the logical ordering of The Periodic Table of Elements. Many of these elements are as unstable and reactive as their chemical counterparts. Shared style influences and band members are all mapped out here, along with the vast spectrum of sound this genre. Grunge rock through to hardcore, blues rock, psychedelic rock, progressive rock, arena rock, glam rock and glam metal, punk rock, blues metal, 80s new wave, comedy metal, thrash, death, intelligent AND nu-metal are all represented here. Includes: Rolling Stones, Led Zeppelin, The Who, Jimi Hendrix, AC/DC, Queen, Iron Maiden, Alice Cooper, Yes, Slipknot, Nirvana, ZZ Top, Sex Pistols, Meat Loaf, Queens of the Stone Age, the Doors, Pixies, Frank Zappa, Slade, Marilyn Manson, The Beatles and Spinal Tap and many, many more...

Eric Hobsbawm's works have had a nearly incalculable effect across generations of readers and students, influencing more than the practice of history but also the perception of it. Born in Alexandria, Egypt, of second-generation British parents, Hobsbawm was orphaned at age fourteen in 1931. Living with an uncle in Berlin, he experienced the full force of world economic depression, and in the charged reaction to it in Germany was forced to choose between Nazism and Communism, which was no choice at all. Hobsbawm's lifelong allegiance to Communism inspired his pioneering work in social history, particularly the trilogy for which he is most famous--The Age of Revolution, The Age of Capital, and The Age of Empire--covering what he termed "the long nineteenth century" in Europe. Selling in the millions of copies, these held sway among generations of readers, some of whom went on to have prominent careers in politics and business. In this comprehensive biography of Hobsbawm, acclaimed historian Richard Evans (author of The Third Reich Trilogy, among other works) offers both a living portrait and vital insight into one of the most influential intellectual figures of the twentieth century. Using exclusive and unrestricted access to the unpublished material, Evans places Hobsbawm's writings within their historical and political context. Hobsbawm's Marxism made him a controversial figure but also, uniquely and universally, someone who commanded respect even among those who did not share-or who even outright rejected-his political beliefs. Eric Hobsbawm: A Life in History gives us one of the 20th century's most colorful and intellectually compelling figures. It is an intellectual life of the century itself.

When battle-hungry and obstinate Dinobot assumes charge of the Autobots and their mission of protecting Earth from the evil Decepticons, Optimus Prime realizes that the heroes may be even more dangerous than the villains.