This is the first book-length study of Tennyson's record of publication in Victorian periodicals. Despite Tennyson's supposed hostility to periodicals, Ledbetter shows that he made a career-long habit of contributing to them and in the process revealed not only his willingness to promote his career but also his status as a highly valued commodity. Tennyson published more than sixty poems in serial publications, from his debut as a Cambridge prize-winning poet with "Timbuctoo" in the Cambridge Chronicle and Journal to his last public composition as Poet Laureate with "The Death of the Duke of Clarence and Avondale" in The Nineteenth Century. In addition, poems such as "The Charge of the Light Brigade" were shaped by his reading of newspapers. Ledbetter explores the ironies and tensions created by Tennyson's attitudes toward publishing in Victorian periodicals and the undeniable benefits to his career. She situates the poet in an interdependent commodity relationship with periodicals, viewing his individual poems as textual modules embedded in a page of meaning inscribed by the periodical's history, the poet's relationship with the periodical's readers, an image sharing the page whether or not related to the poem, and cultural contexts that create new meanings for Tennyson's work. Her book enriches not only our understanding of Tennyson's relationship to periodical culture but the textual implications of a poem's relationship with other texts on a periodical page and the meanings available to specific groups of readers targeted by individual periodicals.

The Indian Mutiny of 1857 was the bloodiest insurrection in the history of the British Empire. It began with a large-scale uprising by native troops against their colonial masters, and soon developed into general rebellion as thousands of discontented civilians joined in. It is a tale of brutal murder and heroic resistance from which innocents on both sides could not escape. This work covers the story of the Mutiny. It challenges the accepted wisdom that a British victory was inevitable, showing just how close the mutineers came to dealing a fatal blow to the British Raj.

Gautam Chakravarty explores representations of the event which has become known in the British imagination as the 'Indian Mutiny' of 1857 in British popular fiction and historiography. Drawing on a wide range of primary sources including diaries, autobiographies and state papers, Chakravarty shows how narratives of the rebellion were inflected by the concerns of colonial policy and by the demands of imperial self-image. He goes on to discuss the wider context of British involvement in India from 1765 to the 1940s, and engages with constitutional debates, administrative measures, and the early nineteenth-century Anglo-Indian novel. Chakravarty approaches the mutiny from the perspectives of postcolonial theory as well as from historical and literary perspectives to show the extent to which the insurrection took hold of the popular imagination in both Britain and India. The book has a broad interdisciplinary appeal and will be of interest to scholars of English literature, British imperial history, modern Indian history and cultural studies.

The Cawnpore Well, Lucknow Residency, and Delhi Ridge were sacred places within the British imagination of India. Sanctified by the colonial administration in commemoration of victory over the 'Sepoy Mutiny' of 1857, they were read as emblems of empire which embodied the central tenets of sacrifice, fortitude, and military prowess that underpinned Britain's imperial project. Since independence, however, these sites have been rededicated in honour of the 'First War of Independence' and are thus sacred to the memory of those who revolted against colonial rule, rather than those who saved it. The 1857 Indian Uprising and the Politics of Commemoration tells the story of these and other commemorative landscapes and uses them as prisms through which to view over 150 years of Indian history. Based on extensive archival research from India and Britain, Sebastian Raj Pender traces the ways in which commemoration responded to the demands of successive historical moments by shaping the events of 1857 from the perspective of the present. By telling the history of India through the transformation of mnemonic space, this study shows that remembering the past is always a political act.