Van, a former soldier made slave, toils away endlessly in a salt mine. An expected chance at liberation drops in his lap when a pack of infected dogs pass through, killing everyone but him and a young girl called Yuna. Van hopes to make a peaceful life for himself now that he’s escaped. However, the disease that cleared out the mine is rapidly spreading, placing him and his ward at the center of a conflict greater than any the world has ever seen.

Van’s chase to rescue the kidnapped Yuna leads him to the Ahfal Oma, the People of the Fire Horse. They reveal that the sickness plaguing Aquafa is no random resurgence but a carefully orchestrated revenge plan, and they want the leader of the Lone Antlers to join. Van can’t abide a mad quest that threatens all of Aquafa, but he’s still only one man. And how can a single man stop a disease—especially one that already lives within him?

One girl. A reincarnated war god. The chance to stop the carnage before it begins.Emmaline Rain¿s father is the Stoneman. His responsibility: travel into Massaporan lands and end the life of the reincarnated Massaporan deity¿the Deer King¿the instant he is born. But when he fails in this task, the delicate equilibrium between Emmaline¿s people and the Massaporans is disturbed. It seems likely that the violence of the past will be renewed.Emmaline¿s father is soon murdered by a priest of the Bronze Titan for his shortcomings. Newly orphaned, Emmaline absconds with the Saving Stone in the hopes of finding the Deer King and completing her father¿s work. But when she comes face-to-face with the Deer King, she realizes that relations between her people and the Massaporans are more complicated than she has been led to believe. The Deer King is the first in a planned series of fantasy novellas set in Dreyland, a colonial world where the indigenous people rely on the strength of a reincarnated god to help them offset the technological superiority of the settlers.

You've never read a fantasy novel like this one! The deep well of Japanese myth merges with the Western fantasy tradition for a novel that's as rich in place and culture as it is hard to put down. Balsa was a wanderer and warrior for hire. Then she rescued a boy flung into a raging river -- and at that moment, her destiny changed. Now Balsa must protect the boy -- the Prince Chagum -- on his quest to deliver the great egg of the water spirit to its source in the sea. As they travel across the land of Yogo and discover the truth about the spirit, they find themselves hunted by two deadly enemies: the egg-eating monster Rarunga . . . and the prince's own father.

A man returns to his childhood hometown and discovers that the supernatural being he conjured as a teenager is still at large.

His inspiring tale reminds us that no one can be truly at peace unless all beings have a chance for peace, freedom, and happiness. The Banyan Deer is a wonderful, heart-warming gift for anyone who loves a great story. This beautiful hardcover edition will delight both adults and children alike.

Buddha comes to the city of Benares in the form of a golden deer and persuades the King to stop killing all the deer in the area.

NATIONAL BESTSELLER In this haunting and groundbreaking historical novel, Danielle Daniel imagines the lives of women in the Algonquin territories of the 1600s, a story inspired by her family’s ancestral link to a young girl who was murdered by French settlers. 1657. Marie, a gifted healer of the Deer Clan, does not want to marry the green-eyed soldier from France who has asked for her hand. But her people are threatened by disease and starvation and need help against the Iroquois and their English allies if they are to survive. When her chief begs her to accept the white man’s proposal, she cannot refuse him, and sheds her deerskin tunic for a borrowed blue wedding dress to become Pierre’s bride. 1675. Jeanne, Marie’s oldest child, is seventeen, neither white nor Algonquin, caught between worlds. Caught by her own desires, too. Her heart belongs to a girl named Josephine, but soon her father will have to find her a husband or be forced to pay a hefty fine to the French crown. Among her mother’s people, Jeanne would have been considered blessed, her two-spirited nature a sign of special wisdom. To the settlers of New France, and even to her own father, Jeanne is unnatural, sinful—a woman to be shunned, beaten, and much worse. With the poignant, unforgettable story of Marie and Jeanne, Danielle Daniel reaches back through the centuries to touch the very origin of the long history of violence against Indigenous women and the deliberate, equally violent disruption of First Nations cultures.

In the farthest wilds of northeastern Minnesota, back in the Gunflint Range, the author of this book and her artist-husband have a two-room cabin home in the bush country. Beginning one Christmas Day when they first watched the starving deer they later named Peter, the Hoovers had many opportunities, a passionate inclination, and the nature skills to observe this whitetail buck—joined later by his mate, and finally by several of their offspring—through the changing seasons of four years. Close as their relationship was to the generations of beautiful animals, the Hoovers did not consider them pets but fellow inhabitants of that wild country. Their observations reveal the rewards of living close to wild creatures; but more than that, they add valuable information to our knowledge of the cycle of life of the deer and other creatures native to the same world. For although the deer are the chief characters of this book, they are by no means the only wild creatures Mrs. Hoover writes of. Her naturalist’s eye is just as sharp and her affection just as great for the antics of a curious chickadee or a flying squirrel. Mrs. Hoover’s identification with nature knows no favoritism. The Hoovers’ world—the bush country of the United States-Canadian border—is farther removed from civilization than “Mr. Emerson’s woodlot,” but the close relationship of The Gift of the Deer to Walden is evident for all to enjoy. Adrian Hoover’s drawings are from life, and they add another level of understanding to his wife’s vivid prose.

This comprehensive history of Japanese animation draws on Japanese primary sources and testimony from industry professionals to explore the production and reception of anime, from its origins in Japanese cartoons of the 1920s and 30s to the international successes of companies such as Studio Ghibli and Nintendo, films such as Spirited Away and video game characters such as Pokémon.