London, 15 September 1940. The air battle over Britain on that day saw two of the most advanced fighter planes, the British Supermarine Spitfire and the German Messerschmitt Bf 109, battle for supremacy of the skies. The Decisive Duel tells the stories of these iconic, classic aircraft and the people that created them: Willy Messerschmitt, the German designer with a love for gliders and admiration for Hitler; R.J. Mitchell, his brilliant British counterpart, who struggled against illness to complete the design of the Spitfire. In fascinating detail, David Isby describes the crucial role the two opposed planes played, from the drawing boards to Dunkirk, the Battle of Britain to the final battles over Germany.

Fierce, searing, and darkly comical, Garriga's debut collection of short-short fiction depicts historical and imagined duels, re-envisioning in a flash the competing points of motivation—courage and cowardice, honor and vengeance—that lead individuals to risk it all. In this compact collection, “settling the score” provides a fascinating apparatus for exploring foundational civilizing ideas. Notions of courage, cowardice, and revenge course through Michael Garriga’s flash fiction pieces, each one of which captures a duel’s decisive moment from three distinct perspectives: opposing accounts from the individual duelists, followed by the third account of a witness. In razor-honed language, the voices of the duelists take center stage, training a spotlight on the litany of misguided beliefs and perceptions that lead individuals into such conflicts. From Cain and Abel to Andrew Jackson and Charles Dickenson; from John Henry and the steam drill to an alcoholic fighting the bottle: the cumulative effect of these powerful pieces is a probing and disconcerting look at humankind’s long-held notions of pride, honor, vengeance, and satisfaction. Meticulously crafted by Garriga, and with stunning illustrations by Tynan Kerr, The Book of Duels is a unique and remarkable debut.

Senator Thomas Hart Benton was a towering figure in Missouri politics. Elected in 1821, he was their first senator and served in Washington, DC, for more than thirty years. Like Andrew Jackson, with whom he had a long and complicated relationship, Benton came out of the developing western section of the young American Republic. The foremost Democratic leader in the Senate, he claimed to represent the rights of "the common man" against "monied interests" of the East. "Benton and the people," the Missourian was fond of saying, "are one and the same"—a bit of bombast that reveals a good deal about this seasoned politician who was himself a mass of contradictions. He possessed an enormous ego and a touchy sense of personal honor that led to violent results on several occasions. Yet this conflation of "the people" and their tribune raises questions not addressed in earlier biographies of Benton. Mueller provides a fascinating portrait of Senator Benton. His political character, while viewed as flawed by contemporary standards, is balanced by his unconditional devotion to his particular vision. Mueller evaluates Benton's career in light of his attitudes toward slavery, Indian removal, and the Mexican borderlands, among other topics, and reveals Benton's importance to a new generation of readers. He offers a more authentic portrait of the man than has heretofore been presented by either his detractors or his admirers.