THE DAYS BETWEEN Christmas and New Year’s Eve are dead days, when spirits roam and magic shifts restlessly just beneath the surface of our lives. A magician called Valerian must save his own life within those few days or pay the price for the pact he made with evil so many years ago. But alchemy and sorcery are no match against the demonic power pursuing him. Helping him is his servant, Boy, a child with no name and no past. The quick-witted orphan girl, Willow, is with them as they dig in death fields at midnight, and as they are swept into the sprawling blackness of a subterranean city on a journey from which there is no escape. Praise for The Book of Dead Days: “Beautifully paced and sometimes blood-soaked. . . . A very tangible sense of evil.”—The Guardian “Subtle menace and power.”—The Independent “Packed with drama, mystery, and intrigue.”—The Bookseller

A woman from Alan Gregory's past draws him into a deadly mystery in this exhilarating thriller from New York Times bestselling author Stephen White. Colorado psychologist Alan Gregory is struggling to repair his insecure marriage when he makes an unexpected connection with the past. His ex-wife Merideth needs his help. She claims that the surrogate mother of her unborn child has vanished without a trace—a mystery with unnerving connections to the disappearance of another young woman several years earlier at the base of the Grand Canyon. As new demons, old betrayals, and unknown enemies surface, Alan unearths a series of secrets someone will kill to keep buried, and deceptions that will forever change his life.

This book explores how modernity gives rise to temporal disorders when time cannot be assimilated and integrated into the realm of lived experience. It turns to Baudelaire and Flaubert in order to derive insights into the many temporal disorders (such as trauma, addiction, and fetishism) that pervade contemporary culture.

Marti MacAlister, a police detective and African-American widowed mother of two, gets thrown into the biggest case of her career when a maniac murderer targets a group of homeless children to be his next victims. In a desperate race against time, Marti must also battle her white partner's reservations. Martin's.

After a ten year hiatus, James O'Barr returned to The Crow with Dead Time, a story he envisioned as new Crow film. A tale of grief, reincarnation, and long-sought vengeance, Dead Time is adapted by John Wagner and illustrated by Alexander Maleev.

This text introduces the fundamental techniques for controlling dead-time processes from simple monovariable to complex multivariable cases. Dead-time-process-control problems are studied using classical proportional-integral-differential (PID) control for the simpler examples and dead-time-compensator (DTC) and model predictive control (MPC) methods for progressively more complex ones. Downloadable MATLAB® code makes the examples and ideas more convenient and simpler.

Four years ago, Jack Temple was a homicide detective. He asked one too many questions and found himself out of a job. Now he is a reporter for the Garden City Times, writing about cops and still asking too many questions. When the mutilated body of Temple's former girlfriend - the Mayor's daughter - is found frozen in a local park, Temple dusts off his detective skills to uncover the truth behind the grisly murder. As he digs for clues, Temple finds himself drawn into the most difficult and dangerous investigation of his career. As an FBI serial killer investigation team takes an interest in the case, Temple taps old friends and bitter enemies to pierce the mystery - why does the FBI believe so many cases are connected? In what becomes an international manhunt he questions whether murder suspects arrested are guilty or just a cover for the truth. In the Dead Times, Temple must use his wits and his fists to save himself and get the story of a lifetime.

In 1986, Cam Tribolet was on his way home from a night of drinking when, at a Ft. Wayne, Indiana, stoplight, three men tried to carjack him. During the assault, Cam was shot three times in the stomach. One bullet ripped through his aorta, another lodged near his back, and the third tore through his bowels, spewing infection throughout his body. Cam’s family was informed that he probably wouldn’t survive the night. But he did. In the days and weeks that followed, both of Cam’s legs would be amputated above the knee. He would endure thirty-six operations and require resuscitation thirteen times. His fiancée would break up with him in the hospital. He would become addicted to drugs to deal with the pain. And he would face the loss of his career. He would even contemplate suicide. But God was not done with Cam Tribolet. During his remarkable recovery, Cam befriended and eventually married his physical therapist, Sue, who was instrumental in helping him to find God and begin living again. Since then, his disability has not slowed him down. Cam became an engineer. He and Sue had one child and adopted another from Russia. Cam became an engineer, a father, a downhill skier, and more. Born out of tragedy, Cam’s life is fuller and more rewarding than he ever imagined it could be. His story of redemption, perseverance, and hope is for anyone who needs to discover that our God is a God of amazing second chances.

“[A] vivid, gripping account of inhuman cruelty, laced with rays of hope and courage and dignity amidst the horrors” (Noam Chomsky, leading public intellectual and author of Hopes and Prospects). A dramatic true story of men and women trapped in the grip of war, Next Time They’ll Come to Count the Dead is modern crisis reporting at its best. For six weeks in the spring of 2015, award-winning journalist Nick Turse traveled on foot, as well as by car, SUV, and helicopter, around war-torn South Sudan, talking to military officers and child soldiers, United Nations officials and humanitarian workers, civil servants, civil society activists, and internally displaced persons—people whose lives had been blown apart by a ceaseless conflict there. In a fast-paced and emotionally powerful fashion, Turse reveals the harsh reality of modern warfare in the developing world and the ways people manage to survive the unimaginable. Next Time They’ll Come to Count the Dead isn’t about combat. It’s about the human condition, about ordinary people thrust into extraordinary circumstances, and about death, life, and the crimes of war in the newest nation on earth. “The average journalist follows the herd of others. A bold one like Nick Turse goes to where the herd isn’t. His searing reporting in this book brings alive the suffering of a country that the United States, midwife to its birth, has largely forgotten.” ―Adam Hochschild, author of King Leopold’s Ghost and Mirror at Midnight

Many cultures have celebrations that commemorate their ancestors. Mexico's celebration, los Días de Muertos, the Days of the Dead, can be like a carnival. Young people throng the streets dressed up in ghoulish costumes. They beg for calaveras - treats - like candy skulls made of sugar or chocolate, and everyone buys pan de muerto, a bread decorated with a patter of bones. This is also a time for families to reunite in remembrance of those who have died. People go to market to buy what is needed for the ofrenda, or offering, to the souls of the departed - special foods and other items. The next morning, everyone goes to the cemetery to visit the graves of loved ones who have died. All through the night, they pray and sing by candlelight in celebration of the Days of the Dead. Author Kathryn Lasky and photographer Christopher G. Knight capture the spirit of this vibrant holiday with vivid prose and brilliant, full-color photographs.