Sunday, 3 September 1939: the dawn of a new conflict that would engulf the world, following the words of Prime Minister Neville Chamberlain: 'This country is at war with Germany'. By the time World War II ended in 1945, nearly half a million people from Britain and its empire had lost their lives, and the world had changed forever. Eighty years on, a look back at the lives of British people in September 1939 reveals a very different world from the one we know today. Unprecedented hardship lay ahead for a country where free healthcare for all was unknown: strict rationing of food and petrol, conscription for both sexes, and personal tragedy year after year amidst the chaos of Britain's bombed out cities and ports. What was it really like to be living in Britain in September 1939? The Day the War Broke Out is a fresh insight into the hearts and minds of a nation on that fateful day. With exclusive personal interviews, untold stories, wartime diaries and newspaper reports, it reveals the innermost fears and hopes of a society on the brink of war: through the eyes of young mothers fearful for their families, bewildered children painfully cut adrift from loved ones, and men of all ages, many now facing combat for the second time in their lives. These are personal, intimate snapshots from eighty years ago - when the entire world, virtually overnight, seemed to have been turned upside down - and of how a nation faced this new world with courage, humour and stoicism.

At 3 p.m. on 8 May 1945, Prime Minister Winston Churchill made a long-awaited speech in which he officially declared the war in Europe to be over. After six bitter years of conflict, however, perceptions of how victory over Nazism was to be celebrated and what post-war Britain should look like were very different from the visions of the people and the politicians in 1939. Illustrated with photographs, adverts, posters and cartoons, The Day the Peace Broke Out describes the VE-Day celebrations in Britain and across the world through the memories of those who were there, combined with contemporary newspaper and magazine articles. Mike Brown, an authority on the British Home Front of the Second World War, charts the nation's progressive change of heart from defeatism to growing confidence of certain victory. He looks at the immediate post-VE-Day period and the celebration of victory over Japan in August 1945. What should have been a story with a happy ending concludes with the harsh realisation of post-war austerity and the increasing disillusionment that led many Britons to conclude that they had won the war but lost the peace.

Familiar though it seems in many ways, we are much less clear about what the Great War was actually about. It stands in sharp contrast to the Second World War, which we usually think of (not, let it be said, entirely accurately) as a war to stop the spread of Nazism. Since most people see Nazism as a uniquely evil creed, the Second World War, for all its many moral compromises and double standards, remains for most people a Just War: we know which sides were the 'Good Guys' and which the 'Bad'. No such certainty holds good for the First World War. Beyond a vague awareness that the Germans invaded Belgium (and even this is eclipsed in popular consciousness by the 1939 German invasion of Poland) few people nowadays could pinpoint exactly why Britain entered the war, and fewer still could say why the war needed to go on as long as it did. The manner in which the First World War broke out has long been the subject of satirical comment. Oh! What a Lovely War!, Joan Littlewood's celebrated 1964 Theatre Workshop production, later filmed by Richard Attenborough and still regularly performed in amateur productions, presented the outbreak of war in scathingly comic terms, as a falling-out among heavily caricatured national stereotypes. In the BBC TV satirical show Blackadder Goes Forth, Captain Blackadder gives a fairly accurate overview of the alliance system designed to prevent war breaking out in Europe but adds that this plan contained just one tiny flaw: 'It was bollocks'. Since satire has a way of settling in the memory more securely than the truth ever can, it is perhaps worth getting clear at the outset a rather more accurate outline of the events that resulted in a general European war breaking out in August 1914.

Synopsis coming soon.......

Ey up, it's not only footie, pints and pies that are better up north - the humour also takes some beating. Whether it's comics like Peter Kay, Les Dawson and Victoria Wood, telly shows like Corrie and Open All Hours, or writers like Alan Bennett and Keith Waterhouse, the funniest and best-loved invariably hail from the land of perpetual drizzle (another thing they do better). This grand collection of northern wit is packed with these favourites and more. Likely lads and lippy lasses cast a wry eye on subjects close to the heart of every northerner, including - brass, grub, graft, courting, cricket, tittle-tattle and t'weather - adding up to a feast of northern hilarity.